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| Theatrical Performance (US$) | ||
| Australia Box Office | $141,256 | Details |
| Worldwide Box Office | $141,256 | Details |
| Further financial details... | ||
| Australia Releases: | December 14th, 2018 (Wide) |
| Video Release: | December 3rd, 2019 by Shout Factory |
| Running Time: | 45 minutes |
| Keywords: | IMAX: DMR |
| Source: | Original Screenplay |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production Countries: | Australia |
| Languages: | English |
December 4th, 2019
Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/12/14 | - | $1,116 | 1 | $1,116 | $1,116 | 1 | |
| 2018/12/28 | - | $9,460 | 1 | $9,460 | $11,387 | 3 | |
| 2019/01/04 | - | $9,394 | -1% | 1 | $9,394 | $25,639 | 4 |
| 2019/01/11 | - | $8,405 | -11% | 1 | $8,405 | $41,408 | 5 |
| 2019/01/18 | - | $10,313 | +23% | 1 | $10,313 | $61,901 | 6 |
| 2019/01/25 | - | $9,228 | -11% | 1 | $9,228 | $81,733 | 7 |
| 2019/02/01 | - | $4,434 | -52% | 1 | $4,434 | $92,752 | 8 |
| 2019/02/08 | - | $3,812 | -14% | 1 | $3,812 | $96,236 | 9 |
| 2019/02/15 | - | $2,689 | -29% | 1 | $2,689 | $101,342 | 10 |
| 2019/02/22 | - | $3,955 | +47% | 1 | $3,955 | $106,550 | 11 |
| 2019/03/01 | - | $4,314 | +9% | 1 | $4,314 | $111,955 | 12 |
| 2019/03/08 | - | $2,656 | -38% | 1 | $2,656 | $115,257 | 13 |
| 2019/03/15 | - | $1,928 | -27% | 1 | $1,928 | $120,157 | 14 |
| 2019/03/22 | - | $1,944 | +1% | 1 | $1,944 | $122,882 | 15 |
| 2019/03/29 | - | $836 | -57% | 1 | $836 | $124,065 | 16 |
| 2019/04/05 | - | $1,795 | +115% | 1 | $1,795 | $126,283 | 17 |
| 2019/04/12 | - | $1,541 | -14% | 1 | $1,541 | $131,397 | 18 |
| 2019/04/19 | - | $2,123 | +38% | 1 | $2,123 | $135,625 | 19 |
| 2019/08/02 | - | $890 | 1 | $890 | $135,002 | 34 | |
| 2019/11/15 | - | $774 | 1 | $774 | $141,256 | 49 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/14/2018 | $1,116 | 1 | 1 | 20 | $141,256 | 11/19/2019 |
| Worldwide Total | $141,256 | 11/19/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Caspar Mazzotti | Co-Director | |
| Paul Phelan | Co-Director | |
| Amelia McCarten | Screenwriter | |
| Paul Phelan | Screenwriter | |
| David Gross | Producer | |
| John Weiley | Executive Producer | |
| Jonathan Barker | Executive Producer | |
| Wendy MacKeigan | Executive Producer | |
| Mike Slee | Executive Producer | |
| Bernard Gross | Executive Producer |
