United Kingdom Box Office for Robin Hood (2018)

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Robin Hood
Theatrical Performance (US$)
United Kingdom Box Office $3,651,515Details
Worldwide Box Office $85,210,012Details
Home Market Performance
North America DVD Sales $3,345,507 Details
North America Blu-ray Sales $6,181,282 Details
Total North America Video Sales $9,526,789
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Robin of Loxley, a war-hardened Crusader and his Moorish commander mount an audacious revolt against the corrupt English crown in this timeless romance.

Metrics

Movie Details

Production Budget:$99,000,000
United Kingdom Releases: November 21st, 2018 (Wide)
Video Release: February 5th, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for extended sequences of violence and action, and some suggestive references.
(Rating bulletin 2515 (Cert #51477), 2/21/2018)
Running Time: 116 minutes
Keywords: Robin Hood Bandits, 1300s, Set in England, Action Adventure, Romance, Relationships Gone Wrong, Love Triangle, Revenge
Source:Based on Folk Tale/Legend/Fairytale
Genre:Action
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Appian Way, Safehouse Pictures, Summit Entertainment, Thunder Road Film
Production Countries: United States
Languages: English

Home Market Releases for February 19th, 2019

February 20th, 2019

Can You Ever Forgive Me?

The fall smash hits and the Oscar contenders are starting to come out in full force, making it a great time on the home market. This week, we have one of the biggest hits of the fall, A Star is Born; one of the best movies of the year, Can You Ever Forgive Me?; and the Anime that arguably solidified Moe as powerhouse genre, K-ON: Complete Collection Premium Box Set. Of the three, I like K-ON the most, but I admit that price will scare away a lot of people, so Can You Ever Forgive Me? is the better choice for Pick of the Week. More...

Home Market Releases for February 5th, 2019

February 5th, 2019

Widows

We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying. More...

Weekend Wrap-Up: Ralph, Creed Lead Box Office, Break Records

November 27th, 2018

Ralph Breaks the Internet

The weekend box office was more lucrative than predicted with both Ralph Breaks the Internet and Creed II breaking records. Depending on how technical you want to be. Ralph Breaks the Internet led the way with $55.67 million over the three-day weekend and $84.47 million over five. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Nearly every other film on this week’s list also topped predictions helping this weekend to rise 26% from last weekend hitting $216 million over the three-day period. This was also 15% higher than the same weekend last year, which is a more important result. I was really expecting 2018’s lead over 2017 to be down significantly from its peak; however, instead it has stretched its lead to $1.04 billion or 11% at $10.53 billion to $9.49 billion. More...

Weekend Estimates: Ralph Wrecks Predictions, Technically Sets Record

November 25th, 2018

Ralph Breaks the Internet

While Thanksgiving long weekend wasn’t as lucrative as earlier figures suggested, estimates are still better than our predictions. For example, Ralph Breaks the Internet should open with $55.67 million over the three-day weekend for a five-day opening of $84.47 million. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Internationally, the film reportedly made $41.5 million during its opening weekend. This doesn’t sound like a lot, but it is only playing in about a third of international markets, and only three major markets. It opened with an estimated $19.5 million in China, while it was also dominant in Mexico ($6.3 million) and Russia ($5.7 million). Overall, the film nearly tripled Wreck-it Ralph’s openings in the same markets. The film won’t have the same legs, as sequels almost never do, but this is still an amazing start and it is clearly on pace for $600 million worldwide. More...

Friday Estimates: Ralph Slips Below Moana’s Pace, Still a Monster Hit

November 24th, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet again led the way on Friday with $21.74 million for a three-day total $50.54 million. Good news: It is still on pace to top our prediction; in fact, depending on when you read this on Saturday, it might have already done so. At this point, a five-day opening of $85 million seems like a safe bet. Bad news: it has fallen behind Moana’s daily pace, despite a much faster start, so it will definitely have weaker legs. It should still have no problem getting to $200 million domestically and still is in a race with Dr Seuss’ The Grinch for biggest hit of November. It’s just no longer a record-setting opening. More...

Daily Box Office: Ralph Slips, but is still Thankful

November 23rd, 2018

Ralph Breaks the Internet

Yesterday was Thanksgiving and some studios were closed for the day, but we have a full list of box office numbers today. Ralph Breaks the Internet continued to lead the way at the box office with $10.3 million on Thursday for a two-day total of $28.8 million. The film is still well above Coco and Moana’s two-day pace, but it fell 44% from its Wednesday debut, which is a sharper decline than either of those two films suffered. It is on pace to dominate the five-day weekend with $85 million, which is below yesterday’s pace and below Frozen’s record-setting wide expansion, but I can’t imagine there are many people at Disney that are disappointed with this result. The film’s reviews and its A minus from CinemaScore, plus its family friendly target audience should help it last in theaters till the new year and it should be profitable enough that the studio will want to turn the franchise into a trilogy. More...

Daily Box Office: Ralph is Breaking Record Books

November 22nd, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means many studios are closed and are not reporting official numbers. However, one of the studios that is reporting numbers is Disney and they are reporting record-breaking numbers. Ralph Breaks the Internet earned $18.5 million on Wednesday, which is significantly more than either Coco or Moana managed the previous two years. In fact, this is more than Frozen managed during its record-breaking wide expansion back in 2013. This film’s reviews are great and it earned an A minus from CinemaScore, so it should have good legs and could top Frozen’s $93.59 million five-day opening. In fact, some studios think it has a real chance of $100 million during its five-day opening. I’m not that bullish, but even if it only earns $90 million over five-days, it will still be a monster hit and way more than we predicted. More...

Weekend Prediction: Will Ralph Wreck the Competition?

November 21st, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means it is officially the start of the holiday blockbuster season. This year, three films are opening wide hoping to become hits. One of them, Ralph Breaks the Internet, could become the biggest hit of the month. Creed II is expected to top its predecessor during its five-day opening. Robin Hood is just hoping not to bomb in theaters. Both Green Book and The Front Runner were scheduled to expand wide, but neither will. In fact, The Front Runner isn’t even expanding semi-wide. This weekend last year, Coco opened with nearly $73 million during its five day weekend. Ralph Breaks the Internet likely won’t earn that much over the weekend, but it should come close. Additionally, Justice League earned $60 million during the five-day frame, which is very likely better than Creed II will perform. However, after that point, 2018’s depth becomes stronger than 2017’s depth and we should earn the small win in the year-over-year competition. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

Robin Hood Trailer

August 31st, 2018

Historical action movie starring Taron Egerton and Jamie Foxx opens November 21 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/23 4 $1,703,440   471 $3,617   $1,703,440 1
2018/11/30 7 $500,891 -71% 452 $1,108   $2,863,427 2
2018/12/07 10 $186,840 -63% 340 $550   $3,325,728 3
2018/12/14 - $27,720 -85% 144 $193   $3,387,123 4
2018/12/21 - $7,862 -72% 30 $262   $3,478,986 5
2018/12/28 - $1,839 -77% 6 $307   $3,488,207 6
2019/01/04 - $178 -90% 1 $178   $3,504,334 7
2019/01/11 - $548 +208% 1 $548   $3,531,480 8
2019/01/18 - $1,371 +150% 2 $686   $3,550,562 9
2019/01/25 - $1,343 -2% 2 $672   $3,651,515 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/29/2018 $126,347 139 139 285 $280,810 1/5/2019
Aruba 11/21/2018 $2,815 0 0 0 $4,419 12/4/2018
Australia 11/23/2018 $931,087 253 254 885 $2,265,455 2/7/2019
Austria 1/11/2019 $182,993 58 59 160 $421,507 2/21/2019
Bahrain 11/22/2018 $0 0 1 1 $327,026 1/24/2019
Bangladesh 11/23/2018 $4,752 0 0 0 $30,300 3/24/2019
Belgium 11/28/2018 $304,137 81 81 207 $797,489 3/13/2019
Bolivia 11/22/2018 $22,468 0 15 18 $59,173 12/11/2018
Brazil 11/29/2018 $1,159,335 581 590 1860 $3,360,941 1/11/2019
Bulgaria 11/30/2018 $0 0 0 0 $223,930 1/29/2019
Cambodia 11/21/2018 $46,262 29 29 47 $101,776 12/14/2018
Chile 11/29/2018 $104,221 60 60 111 $269,650 1/11/2019
China 12/27/2019 $512,543 0 0 0 $610,348 2/1/2020
Colombia 11/29/2018 $411,652 213 213 416 $855,547 12/11/2018
Costa Rica 11/29/2018 $23,347 20 20 26 $36,222 12/11/2018
Croatia 11/29/2018 $109,524 115 115 169 $272,205 1/24/2019
Curacao 11/21/2018 $6,194 0 0 0 $12,050 12/4/2018
Cyprus 11/29/2018 $16,199 6 6 14 $42,765 1/24/2019
Czech Republic 1/11/2019 $91,447 116 116 200 $192,440 1/29/2019
Denmark 11/29/2018 $198,806 74 77 156 $613,363 1/11/2019
Dominican Republic 12/6/2018 $25,181 0 1 1 $83,728 1/11/2019
Ecuador 11/30/2018 $89,377 37 44 81 $200,394 12/11/2018
Egypt 11/21/2018 $64,747 35 35 75 $274,109 1/24/2019
El Salvador 11/29/2018 $13,051 9 9 14 $22,533 12/11/2018
Estonia 11/30/2018 $28,580 14 14 25 $57,612 12/11/2018
Finland 11/30/2018 $108,873 74 74 143 $348,956 1/24/2019
France 11/28/2018 $1,265,240 442 464 1362 $2,682,208 1/18/2019
Germany 1/10/2019 $1,292,623 433 434 1033 $2,649,125 2/28/2019
Greece 11/29/2018 $79,530 62 62 100 $202,676 1/11/2019
Guatemala 11/29/2018 $25,071 20 20 27 $36,197 12/11/2018
Honduras 11/29/2018 $14,849 18 18 26 $23,624 12/11/2018
Hong Kong 11/29/2018 $562,413 53 53 105 $947,936 12/11/2018
Hungary 12/6/2018 $107,506 69 69 77 $201,826 1/24/2019
Iceland 1/4/2019 $19,409 0 0 0 $50,548 2/17/2019
India 11/21/2018 $121,655 299 299 299 $262,252 12/4/2018
Iraq 11/22/2018 $38,026 9 9 22 $167,960 1/24/2019
Israel 11/22/2018 $166,249 23 23 88 $799,172 1/24/2019
Italy 11/23/2018 $962,084 0 6 17 $2,198,680 2/28/2019
Japan 10/18/2019 $365,641 162 162 369 $1,101,834 11/29/2019
Jordan 11/22/2018 $23,400 13 13 23 $57,397 12/11/2018
Latvia 11/30/2018 $16,870 9 9 17 $55,249 1/18/2019
Lebanon 11/22/2018 $86,330 17 17 43 $216,364 1/18/2019
Lithuania 11/30/2018 $27,253 79 79 131 $57,029 1/3/2019
Malaysia 11/23/2018 $640,495 132 132 349 $1,506,148 1/24/2019
Mexico 11/30/2018 $1,029,683 0 136 136 $1,974,322 12/23/2018
Middle East Region 11/23/2018 $1,200,000 0 0 0 $1,200,000 11/26/2018
Mongolia 11/23/2018 $17,489 0 3 3 $19,072 12/14/2018
Netherlands 11/22/2018 $485,038 108 109 536 $2,035,138 3/28/2019
New Zealand 11/22/2018 $228,461 80 81 245 $603,835 1/24/2019
Nicaragua 11/29/2018 $6,003 4 6 10 $8,921 12/11/2018
North America 11/21/2018 $9,195,670 2,827 2,939 10,505 $30,824,628
Norway 11/30/2018 $204,974 203 203 326 $549,916 1/11/2019
Pakistan 11/30/2018 $17,771 35 35 51 $34,947 12/11/2018
Panama 11/29/2018 $43,015 23 23 40 $89,815 12/11/2018
Paraguay 12/6/2018 $6,876 0 0 0 $6,876 12/11/2018
Peru 12/20/2018 $0 0 32 49 $590,860 1/24/2019
Philippines 11/21/2018 $486,276 213 213 358 $983,200 12/14/2018
Poland 11/29/2018 $125,890 109 144 253 $350,123 12/23/2018
Portugal 11/30/2018 $169,118 79 79 249 $605,575 1/24/2019
Qatar 11/22/2018 $0 0 1 1 $290,422 1/24/2019
Romania 12/7/2018 $187,211 72 72 72 $580,183 1/24/2019
Russia (CIS) 11/29/2018 $2,460,690 1583 1592 3990 $4,232,377 2/1/2019
Serbia and Montenegro 11/29/2018 $25,891 25 25 48 $60,832 1/18/2019
Singapore 11/29/2018 $265,274 28 28 55 $441,034 12/11/2018
Slovakia 11/30/2018 $0 0 59 132 $93,239 1/15/2019
Slovenia 11/29/2018 $23,067 14 14 24 $91,152 2/17/2019
South Africa 12/28/2018 $0 0 80 248 $727,870 2/28/2019
South Korea 11/28/2018 $6,289 7 603 812 $1,956,914 1/8/2019
Spain 12/5/2018 $548,191 301 301 755 $1,444,323 1/11/2019
Sri Lanka 11/29/2018 $15,296 0 0 0 $34,930 12/11/2018
Suriname 11/21/2018 $1,286 0 0 0 $3,434 12/11/2018
Sweden 11/30/2018 $188,412 136 136 241 $578,721 2/17/2019
Switzerland (French Speaking) 11/28/2018 $54,276 20 20 39 $84,694 12/11/2018
Switzerland (German Speaking) 1/10/2019 $239,729 68 68 135 $466,695 2/21/2019
Switzerland (Italian Speaking) 11/22/2018 $3,422 4 4 10 $8,404 12/11/2018
Syria 11/22/2018 $3,090 2 2 4 $6,818 12/11/2018
Taiwan 12/20/2018 $0 0 0 0 $1,136,160 1/24/2019
Thailand 11/22/2018 $365,781 184 184 317 $694,040 12/14/2018
Turkey 1/11/2019 $168,671 308 308 480 $375,929 2/10/2019
Ukraine 11/29/2018 $342,918 0 1 1 $590,369 1/24/2019
United Arab Emirates 11/22/2018 $1,228,268 0 2 2 $2,440,182 1/24/2019
United Kingdom 11/21/2018 $1,703,440 471 471 1449 $3,651,515 1/30/2019
Uruguay 11/22/2018 $13,488 0 7 7 $28,528 12/11/2018
Vietnam 11/30/2018 $128,516 0 158 158 $283,796 12/14/2018
West Indies 11/21/2018 $49,250 0 0 0 $49,250 11/27/2018
 
Worldwide Total$85,210,012 2/1/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Taron Egerton    Robin Hood
Jamie Foxx    Yahya/John

Supporting Cast

Ben Mendelsohn    Sheriff of Nottingham
Eve Hewson    Maid Marian
Tim Minchin    Friar Tuck
Jamie Dornan    Will Tillman
Björn Bengtsson    Tydon
Paul Anderson    Guy of Gisborne
F. Murray Abraham    Cardinal
Ian Peck    Arch Deacon
Cornelius Booth    Lord Pembroke
Kane Headley-Cummings    Stoker
Scot Greenan    Clayton
Lara Rossi    Evelyn
Kevin Griffiths    Tom
Catriona Penny    Penny
Nicholas Wittman    Crusader Morant
Yasen Atour    Mutton
Josh Herdman    Righteous
Jerome Holder    Teenage Moor
Kembe Sorel    Saracen Prisoner
Jonathan Earl Peck    Treasury Monk
László Áron    Old Geezer
Declan Hannigan    Trebuchet Commander
Antonio Lujak    Crossman Norton
Roderick Hill    Boat Doctor
Matt Devere    Gerald the Crossman
Andrea Mladinic    Palace Party Background
Frane Perisin    Palace Party Background

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Otto Bathurst    Director
David James Kelly    Screenwriter
Ben Chandler    Screenwriter
Ben Chandler    Story by
Jennifer Davisson*    Producer
Leonardo DiCaprio    Producer
Tory Tunnell    Executive Producer
Joby Harold    Executive Producer
Basil Iwanyk    Executive Producer
E. Bennett Walsh    Executive Producer
Ed McDonnell*    Executive Producer
George Steel    Director of Photography
Jean-Vincent Puzo    Production Designer
Joe Hutshing    Editor
Chris Barwell    Editor
Julian Day    Costume Designer
Joseph Trapanese    Composer
Randall Poster    Music Producer
Simon Stanley Clamp    Visual Effects Supervisor
Ronna Kress    Casting Director
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
Debbie McWilliams    Casting Director
E. Bennett Walsh    Unit Production Manager
Phillip A. Patterson    First Assistant Director
Richard E. White    Second Assistant Director
Simon Crane    Second Unit Director
Domonkos Pardanyi    Stunt Coordinator
Simon Crane    Stunt Coordinator
Janet Muswell Hamilton    Visual Effects Producer
David James Kelly    Co-Producer
Connor DeSha    Associate Producer
Kwame L. Parker    Production Manager
Marc Homes    Supervising Art Director
Naomi Moore    Set Decorator
Bryan H. Carroll    Post-Production Supervisor
Joel Negron    Additional Editor
Sam Restivo    Additional Editor
Monty Bass    First Assistant Editor
Mark Neale    First Assistant Editor
Richard Sanchez    Second Assistant Director
Angus Munro    Second Assistant Director
Tom Henson-Webb    Second Assistant Director
Heidi Freeman    Second Assistant Director
Richard Denbigh    Second Assistant Director
Elise Anderson    Second Assistant Director
Anna Rane    Script Supervisor
Tamás Dévényi    Sound Mixer
Tom Still    Art Director
Steve Summersgill    Art Director
Anja Mueller    Art Director
Nora Takacs    Art Director
Ketan Waikar    Art Director
Marton Voros    Art Director
Paul Stephenson    Special Effects Supervisor
Zsoka Hoka    Costume Supervisor
Felicity Bowring    Make up
Hannah Eccleston    Make up
Francesco Alberico    Hairstylist
Ronnie Radbourne    Hairstylist
Ildiko Makk    Hairstylist
Tobin Hughes    Supervising Location Manager
Bálint Regius    Senior Location Manager
Tamás Péter    Second Assistant Director
Linda Marián    Second Assistant Director
Karen Baker Landers    Supervising Sound Editor
Ron Bartlett    Re-recording Mixer
Doug Hemphill    Re-recording Mixer
Peter Staubli    Sound Designer
David Werntz    Sound Designer
Stephen P. Robinson    Sound Designer
D. Chris Smith    Sound Effects Editor
Robert Kellough    Sound Effects Editor
Michelle Pazer    Dialogue Editor
Daniel Saxlid    Dialogue Editor
Russell Farmarco    Dialogue Editor
Richard Duarte    Foley Mixer
Jack Cucci    Foley Mixer
Aleksandar Pejic    Visual Effects Supervisor
Caroline Garrett    Visual Effects Executive Producer
Courtney Vanderslice Law    Visual Effects Executive Producer
Gavin Gregory    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.