Australia Box Office for Stan And Ollie (2018)

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Stan & Ollie
Theatrical Performance (US$)
Australia Box Office $1,655,240Details
Worldwide Box Office $29,062,674Details
Home Market Performance
North America DVD Sales $872,067 Details
North America Blu-ray Sales $679,094 Details
Total North America Video Sales $1,551,161
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Laurel & Hardy, one of the world’s great comedy teams, set out on a variety hall tour of Britain in 1953. Diminished by age and with their golden era as the kings of Hollywood comedy now behind them, they face an uncertain future. As the charm and beauty of their performances shines through, they re-connect with their adoring fans. The tour becomes a hit, but Stan & Ollie can’t quite shake the specter of Laurel and Hardy’s past; the long-buried ghosts, coupled with Oliver’s failing health, start to threaten their precious partnership. They are aware that they may be approaching their swan song, trying to rediscover just how much they mean to each other.

Metrics

Movie Details

Production Budget:$10,000,000
Australia Releases: February 22nd, 2019 (Wide), released as Stan And Ollie
Video Release: March 26th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for some language, and for smoking.
(Rating bulletin 2553 (Cert #51909), 11/14/2018)
Running Time: 98 minutes
Keywords: Biography, 1950s, On Tour, Set in United Kingdom, Theater, Vaudeville, Biographical Drama, 1930s, Prologue, Epilogue, Intertitle
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: BBC Films, Fable House Productions, Entertainment One
Production Countries: United Kingdom, United States
Languages: English

Home Market Releases for March 26th, 2019

March 27th, 2019

If Beale Street Could Talk

It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk. More...

Theater Averages: Dragons Look Down on the Other New Releases

February 27th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater. More...

Theater Averages: Everybody Knows it’s a Slow Time for the Theater Average Chart

February 14th, 2019

Everybody Knows

There was only one new release in the $10,000 club this week, Everybody Knows, which earned an average of $17,802 in four theaters. Last week’s winner, Never Look Away, expanded into three theaters earning an average of $12,942. The 2019 Oscar Shorts didn’t make the $10,000 club, but it did earn nearly $1 million in 270 theaters for an average of $3,476, which is a better than 30% increase compared to the previous installment and easily the best of the franchise. Granted, it was also the widest release in the franchise, but this is still a start worth celebrating. More...

Theater Averages: Most New Releases were Left Out in the Cold

February 6th, 2019

Never Look Away

Never Look Away held up well earning $19,033 in its lone theater. Its Oscar Nod is helping, but its real test is when the film tries to expand. The only new release in the $10,000 club was Arctic, with an average of $12,720 in four theaters. More...

Theater Averages: Most Films were Never Looked At

January 31st, 2019

Never Look Away

Never Look Away was the only film to earn a spot in the $10,000 club, as it earned $25,789 in its lone theater. It did earn an Oscar Nod for Best Foreign-Language Picture, so it could do very well in limited release. More...

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

Theater Averages: New Releases were Destroyed

January 10th, 2019

Destroyer

Destroyer rose to first place on the theater average chart with an average of $16,383 in six theaters. Cold War actually saw its average grow to $15,127, also in six theaters. Last week’s winner, On the Basis of Sex was next with an average of $14,370 in 112 theaters. It’s rare for a limited release to land in the $10,000 club while playing in more than 100 theaters. The final member of the $10,000 club was Stan and Ollie with an average of $10,920 in 8 theaters. More...

Theater Averages: This Week’s Chart is Feeling Sexy

January 2nd, 2019

On the Basis of Sex

It was a busy week on the theater average chart, as there were three new releases and three holdovers in the $10,000 club. On the Basis of Sex led the way with an average of $20,799 in 33 theaters. That’s an excellent start for a limited release playing in that many theaters. Second place went to Destroyer with an average of $18,449 in three theaters. The final new release in the $10,000 club was Stan and Ollie, which earn an average of $15,935 in five theaters. Cold War held on really well earning an average of $14,777 in three theaters. The overall box office leader, Aquaman, was next with an average of $12,634. If Beale Street Could Talk rounded out the $10,000 with an average of $11,788, and it managed this despite expanding its theater count to 65. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Stan & Ollie Trailer

November 26th, 2018

Biographical drama starring Steve Coogan and John C. Reilly opens December 28 ... Full Movie Details.

Laurel & Hardy, one of the world’s great comedy teams, set out on a variety hall tour of Britain in 1953. Diminished by age and with their golden era as the kings of Hollywood comedy now behind them, they face an uncertain future. As the charm and beauty of their performances shines through, they re-connect with their adoring fans. The tour becomes a hit, but Stan & Ollie can’t quite shake the specter of Laurel and Hardy’s past; the long-buried ghosts, coupled with Oliver’s failing health, start to threaten their precious partnership. A portrait of the most tender and poignant of creative marriages, they are aware that they may be approaching their swan song, trying to rediscover just how much they mean to each other. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/22 4 $536,754   263 $2,041   $536,754 1
2019/03/01 7 $308,084 -43% 264 $1,167   $1,102,256 2
2019/03/08 9 $151,340 -51% 268 $565   $1,378,785 3
2019/03/15 12 $71,724 -53% 214 $335   $1,545,361 4
2019/03/22 20 $31,809 -56% 132 $241   $1,619,092 5
2019/03/29 25 $16,752 -47% 48 $349   $1,659,682 6
2019/04/05 - $10,991 -34% 30 $366   $1,677,676 7
2019/04/12 - $7,074 -36% 19 $372   $1,708,822 8
2019/04/19 - $2,796 -60% 12 $233   $1,707,658 9
2019/04/26 - $783 -72% 3 $261   $1,684,949 10
2019/09/13 - $689   1 $689   $1,655,240 30

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/22/2019 $536,754 263 268 1254 $1,655,240 9/17/2019
France 3/8/2019 $117,445 135 135 135 $117,445 3/15/2019
Germany 5/3/2019 $0 0 269 269 $2,242,415 5/24/2019
Italy 5/1/2019 $942,622 0 12 42 $2,363,378 10/11/2019
Lithuania 2/8/2019 $1,776 27 27 28 $2,701 2/19/2019
Netherlands 1/11/2019 $132,555 54 56 208 $405,152 2/5/2019
North America 12/28/2018 $78,104 5 754 2,817 $5,470,235 3/4/2021
Portugal 3/1/2019 $20,695 46 46 89 $55,472 3/19/2019
South Africa 8/2/2019 $0 0 4 8 $8,143 9/17/2019
Spain 3/15/2019 $138,488 143 180 372 $340,450 4/5/2019
Turkey 6/28/2019 $5,942 58 58 61 $13,036 7/11/2019
United Kingdom 1/11/2019 $3,310,022 654 679 3408 $13,619,819 5/1/2019
 
Rest of World $2,769,188
 
Worldwide Total$29,062,674 3/4/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Steve Coogan    Stan Laurel
John C. Reilly    Oliver Hardy

Supporting Cast

Nina Arianda    Ida Laurel
Shirley Henderson    Lucille Hardy
Danny Huston    Hal Roach
Rufus Jones    Bernard Delfont
Susy Kane    Cynthia Clark
Ella Kenion    Holiday Camp Organizer
Harry Hepple    Wally Brady
Bentley Kalu    Elephant Wrangler
Joseph Balderrama    James Horne
Rebecca Yeo    Concierge Savoy
Lucy Appleton    Audience Member
Sanjeev Kohli    Manager of Glasgow Empire
Gary Kiely    Irishman
Greg Canestrari    Stan’s Lawyer
Julie Eagleton    Irish Woman, Cork Harbour
Nick Owenford    Studio Executive
Roger Ringrose    Doctor
Martin Bratanov    Audience Member
Michael Haydon    Audience Member
David Gambier    Audience Member
Daniel Fearn    Cab Driver
Patrick Alexander Stewart    Joe Schenck
Charlie Robinson    Savoy Guest
Andy Mihalache    Arthur I. Royce
Laraine Dix    Savoy Guest
Callum Forman    Stage Hand
Danny Scheinman    Jeweler
Bethany Audley    Lyceum Theatre Guest
Paul Riddell    Holidaymaker
Conrad Asquith    Lord Warley
Geoffrey Osborne    Photographer
Eve Harding    Train Passenger #1
Swaylee Loughnane    Theatre Goer
Tom Bates    Roach Scene Hand
Alex Jaep    Audience Member
Simon Ager    Poster Man Newcastle
Elise Lamb    Plymouth Girl
Ashley Robinson    Gordon Douglas
James Thomas Scott    Train Buffet Customer
Sophie Wardlow    Laurel and Hardy’s Makeup Artist
Steve Healey    Theatre Goer
Charles Walters    Bill Payer Station Guard
James Francis Andrews    Clapper Loader
Kate Okello    Newcastle Receptionist
Kevin Millington    Clapper
Richard Clark    Member of Public
Josh Alexander    Stall Holder

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jon S. Baird    Director
Faye Ward    Producer
Jeff Pope    Screenwriter
Jim Spencer    Co-Producer
Xavier Marchand    Executive Producer
Kate Fasulo    Executive Producer
Joe Oppenheimer    Executive Producer
Nichola Martin    Executive Producer
Jeff Pope    Executive Producer
Eugenio Perez    Executive Producer
Gabrielle Tana    Executive Producer
Christine Langan    Executive Producer
Una Ni Dhonghaile    Editor
Bill Sneddon    Editor
Laurie Rose    Director of Photography
John Paul Kelly    Production Designer
Guy Speranza    Costume Designer
Louise Seymour    Post-Production Supervisor
Rolfe Kent    Composer
Karen Elliott    Music Supervisor
Andy Pryor    Casting Director