Synopsis
A conspiracy thriller set around an act of betrayal within a tight knit family, the story centers around single mother Collette McVeigh -- a Republican living in Belfast with her mother and hardliner IRA brothers.
When she is arrested for her part in an aborted IRA bomb plot in London, an MI5 officer offers her a choice: lose everything and go to prison or return to Belfast to spy on her own family. With her son’s life in her hands, Collette chooses to place her trust in the MI5 and return home. When her brothers' secret operation is ambushed, suspicions of an informant are raised and Collette finds both herself and her family in grave danger.
Metrics
Movie Details
United Kingdom Releases: |
August 24th, 2012 (Wide) |
Video Release: |
April 28th, 2013 by Magnolia Home Entertainment |
MPAA Rating: |
R for language and some violent content. (Rating bulletin 2262, 3/6/2013) |
Running Time: |
104 minutes |
Keywords: |
Terrorism, Undercover, Single Parent, Early / Simultaneous Video-on-Demand release |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: |
Unanimous Entertainment, Element Pictures, Wild Bunch, Lipsync Productions, Bord Scannan na hEireann, Irish Film Board |
Production Countries: |
France, Ireland, United Kingdom |
Languages: |
English |
August 20th, 2013
The home market is rather slow this week with Epic the only first run release of note. (Scary Movie 5 is very unnoteworthy. Fortunately, there are some good TV on DVD releases worth checking out, like Revenge: The Complete Second Season and NCIS: Season Ten. In the end, I went with Boardwalk Empire: The Complete Third Season on Blu-ray Combo Pack for Pick of the Week.
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June 5th, 2013
Hannah Arendt earned first place on the per theater chart with $31,270 in one theater. That was well ahead of the second-place film, The East, which earned an average of $19,258 in four theaters. The Kings of Summer also opened in four theaters and it earned a per theater average of $14,741. Before Midnight expanded into 31 theaters earning an average of $13,042. It should still expand further and it will have no problem getting to a major milestone or two... or more likely three or four major milestones. Now You See Me earned a surprise second place on the overall chart, while it just managed to reach the $10,000 club on the per theater chart with $10,002. If it were playing in just one additional theater and earned the same overall box office, it would have missed the $10,000 mark.
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May 31st, 2013
There are a few new releases that could do well in limited release, including The East, which has an excellent pedigree, but its reviews are only good and not great. Hannah Arendt has perfect reviews and it is a subject that is just made for the art house circuit. However, I'm most interested in seeing The History of Future Folk, which is too bizarre to really describe. There are also four Canadian films coming out this week, including one, American Mary, that is playing in Canada and the States.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2012/08/24 |
7 |
$313,728 |
|
166 |
$1,890 |
$313,728 |
1 |
2012/08/31 |
8 |
$205,465 |
-35% |
172 |
$1,195 |
$884,774 |
2 |
2012/09/07 |
13 |
$49,213 |
-76% |
88 |
$559 |
$1,069,874 |
3 |
2012/09/14 |
17 |
$22,307 |
-55% |
32 |
$697 |
$1,151,932 |
4 |
2012/09/21 |
25 |
$13,856 |
-38% |
23 |
$602 |
$1,186,791 |
5 |
2012/09/28 |
28 |
$8,930 |
-36% |
35 |
$255 |
$1,207,728 |
6 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
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Production and Technical Credits