Italy Box Office for Good Boys - Quei cattivi ragazzi (2019)

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Good Boys
Theatrical Performance (US$)
Italy Box Office $44,569Details
Worldwide Box Office $111,174,248Details
Home Market Performance
North America DVD Sales $3,953,222 Details
North America Blu-ray Sales $5,071,874 Details
Total North America Video Sales $9,025,096
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After being invited to his first kissing party, 12-year-old Max is panicking because he doesn’t know how to kiss. Eager for some pointers, Max and his best friends Thor and Lucas decide to use Max’s dad’s drone—which Max is forbidden to touch—to spy (they think) on a teenage couple making out next door. But when things go ridiculously wrong, the drone is destroyed. Desperate to replace it before Max’s dad gets home, the boys skip school and set off on an odyssey of epically bad decisions involving some accidentally stolen drugs, frat-house paintball, and running from both the cops and terrifying teenage girls.

Metrics

Movie Details

Production Budget:$20,000,000
Italy Releases: September 12th, 2019 (Wide), released as Good Boys - Quei cattivi ragazzi
Video Release: October 29th, 2019 by Universal Home Entertainment
December 16th, 2019 by Universal Pictures UK
MPAA Rating: R for strong crude sexual content, drug and alcohol material, and language throughout - all involving tweens.
(Rating bulletin 2568 (Cert #52064), 3/6/2019)
Running Time: 100 minutes
Keywords: Skipping School, Narcotics, Parties Gone Wild, Buddy Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Good Universe, Point Grey, Universal Pictures
Production Countries: United States
Languages: English

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 12th, 2019

November 14th, 2019

Star Trek: Discovery: Season Two

There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people. More...

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

Weekend Wrap-Up: It Dominates the Chart, Maybe Reinvigorates the Box Office

September 10th, 2019

It: Chapter Two

It: Chapter Two dominated the box office by almost as large a margin as expected. It certainly did well enough that I’m considering it a victory. It earned $91.06 million over the weekend, which is almost exactly what the total box office made last weekend. More importantly, it is almost as much as the top five made this weekend last year, giving the weekend box office a massive increase of 48% from last weekend to $136 million and more importantly, this was 12% more than the same weekend last year. 2019 is still behind 2018 by a massive margin of $500 million or 6.0% at $7.83 billion to $8.33 billion. However, we did catch up to 2017’s ticket sales pace, so as long as we can maintain this pace for the rest of the year, it won’t look like a disaster at the end of the year. More...

Weekend Estimates: Chapter Two is Number Two on September Chart

September 8th, 2019

It: Chapter Two

It: Chapter Two is missing expectations with an estimated opening weekend of $91.0 million. However, while this is 10% lower than predicted, it is still more than enough to earn second place on the September chart. In fact, it is nearly 70% higher than the third biggest September debut of all time, The Nun, which opened this weekend last year. That’s really going to help the year-over-year comparison. As for the film’s long-range chances, they are mixed. Horror movies rarely have long legs and this is also true of sequels, so horror sequels almost never do well long-term. Additionally, this film’s reviews are much weaker than the first film’s reviews, but on the positive side, it did match its predecessor when it came to the CinemaScore, as both earned B plus ratings. More...

Friday Estimates: It on Pace for Second-Best September Debut

September 7th, 2019

It: Chapter Two

It: Chapter Two isn’t living up to predictions or its predecessor, but it is still on pace to become one of the best September debuts of all time. The film pulled in $37.4 million on Friday, putting it on pace for just over $90 million over the full weekend. It is going to have shorter legs that the original had, thanks in part to the Sequel Effect, but also due to its weaker reviews. On the positive side, it matched the original’s B plus from CinemaScore, so that’s a good sign. More...

Weekend Predictions: It is All We Got

September 5th, 2019

It: Chapter Two

It’s going to be a short prediction column, because there’s not much to talk about. It: Chapter Two is the only wide release of the week and there weren’t even any wide releases last weekend to give It any real competition. In fact, two of the likely top five films have already been in theaters for more than a month. last year, The Nun led the way with $53.81 million. It: Chapter Two could double that during its opening weekend. More...

Weekend Wrap-Up: Almost Nothing Worked on Labor Day Long Weekend

September 4th, 2019

Angel Has Fallen

There were no new wide releases this past weekend and unfortunately, the holdovers weren’t able to take advantage. Angel Has Fallen remained on top, but it did so with only $11.80 million over the three-day weekend. This wasn’t enough to match expectations or last year’s number one film, Crazy Rich Asians. The overall box office fell 18% from last weekend, falling to $89 million. Worse still, this is 10% lower than this weekend last year, putting 2019 behind 2018 by a 6.2% or $510 million at $7.64 billion to $8.15 billion. On the positive note, this is likely the low point of the year and the Fall looks a lot stronger, starting with It: Chapter Two this coming weekend. More...

Weekend Estimates: Everyone Takes it Easy on Labor Day

September 1st, 2019

Angel Has Fallen

There were no wide releases this weekend, so I really thought the holdovers would hold on a lot better than they did. According to estimates, Angel Has Fallen has fallen 46% during its second weekend of release to $11.58 million and is projected to earn $15 million over the four-day weekend. A 46% sophomore stint decline would have been great, if this weren’t a holiday weekend. As it is, it’s a little disappointing, but the film will still do well enough to earn a profit. ... “Profitable disappointment.” How many times can that phrase be used this year? More...

Friday Estimates: Holdovers Also Go on Holiday

August 31st, 2019

Angel Has Fallen

There were no new wide releases on Friday, and sadly the holdovers didn’t thrive as a result. It’s going to be a brutal weekend at the box office. Angel Has Fallen topped the chart on Friday, but wasn’t able to match expectations with $2.9 million. That said, it is still on pace for $15 million over the full four-day weekend for a two-week total of $44 million, which is a good result for this time of year. More...

Weekend Predictions: New Releases Go on Holidays

August 29th, 2019

Angel Has Fallen

It’s the final weekend of the summer, Labor Day weekend. Officially it is the final weekend of the summer, but if you’ve been paying attention to the box office, then you know summer really ended with the release of Fast and Furious Presents: Hobbs and Shaw weeks ago. This long weekend, movie studios have just given up and there are no wide, or even semi-wide releases to talk about. This means the top five will look about the same as it did last weekend with Angel Has Fallen on top, while some of the holdovers, specifically Good Boys and The Lion King, should take advantage of the lack of competition. Meanwhile, this weekend last year, Crazy Rich Asians remained the top film at the box office and will likely beat any of this week’s offerings. In fact, none of the films playing this year will earn as much over four days as Crazy Rich Asians did over three. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Estimates: Angel Doesn’t Fall, Overcome Can’t, Ready Was Ready

August 25th, 2019

Angel Has Fallen

There is some good news to talk about and that’s been depressingly rare this year. Angel Has Fallen is beating expectations with an estimated opening of $21.25 million. This opening is just behind London Has Fallen’s debut. Additionally, Angel has better reviews and matched the previous film’s A minus from CinemaScore, so it should have similar legs. It is too soon to tell how it will do internationally, but given the franchise’s performance so far, I remain optimistic. More...

Friday Estimates: Angel Rises from London

August 24th, 2019

Angel Has Fallen

Angel Has Fallen earned an estimated $7.9 million on Friday. Amazingly, this is an improvement over the $7.51 million earned by London has Fallen during its opening day. Most people, myself included, assumed this film would suffer a deep decline. This film also earned better reviews, while both films earned an A minus from CinemaScore. On the other hand, the film did earn less during the 24-hour Friday period, so that suggests a slightly smaller opening weekend. Even so, it will beat our prediction with just over $21 million. More...

Weekend Predictions: Summer Slows to a Crawl

August 22nd, 2019

Angel Has Fallen

There are three wide releases this week, but only one of them, Angel Has Fallen, is widely expected to do anything at the box office. Overcomer is a faith-based film and those are a risk at the box office, but the people behind this one do have a good track record. Finally there’s Ready or Not, the widest ever release for Fox Searchlight and its reviews are easily the best of the week, but the buzz suggests that won’t be enough to thrive. This weekend last year, Crazy Rich Asians dipped just 6% earning just over $24 million. No film is going to match that figure this week. There’s a chance all three wide releases won’t match that figure this week, combined. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Good Boys Trailer

July 16th, 2019

Comedy starring Jacob Tremblay, Keith L. Williams, and Brady Noon opens August 16 ... Full Movie Details.

After being invited to his first kissing party, 12-year-old Max is panicking because he doesn’t know how to kiss. Eager for some pointers, Max and his best friends Thor and Lucas decide to use Max’s dad’s drone—which Max is forbidden to touch—to spy (they think) on a teenage couple making out next door. But when things go ridiculously wrong, the drone is destroyed. Desperate to replace it before Max’s dad gets home, the boys skip school and set off on an odyssey of epically bad decisions involving some accidentally stolen drugs, frat-house paintball, and running from both the cops and terrifying teenage girls. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/13 15 $34,310   0     $34,310 1
2019/09/20 - $51 -100% 2 $26   $44,569 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/20/2019 $860,752 227 227 1030 $3,667,518 12/11/2019
Austria 8/23/2019 $202,326 63 66 414 $847,761 12/4/2019
Belgium 9/18/2019 $50,914 24 24 79 $171,065 10/23/2019
Bolivia 11/28/2019 $10,381 15 15 27 $22,486 12/25/2019
Bulgaria 8/16/2019 $19,151 0 0 0 $121,732 10/23/2019
Central America 10/31/2019 $98,000 59 59 69 $104,907 11/27/2019
Chile 9/19/2019 $26,693 25 25 34 $40,117 10/9/2019
Colombia 9/19/2019 $90,802 158 158 163 $132,665 11/25/2020
Croatia 8/15/2019 $13,756 21 21 54 $56,795 7/1/2020
Denmark 9/12/2019 $108,834 39 39 159 $394,584 12/4/2019
Ecuador 9/20/2019 $28,187 34 34 98 $86,140 10/23/2019
Estonia 8/23/2019 $41,175 24 24 86 $170,554 10/2/2019
Finland 8/30/2019 $68,336 50 50 122 $182,536 11/13/2019
France 8/21/2019 $361,520 208 208 576 $916,529 9/18/2019
Germany 8/22/2019 $975,706 369 457 3025 $5,371,408 11/13/2019
Hong Kong 9/5/2019 $202,500 39 39 163 $519,989 10/16/2019
Hungary 8/15/2019 $224,882 55 61 351 $1,070,595 10/19/2022
Iceland 8/23/2019 $34,749 8 8 32 $119,561 10/16/2019
Indonesia 9/25/2019 $129,653 150 150 154 $153,491 10/28/2019
Israel 8/15/2019 $148,528 24 24 176 $811,039 10/19/2022
Italy 9/12/2019 $34,310 0 2 2 $44,569 9/25/2019
Japan 6/12/2020 $78,811 51 51 247 $258,079 8/26/2020
Latvia 8/16/2019 $9,437 9 9 44 $84,377 10/16/2019
Lithuania 8/23/2019 $13,359 14 14 45 $71,456 10/9/2019
Mexico 10/11/2019 $232,779 0 58 101 $523,862 10/19/2022
Netherlands 8/23/2019 $275,701 81 82 494 $1,402,009 10/19/2022
New Zealand 9/19/2019 $86,116 55 59 260 $453,175 10/19/2022
North America 8/16/2019 $21,402,605 3,204 3,458 21,155 $83,140,306 2/24/2020
Norway 8/16/2019 $188,154 89 89 344 $707,204 12/18/2019
Peru 10/24/2019 $24,380 40 40 40 $31,101 10/30/2019
Philippines 8/28/2019 $2,901 24 24 28 $4,457 9/11/2019
Poland 8/30/2019 $163,001 130 130 379 $465,366 10/19/2022
Portugal 8/23/2019 $18,475 41 41 114 $66,765 10/19/2022
Romania 8/16/2019 $44,766 70 70 209 $174,262 12/18/2019
Russia (CIS) 9/6/2019 $1,523 3 3 15 $22,331 10/19/2022
Serbia and Montenegro 8/15/2019 $6,257 11 11 29 $18,469 9/18/2019
Singapore 9/12/2019 $13,901 10 10 23 $28,131 10/9/2019
Slovenia 8/15/2019 $15,110 12 12 77 $107,692 11/20/2019
South Africa 8/30/2019 $26,567 41 42 118 $83,722 11/13/2019
Spain 8/23/2019 $442,697 235 236 1193 $2,331,938 11/20/2019
Sweden 8/14/2019 $171,093 95 95 307 $530,730 12/25/2019
Switzerland 8/21/2019 $114,695 52 52 289 $546,031 11/20/2019
Taiwan 9/13/2019 $141,000 61 61 165 $258,775 10/16/2019
Thailand 9/12/2019 $68,158 40 40 81 $122,965 10/23/2019
Trinidad 8/14/2019 $48,302 19 19 63 $150,697 11/27/2019
Turkey 9/6/2019 $13,754 126 126 160 $24,900 10/19/2022
Ukraine 8/15/2019 $210,689 177 177 521 $605,642 9/25/2019
United Kingdom 8/16/2019 $1,025,846 474 474 1935 $3,824,828 10/9/2019
Uruguay 10/24/2019 $4,656 8 8 25 $16,687 12/18/2019
Venezuela 9/6/2019 $0 0 0 0 $112,250 10/16/2019
 
Worldwide Total$111,174,248 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jacob Tremblay    Max
Keith L. Williams    Lucas
Brady Noon    Thor

Supporting Cast

Molly Gordon    Hannah
Lil Rel Howery    Lucas’s Dad
Midori Francis    Lilly
Will Forte    Max’s Dad
Izaac Wang    Soren
Millie Davis    Brixlee
Joshua Caras    Benji
Mariessa Portelance    Max’s Mom
Retta*    Lucas’s Mother
Michaela Watkins    Saleswoman
Christian Darrel Scott    Marcus
Macie Juiles    Taylor
Chance Hurtsfield    Atticus
Enid-Raye Adams    Thor’s Mom
Christian Haas    Clerk
Sam Richardson    Officer Sacks
Benita Ha    Soren’s Mom
Alexander Calvert    Daniel
Cam Hilts    Another Frat Guy
Kevin Fortin    Thinning Hair Frat Bro
Yusuf Ahmed    Large Frat Brother
Everett Adams    Scab Leader
Nevis Unipan    Scab Kid
Jonah Peacock    Theatrical Scab Member
Marcia Moulton    Mall Security Guard
Carla Marie Kelley    Toddler’s Mother (Mall)
Jon Layo    Mall Janitor
Weston Thomas    Toddler (Mall)
Maja Aro    Female Driver
Aydan Topacio    Scooter Kid
Keona Nahanee    Random Kid (Chorus)
Matt Ellis    Mr. K
William “Bigsleeps” Stewart    Delivery Man
Vanessa Przada    Kissing Party Girl
Jaiven Natt    Kissing Party Boy
Aaron Paul Stewart    Dickless Pledge
Keone Rebeiro    Bully #1
Arianna Elizabeth Savady    Small Girl
Leo Polanski    Tall Skinny Boy
Victoria Hunter    Theater Kid
Haven O’Sullivan    Theater Kid
Eva Krishnamurti    Theater Kid
Matthew Mintisis    Theater Kid
Sophie Van Blockland    Theater Kid
Nolen Dubuc    Theater Kid
Sean Quan    Choir Child
Dakota Guppy    Choir Child
Jim Hibbard    Old Man (Mall Dancer)/ND Skeleton
Scott Augustine    Cart Pusher (Mall Dancer)/Thor Skeleton
Marlee-Grace Becker    Girl (Mall Dancer)/ND Skeleton
Kane Nelson    Condiment Man (Mall Dancer)/Max Skeleton
Vanessa Young    Breastfeeding Mom
Cody Davis    Bullied Scab Kid
Andrew Anderson    Taxi Driver
Natasha Davidson    Woman with Stroller
Jaron Melanson    Pot Smoking Bro
Jocelyne Gaumond    Food Court Patron
Zac Siewert    Max Skeleton
Mark Samuels    Lucas Skeleton
Joanne Pesusich    ND Skeleton
Daniella Dib    ND Skeleton
Taylor Greening    ND Skeleton
Craig Hempsted    ND Skeleton
Charley Pachaud    ND Skeleton
Vicky Lambert    ND Skeleton/Animatronic Dancer #2
Yuvraj Kalsi    Crying Boy
Lina Renna    Annabelle
Zoriah Wong    Scout
Marc Joseph    Carlos
Rian McCririck    Older Boy #1
Audrey Smallman    Locker Girl
Paul Becker    Animatronic Dancer #1
Leah McKesey    Animatronic Dancer #3
Matteo Christopher Pellizzari    Henry
Lee Eisenberg    Leigh
Tasha Reign    Stepmom

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gene Stupnitsky    Director
Lee Eisenberg    Screenwriter
Gene Stupnitsky    Screenwriter
Seth Rogen    Producer
Evan Goldberg    Producer
James Weaver    Producer
Lee Eisenberg    Producer
John Powers Middleton    Executive Producer
Nathan Kahane    Executive Producer
Brady Fujikawa    Executive Producer
Josh Fagen    Executive Producer
Jeremy Stanbridge    Production Designer
Daniel Gabbe    Editor
Lyle Workman    Composer
Jonathan Furmanski    Director of Photography
Carla Hetland    Costume Designer
Kelli Konop    Co-Producer
Daniel Clarke    Co-Producer
Michelle Silverman    Music Supervisor
Rich Delia    Casting Director
Joshua Hauca    Production Manager
Daniel Miller    First Assistant Director
Florian Halbedl    Second Assistant Director
John Phillips    Associate Producer
Beth Stelling    Associate Producer
Sean Goojha    Art Director
Victoria Pearson    Set Decorator
Donald Painchaud    Sound Mixer
Chris Duesterdiek    Sound Mixer
Paul Benjamin    Special Effects Coordinator
Rena Campbell    Costume Supervisor
Lisa Love    Make up
Sandra J. Lindala    Special Make-up Effects
Anji Bemben    Hairstylist
Patti Henderson    Script Supervisor
Myles Lennig    Location Manager
Ernest Jackson    Second Unit Director
Tad Nazar    Sound Mixer
Lara Fox    Script Supervisor
Paul Zucker    Additional Editor
Christopher Talson    Assistant Editor
Richard Ziegler    Music Editor
Nicole Shay LaLoggia    Post-Production Supervisor
David E. Fluhr    Re-recording Mixer
Gabriel J. Serrano    Re-recording Mixer
Perry Robertson    Supervising Sound Editor
Scott Sanders    Supervising Sound Editor
Kevin A. Zimmerman    Sound Editor
Jacob McNaughton    Foley Mixer
Stefanie Fink    Executive Music Producer
Alana da Fonseca    Executive Music Producer
John Chapman    Score Mixer
Chris Fogel    Score Mixer
Raoul Yorke Bolognini    Visual Effects Producer
Raoul Yorke Bolognini    Visual Effects Supervisor
Andrew Karr    Visual Effects Supervisor
Jeff Goldman    Visual Effects Supervisor
Richard Ivan Mann    Visual Effects Producer
Culley Bunker    Visual Effects Supervisor
Kimberly Church    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.