Synopsis
Wenwen, the owner of a bridal boutique, longs to find Mr. Right and walk down the aisle in one of her beautiful wedding gowns. Yi Wen, a violinist, wavers over her engagement after meeting a mysterious man in a foreign country. Lei Xiao, an airport employee, tries to force her pilot boyfriend to marry her. And Hai Xin, a successful business woman, finds herself in a broken marriage and unexpectedly pregnant. Based on the hugely popular Chinese TV series of the same name, LET’S GET MARRIED follows the lives of four couples looking for love and to find that special someone to say “I do.”
Metrics
Movie Details
April 16th, 2015
Furious 7 remained just as dominant at the international box office this weekend as it did in its opening weekend earning $198.7 million in 66 markets for totals of $550.47 million internationally and $802.0 million worldwide. It became the first film in the franchise and just the 46th film overall to crack the $800 million market worldwide. This past weekend, the film earned first place in China with $63.24 million in just one day. The film opened on Sunday there, with a record opening day for that market, which was close to its opening day domestic box office. The film opened in first place in Russia with $15.86 million on 1,184 screens. At this pace, the film will top $1 billion over the weekend and I can't imagine the studio won't try to make an eighth installment.
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April 9th, 2015
Furious 7 dominated the international chart with $245.05 million on 10,683 screens in 63 markets for a worldwide opening of $392.22 million. Unless the film has terrible legs, it should get to $1 billion. Speaking of $1 billion, Universal announced they reached $1 billion worldwide for the year in the earliest ever time for the studio. The previous record was May 31st, which was set in 2013. So not only did they beat the record, they crushed it. The film's best individual market was Mexico, where it earned $21.5 million on 685 screens. It also cracked $15 million in the U.K. ($18.7 million on 537); Germany ($15.9 million on 650). Additionally, the film topped $10 million in France ($11.4 million on 707); Brazil ($11.4 million on 551); Australia ($11.3 million on 255); Taiwan ($10.3 million on 80). This is an incredible run so far and could be a good omen for the upcoming summer blockbuster season.
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April 7th, 2015
The overall box office leader, Furious 7, was also the leader on the per theater chart earning an average of $36,763. That's the third best average for a 2015 release, with While We're Young still earning top spot on that chart. Speaking of While We're Young, it was the only other film in the $10,000 club earning an average of $14,226 in 34 theaters. Sometime this weekend, it will have reached its first major milestone.
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April 3rd, 2015
It is a busy week, but not a good week for limited releases. The two biggest releases, Effie Gray and Woman in Gold, are both earning weak reviews. The film on this list I'm most interested in seeing is Cheatin'. I own a number of Bill Plympton movies / shorts and this one looks like it is worth adding to my collection.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2015/04/03 |
2 |
$17,460,000 |
|
34,208 |
$510 |
$21,560,000 |
1 |
| 2015/04/10 |
4 |
$6,930,000 |
-60% |
31,796 |
$218 |
$39,840,000 |
2 |
| 2015/04/17 |
7 |
$220,000 |
-97% |
1,378 |
$160 |
$41,400,000 |
3 |
The Chinese Box Office is reported with as basis a Monday to Sunday week.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
