Mexico Box Office for Matar o Morir (2018)

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Peppermint
Theatrical Performance (US$)
Mexico Box Office $1,449,932Details
Worldwide Box Office $51,800,758Details
Home Market Performance
North America DVD Sales $8,249,465 Details
North America Blu-ray Sales $5,003,065 Details
Total North America Video Sales $13,252,530
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Young mother Riley North awakens from a coma after her husband and daughter are killed in a brutal attack on the family. When the system frustratingly shields the murderers from justice, Riley sets out to transform herself from citizen to urban guerilla. Channeling her frustration into personal motivation, she spends years in hiding honing her mind, body and spirit to become an unstoppable force—eluding the underworld, the LAPD and the FBI—as she methodically delivers her personal brand of justice.

Metrics

Movie Details

Production Budget:$25,000,000
Mexico Releases: November 23rd, 2018 (Wide), released as Matar o Morir
Video Release: November 20th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong violence and language throughout.
(Rating bulletin 2531 (Cert #51651), 6/13/2018)
Running Time: 102 minutes
Keywords: Revenge, Death of a Son or Daughter, Death of a Spouse or Fiancée / Fiancé, Government Corruption, Corrupt Cops, Corrupt Judge, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lakeshore Entertainment, STX Films, Huayi Brothers Pictures Ltd
Production Countries: United States
Languages: English

Home Market Releases for December 11th, 2018

December 11th, 2018

Collette

There isn’t a huge number of releases on this week’s list home market release report. The Equalizer 2 is the biggest, but it is far from the best. As for the best, there are some Pick of the Week contenders, including Colette, My Neighbor Totoro and A Simple Favor. My Neighbor Totoro is worth owning, but it is a triple-dip at this point, maybe more. A Simple Favor is coming out on VOD this week. This leaves Colette’s DVD or Blu-ray Combo Pack as the Pick of the Week. More...

Weekend Wrap-Up: Predator Tops Chart, Simple a Success

September 18th, 2018

The Predator

The Predator earned top spot on the weekend box office chart with $24.63 million. However, the best new release was arguably A Simple Favor with $16.01 million, as it is the only film that will match its production budget at the domestic box office. On the other hand, White Boy Rick struggled and will likely not pay for its $30 million price-tag any time soon, while Unbroken: Path to Redemption bombed. Overall, the weekend box office was $107 million, 12% lower than last weekend. It was also down from this weekend last year, but only by 3.5%. That’s better than expected at the beginning of the month and that’s great news for 2018. Granted, its lead over 2017 went down, but it still has a 9.6% / $740 million lead with $8.50 billion compared to $7.76 billion in 2017. It would take something incredible to happen to lose this entire lead by the end of the year. More...

Weekend Wrap-Up: The Nun Stuns, Box Office Still Falls

September 11th, 2018

The Nun

The Nun topped expectations with $53.81 million over the weekend. Peppermint was well back in second place with $13.42 million, which is an acceptable debut for this time of year. Crazy Rich Asians was in a close third place and overall the box office was quite strong. The total box office was $121 million, which is 23% better than last weekend. Granted, this is 26% lower than the same weekend last year. Normally a drop this severe would be troubling, but this isn’t a normal situation. Firstly, this weekend last year was the weekend It debuted and rewrote the record book. Secondly, 2018 is still ahead of 2017 by 10% or $770 million at $8.36 billion to $7.59 billion. This means 2018’s gains during the weekdays almost made up for its losses over the weekend. More...

Weekend Estimates: The Nun Continues WB’s Dominance of the Box Office

September 9th, 2018

The Nun

The Nun topped expectations by a sizable margin with $53.5 million during its opening weekend. This is easily the best opening in the franchise so far and the best opening for a Warner Bros. film this year. The film also got off to a fast start internationally with $77.5 million on 15,615 screens in 60 markets. Its best markets were Mexico ($10.7 million on 3,967 screens) and Indonesia ($7.7 million on 1,216). At this point, the film is almost guaranteed a massive profit, despite is awful reviews and its mere C from CinemaScore. Even if it earns less during the rest of its run than it opened with, which is too pessimistic, it will still be a major financial success. There’s no way the franchise will end any time soon. More...

Friday Estimates: The Nun Breaks its Vow of Poverty with $22.37 million

September 8th, 2018

The Nun

The Nun is crushing expectations with a $22.37 million opening Friday haul. I wasn’t expecting it to top $20 million on Friday, so this is great news. On the other hand, its reviews have continued to fall and are now at just 29% positive. Meanwhile, it only managed a C from CinemaScore, which is the worst in the franchise by far. (The two Conjuring movies both earned A minus, while the two Annabelle movies each earned a B score.) That said, this isn’t terrible for a horror movie and even terrible legs won’t put a damper on this debut, so Warner Bros. must be ecstatic about this result. More...

Thursday Night Previews: The Nun Conjures Up Franchise Best Previews at $5.4 million

September 7th, 2018

The Nun

The Nun opened with $5.4 million during its previews. The previous best in the franchise was $4 million, earned by Annabelle: Creation. It’s is nearly impossible to compare the two films, as Annabelle: Creation was a summer release and its reviews were much better than The Nun’s reviews were, but even if this film has much shorter legs, it should top our $45 million prediction. It has a good shot at $50 million over the weekend. More...

Weekend Prediction: Will The Nun be Second to None?

September 6th, 2018

The Nun

It’s the weekend after Labor Day, which is historically one of the worst weekends of the year at the box office. However, that’s not the case this year, as The Nun is expected to be a major hit. In fact, it should have the best opening in the franchise so far. On the other hand, Peppermint will be happy with a second place debut. Finally, God Bless the Broken Road is opening semi-wide, but the box office lacks any real depth, so it could come close to the top five. This weekend last year was the weekend It destroyed the record book. There’s no way 2018 will win in the year-over-year comparison, but 2018 has such a large lead over 2017 that even a few embarrassing losses won’t put a serious dent into it’s advantage. More...

2018 Preview: September

September 1st, 2018

The Predator

Overall, August was a little better than expected. Granted, there were no monster hits, but Warner Bros. had two $100 million hits in The Meg and Crazy Rich Asians. Meanwhile, Christopher Robin will come close enough to that milestone to be a hit. This allowed 2018 to stretch its lead over 2017 by over $700 million. Will that lead grow in September? Nope. Not even close. There are three major problems that will hurt September’s box office. Firstly, there are a lot of films that may or may not open wide. Secondly, there are no films opening this month that have a better than 50/50 chance of hitting $100 million. Finally... It. It destroyed records last September, earning more during its opening weekend than any film opening this month will earn in total. Fortunately, 2018 has such an enormous lead that even with It, 2018 should remain ahead of 2107 by $500 million at the end of the month. More...

Peppermint Trailer

August 7th, 2018

Action movie starring Jennifer Garner opens September 7 ... Full Movie Details.

Young mother Riley North awakens from a coma after her husband and daughter are killed in a brutal attack on the family. When the system frustratingly shields the murderers from justice, Riley sets out to transform herself from citizen to urban guerilla. Channeling her frustration into personal motivation, she spends years in hiding honing her mind, body and spirit to become an unstoppable force—eluding the underworld, the LAPD and the FBI—as she methodically delivers her personal brand of justice. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/11/23 4 $783,757   0     $783,757 1
2018/11/30 9 $226,629 -71% 0     $1,449,932 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/16/2018 $80,179 83 83 142 $146,656 1/4/2019
Australia 12/14/2018 $239,048 166 166 345 $480,501 1/29/2019
Brazil 10/19/2018 $154,147 225 225 225 $154,147 10/26/2018
Bulgaria 9/21/2018 $16,816 0 0 0 $74,204 2/26/2019
France 9/14/2018 $547,304 0 0 0 $1,452,342 10/11/2018
Germany 11/30/2018 $194,084 0 0 0 $290,123 12/6/2018
Italy 3/21/2019 $515,857 0 5 7 $1,005,957 4/27/2019
Lithuania 9/28/2018 $7,089 55 55 59 $13,521 10/10/2018
Mexico 11/23/2018 $783,757 0 0 0 $1,449,932 12/3/2018
Netherlands 9/7/2018 $336,358 91 92 586 $1,785,499 12/16/2018
North America 9/7/2018 $13,423,255 2,980 2,980 11,996 $35,418,723
Poland 9/14/2018 $69,434 0 0 0 $69,434 1/1/2019
Portugal 9/28/2018 $59,561 51 52 140 $158,947 10/31/2018
Russia (CIS) 9/13/2018 $136,127 600 600 910 $221,368 1/1/2019
South Korea 4/11/2019 $328,546 213 213 427 $644,915 5/23/2019
Spain 10/19/2018 $230,264 165 165 326 $418,819 11/2/2018
Turkey 9/21/2018 $29,427 126 126 271 $82,697 2/26/2019
 
Rest of World $7,932,973
 
Worldwide Total$51,800,758 5/23/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jennifer Garner    Riley

Supporting Cast

John Ortiz    Detective Moises Beltran
John Gallagher, Jr.    Detective Stan Carmichael
Juan Pablo Raba    Diego Garcia
Annie Ilonzeh    FBI Agent Lisa Inman
Jeff Hephner    Chris North
Pell James    Peg
Method Man    Narcotics Detective Barker
Cailey Fleming    Carly North
Tyson Ritter    Homeless Sam
Richard Cabral    Salazar
Johnny Ortiz    Torres
Eddie Shin    FBI Agent Li
John Boyd    Marvin
Ian Casselberry    Cortez
Michael Reventar    Ortega
Kyla-Drew Simmons    Maria
Gustavo Quiroz    Jose
Michael Mosley    Henderson
Jeff Harlan    Judge Stevens
Chris Johnson    Mickey
Caspar Brun    LAPD Data Analyst
Randy Gonzalez    Drive-by Gunman
Hunter Wright    Homeless Kid
Emma Thoraval    Homeless Girl
Michael Adler    Bank Manager
Samantha Edelstein    Ice Cream Vendor
Christopher Campos    Drive-by Gunman #2
Sean Rosales    Drive-by Wheelman
Erin Carufel    Coma Doctor
C.C. Taylor    Courthouse Bailiff
Donnie Smith    Paramedic
Edilsy Vargas    Jessica
Austin Hebert    Drunk Dad
Tate Birchmore    Boy on Bus
Morris Greco    Liquor Store Clerk
Jesus Trujillo    Pinata Guard #1
Josue Barron    Pinata Guard #2
Edwin Garcia    Pinata Money-Counter #1
Arnold Chon    Pinata Money-Counter #2
William Leong    Pinata Money-Counter #3
Denney Pierce    Carjack Driver
George Crayton    Garcia Gate Guard #1
Victor Winters    Garcia Gate Guard #2
YaYa Gosselin    Ana (Garcia’s Daughter)
Mario Cortez    Garcia House Detective
Roland Feliciano    Garcia House Cop
Charles Porter    Excited Street Guy
A. Russell Andrews    Police Chief Rogers
Sam Upton    Hospital Cop
Lasaundra Gibson    TV Newscaster
Nilla Watkins    TV Newscaster
Mel Fair    TV Newscaster
Markina Brown    TV Newscaster
Kimberly Cheng    TV Newscaster
Laura Diaz    TV Newscaster
Joy Benedict    TV Newscaster

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pierre Morel    Director
Chad St. John    Screenwriter
Gary Lucchesi    Producer
Tom Rosenberg    Producer
Richard S. Wright    Producer
Eric Reid    Producer
Renee Tab    Executive Producer
Christopher Tuffin    Executive Producer
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
David Kern    Executive Producer
James McQuaide    Executive Producer
Donald Tang    Executive Producer
Wang Zhongjun    Executive Producer
Wang Zhonglei    Executive Producer
Felice Bee    Executive Producer
David Lanzenberg    Director of Photography
Ramsey Avery    Production Designer
Frederic Thoraval    Editor
Lindsay Ann McKay    Costume Designer
Simon Franglen    Composer
Jackie Shenoo    Co-Producer
Deanna Brigidi*    Casting Director
Richard S. Wright    Unit Production Manager
David Kern    Unit Production Manager
Milos Milicevic    First Assistant Director
Johnny Recher    Second Assistant Director
Ivan Kraljevic    Second Assistant Director
Keith Woulard    Stunt Coordinator
Stephen Oyoung    Fight Choreographer
Jackie Shenoo    Production Supervisor
Chris Dileo    Art Director
Lori Mazuer    Set Decorator
Evan Yarborough    Story Artist
Wilma Garscadden-Gahret    Script Supervisor
Steven A. Morrow    Sound Mixer
Jeannine Bourdaghs    Costume Supervisor
Robin Beauchesne    Make up
Bart Mixon    Special Make-up Effects
Peter Tothpal    Hairstylist
Larz Anderson    Special Effects Coordinator
Ralph Meyer    Location Manager
Kandice Billingsley    Location Manager
Emily Freund    First Assistant Editor
Frederic DuBois    Supervising Sound Editor
Michael Minkler    Re-recording Mixer
Frederic DuBois    Re-recording Mixer
Helen Luttrell    Dialogue Editor
Alison Fisher    Dialogue Editor
Adam Kopald    Sound Effects Editor
Charles Maynes    Sound Effects Editor
Randy Wilson    Foley Mixer
Ron Mellegers    Foley Mixer
Brad Bakelmun    Foley Mixer
Dave Lawrence    Music Editor
Brian McNelis    Music Supervisor
Eric Craig    Music Supervisor
James McQuaide    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.