Portugal Box Office for Our Brand is Crisis (2015)

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Our Brand is Crisis poster
Theatrical Performance (US$)
Portugal Box Office $85,170Details
Worldwide Box Office $8,594,558Details
Home Market Performance
North America DVD Sales $1,268,014 Details
North America Blu-ray Sales $471,533 Details
Total North America Video Sales $1,739,547
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A Bolivian presidential candidate failing badly in the polls enlists the firepower of an elite American management team, led by the deeply damaged but still brilliant strategist “Calamity” Jane Bodine. In self-imposed retirement following a scandal that earned her nickname and rocked her to her core, Jane is coaxed back into the game for the chance to beat her professional nemesis, the loathsome Pat Candy, now coaching the opposition. But as Candy zeroes in on every vulnerability – both on and off the campaign trail – Jane is plunged into a personal crisis as intense as the one her team exploits nationally to boost their numbers. “Our Brand is Crisis” reveals the cynical machinations and private battles of world-class political consultants for whom nothing is sacred and winning is all that matters.

Metrics

Movie Details

Production Budget:$28,000,000
Portugal Releases: November 19th, 2015 (Wide)
Video Release: January 19th, 2016 by Warner Home Video
MPAA Rating: R for language including some sexual references.
(Rating bulletin 2393, 9/30/2015)
Running Time: 100 minutes
Keywords: Set in Bolivia, Political, Political Campaign, 2000s, Professional Rivalry, Comedy Drama, Inspired by a True Story
Source:Based on Movie
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Participant Media, Warner Bros., Smokehouse Pictures, RatPac Entertainment, Dune Entertainment
Production Countries: United States
Languages: English, Spanish

Home Market Releases for February 2nd, 2016

February 2nd, 2016

Snow White and the Seven Dwarfs

This week the home market is led by a Blu-ray double-dip, Snow White and the Seven Dwarfs, while there is also an Oscar contender, Bridge of Spies, on the top. After that, the list is filled with bombs and weaker limited releases. It was an easy choice to select Snow White as Pick of the Week. More...

Weekend Wrap-Up: Spectre Doesn't Break Records, but Earns More Than Just Peanuts

November 9th, 2015

The Peanuts Movie

It was a good weekend at the box office, but not a great weekend. Both Spectre and The Peanuts Movie opened well enough to be considered hits, but didn't quite reach the high marks I had expected. Call it irrational exuberance. Even though Spectre didn't break the record for the Bond franchise, it still did almost as well as all of the box office did last weekend. Additionally, The Peanuts Movie opened with more than $40 million, which is a great start, while its target audience should help its legs. The overall box office was $162 million, which is 115% more than last weekend. It was also 3.0% more than the same weekend last week, so the slump we've been in is officially over. Year-to-date, 2015 is now ahead of 2014 by a 4.9% margin at $8.89 billion to $8.48 billion. A $415 million lead with less than two months to go seems really safe, especially with a few more potential monster hits on the way. More...

Contest: Crisis Management: Winning Announcement

November 5th, 2015

Our Brand is Crisis

The winners of our Crisis Management contest contest were determined and the entrants with the closest predictions for Our Brand is Crisis opening weekend were... More...

Weekend Wrap-Up: Box Office is in Crisis Mode

November 2nd, 2015

Our Brand is Crisis

Most people expected the box office to be really weak this past weekend, but I don't think anyone anticipated this. How bad was this past weekend? All three new releases missed the Mendoza line* and there were no new releases in the top five. The overall box office was just $75 million, which was the lowest for the year and the fourth worst weekend in the past decade. This represents a 28% drop-off from last week and a 21% drop-off from the same weekend last year. 2015's overall lead over 2014 shrunk from 5.2% to 4.7%. The overall lead fell by $40 million at $8.69 billion to $8.31 billion. This is reason to panic, or it would be if Spectre wasn't opening on Friday. The film is breaking records in the U.K. and should be an explosive hit here. Hopefully it will do well enough that we can pretend the past two weeks never happened. More...

Weekend Estimates: Martian Avoids the Burnt Zombie Crisis

November 1st, 2015

The Martian

Halloween is a horror show for new releases, with none of them able to break a $2,000 theater average and The Martian enjoying a fourth weekend at the top of the chart. The sci-fi movie will earn about $11.4 million this weekend, for a total of $182.8 million, per Fox’s Sunday morning projection—down 28% from last weekend. The adult-skewing audience for the film meant it wasn’t badly affected by Halloween on Saturday, with its daily gross up 32% from Friday. In comparison, Goosebumps was up just 9% on Saturday, which leaves it too much to do to steal top spot. Sony projects the family adventure-horror film will end the weekend with $10.25 million over three days and $57.1 million in total. The new wide releases, meanwhile, will barely earn $10 million between them. More...

Friday Estimates: Halloween Haunts the Box Office

October 31st, 2015

Scouts Guide to the Zombie Apocalypse

Because Halloween is a dead zone for the box office when it lands during the weekend, it has a major effect on the box office. Therefore, it is important for box office analysts to compare weekends where the holiday lands on the same day. This is a problem, because the last time Halloween landed on a Saturday was 2009. The only film to open wide that weekend was Michael Jackson's This is It, which is in no way similar to any of the movies that opened wide this weekend. The previous similar weekend was in 1998, but while Vampires is a closer match to Scouts Guide to the Zombie Apocalypse, the box office has changed too much to compare the films. We're flying blind this weekend. Fortunately, even flying blind, it is easy to make one declaration: All three wide releases bombed. More...

Weekend Predictions: Halloween Horrors

October 29th, 2015

Our Brand is Crisis

Halloween is a dead zone for the box office, for the most part, and this year it lands on Saturday. Unless we are dealing with a horror film, it's going to be a bad weekend. There are two truly wide openings this weekend, Burnt and Our Brand is Crisis, neither of which are horror films. There is also one semi-wide release, Scouts Guide to the Zombie Apocalypse, which is a horror movie, but the buzz is so quiet I don't think it will matter. All three movies are earning bad reviews and it looks like the top three this weekend will be the same as they were last weekend. (There's a chance Goosebumps gets a big enough Halloween boost to climb into first place.) This weekend last year, there was only one new release in the top ten, Nightcrawler, which earned second place with just over $10 million. That's better than any one of the new releases will do this year; however, there's better depth this year, so I think 2015 will come out on top on the year-over-year comparison. More...

Contest: Crisis Management

October 23rd, 2015

Our Brand is Crisis

Next weekend three films are opening wide, maybe, sort of? Halloween is on Saturday, which is a dead zone for the box office, so I don't think the studios are too concerned about the movies they are releases. Burnt might be opening in limited release this week and expanding wide next weekend, or it might be opening wide next weekend. (I just read a source that had it opening wide this week. Confusion like that can't help the film.) Scout's Guide to the Zombie Apocalypse is opening at least semi-wide, but it is also coming out on VOD just a few weeks later, so a lot of theater owners are balking at the film. That leaves Our Brand is Crisis. I doubt it will be a hit, but I think it has the best shot at earning number one out of these three films. As such, it is the only choice for the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Our Brand is Crisis.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. This is the last time we will be doing this for Halloween, but we're doing it again for Christmas, with two presents and a lump of coal. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: October

October 1st, 2015

The Martian

September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/11/20 7 $27,496   24 $1,146   $27,496 1
2015/11/27 8 $15,368 -44% 22 $699   $59,383 2
2015/12/04 13 $5,644 -63% 21 $269   $69,448 3
2015/12/11 23 $753 -87% 8 $94   $85,170 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 1/22/2016 $3,251 6 6 11 $6,687 6/9/2016
Bolivia 11/26/2015 $33,859 10 11 35 $114,527 12/31/2018
Germany 1/21/2016 $22,317 57 57 57 $22,317 6/9/2016
Hong Kong 1/21/2016 $28,731 14 14 23 $44,054 11/15/2018
Iraq 1/21/2016 $618 1 1 1 $618 12/31/2018
Israel 12/10/2015 $29,272 13 13 26 $40,666 12/30/2018
Kuwait 1/21/2016 $32,659 7 7 7 $32,659 12/31/2018
Lebanon 1/21/2016 $9,994 3 3 5 $29,034 12/31/2018
North America 10/30/2015 $3,249,242 2,202 2,202 5,139 $7,002,261
Portugal 11/19/2015 $27,496 24 24 75 $85,170 12/16/2015
Singapore 1/14/2016 $20,470 9 10 21 $38,448 6/9/2016
Taiwan 11/27/2015 $352,220 83 83 234 $1,007,501 9/5/2016
United Arab Emirates 1/21/2016 $69,029 28 28 29 $94,453 12/31/2018
United Kingdom 1/22/2016 $39,667 119 119 133 $76,163 6/9/2016
 
Worldwide Total$8,594,558 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sandra Bullock    Jane
Billy Bob Thornton    Pat Candy

Supporting Cast

Anthony Mackie    Ben
Joaquim de Almeida    Castillo
Ann Dowd    Nell
Scoot McNairy    Buckley
Zoe Kazan    LeBlanc
Dominic Flores    Hugo
Reynaldo Pacheco    Eddie
Louis Arcella    Rivera
Octavio Gomez Berrios    Pepe
Luis Chavez    Abraham
Azucena Diaz    Claudia-Talk Show Host
Damian Delgado    Velasco
Nina Leon    Rivera Reporter
Luis Usey    Rivera Reporter
Luis Guevara    Focus Group Moderator
Olga Gamboa    Focus Group Moderator
Edgar Arreola    Demonstration Chant Leader
Carmela Zumbado    Female American Reporter
Casiano Ancalle    Campesino Leader
James Castillo Collantes    Policeman
Manuel A. Diaz Lozada    Policeman
Eric Suriano    Senior Staff-Flak Catcher
Ruth Pineda    Castillo Spot Girl
Martina Griffin    Castillo Spot Mother
Esterlina Garcia    Senior Staff Translator
Daniel Rildo Sanchez    Rally Speaker
Tilda Del Toro    Presidential Secretary
Stuart Besser    U.S. Ambassador
Arian Juarez    Talk Show Tap Dancer
Osvaldo Fernandez    Jail Policeman
Carlos Rodriguez    TV Presenter
Mariana Alvarez    TV Presenter
Nancy Castro    TV Presenter
Gonzalo Inchausty    Focus Group Member
Fabiola M. Revilla    Focus Group Member
Axel Landivar    Focus Group Member
William Poquiviqui    Cameraman
Ricardo Vargas    Campaign Worker
Pedro Ivan Bonilla Vazquez    Demonstration Worker
Nair Kuzmik    Assistant Camerawoman
Dan Hewitt Owens    American IMF Man
Eric Tyrone Smith    American IMF Man
Adam Fiorentino    IMF Representative
Mary Kim Hoang    Spanish Sign Language Interpreter
Jennifer Esquivel Gutierrez    El Alto Bar Girl
Jacco Velarde    Singer
Juan Lima Rodriguez    Singer
Oscar R. Valdez    Singer
Martha Aldrich    Female Assistant (Llama Owner)
Washington Debrito    Castillo Senior Staff
Eduardo Morales    Lautaro Mendez
Erick Chavarria    Devil Mask Man

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Gordon Green    Director
Grant Heslov    Producer
George Clooney    Producer
Peter Straughan    Screenwriter
Rachel Boynton    Story Suggested by the Documentary by
Sandra Bullock    Executive Producer
Jeff Skoll    Executive Producer
Jonathan King    Executive Producer
Stuart Besser    Executive Producer
Tim Orr    Director of Photography
Richard A. Wright    Production Designer
Colin Patton    Editor
David Wingo    Composer
Gabe Hilfer    Music Supervisor
Devoe Yates    Music Supervisor
Jenny Eagan    Costume Designer
Alexa L. Fogel    Casting Director
Stuart Besser    Unit Production Manager
Robin Le Chanu    Unit Production Manager
Alissa M. Kantrow    Unit Production Manager
Courtenay Miles    First Assistant Director
Paul Schneider    Second Assistant Director
Kelly Curley    Art Director
Maggie Martin    Set Decorator
Chris Craine    Art Director-Assistant Art Director
Dave Kelsey    Set Designer
Patti Perret    Additional Photography-Still Photographer
Christopher Gebert*    Sound Mixer
Brooke Satrazemis    Script Supervisor
Emily Egge    Costume Supervisor
Deborah Cha Blevins    Costume Supervisor
Stacy B. Kelly    Make up
Aimee Stuit    Make up
Tony Ward    Hairstylist
J. Adam Gaeta    Hairstylist
Erica Frauman    Post-Production Supervisor
Traci Duran    First Assistant Editor
Charlie B. Spaht    Second Assistant Editor
Will Files    Supervising Sound Editor
Joel Dougherty    Supervising Sound Editor
Russell Farmarco    Dialogue Editor
Susan Dudeck    Dialogue Editor
Warren Hendriks    Sound Effects Editor
David Grimaldi    Sound Effects Editor
Joel Dougherty    Re-recording Mixer
Tim LeBlanc    Re-recording Mixer
Will Files    Re-recording Mixer
Jay B. Richardson    Music Editor
Lance Gilbert    Stunt Coordinator
Andy Dylan    Stunt Coordinator
Steve Ritzi*    Stunt Coordinator
Mickey Giacomazzi    Stunt Coordinator
Luis Raul Alcocer    Stunt Coordinator
Eddie J. Fernandez    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.