Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Special Effects Coordinator | 8 | $573,167,671 | $522,635,297 | $1,095,802,968 |
Best known as a Special Effects Coordinator based on credits in that role in 8 films, with $1,095,802,968 worldwide aggregate box office (rank #13) |
Best-known technical roles: A Star is Born (Special Effects Coordinator), Just Go With It (Special Effects Coordinator), Jack and Jill (Special Effects Coordinator), The Scorpion King (Special Effects Coordinator), Peppermint (Special Effects Coordinator) |
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Special Effects Coordinator | 8 | $573,167,671 | $522,635,297 | $1,095,802,968 |
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Oct 5, 2018 | A Star is Born | Special Effects Coordinator | $215,288,866 | $221,100,000 | $436,388,866 |
Sep 7, 2018 | Peppermint | Special Effects Coordinator | $35,418,723 | $16,382,035 | $51,800,758 |
Mar 24, 2017 | CHiPS | Special Effects Coordinator | $18,600,152 | $8,200,000 | $26,800,152 |
Jul 24, 2015 | The Vatican Tapes | Special Effects Coordinator | $1,784,763 | $13,144,421 | $14,929,184 |
Nov 11, 2011 | Jack and Jill | Special Effects Coordinator | $74,158,157 | $76,361,060 | $150,519,217 |
Feb 11, 2011 | Just Go With It | Special Effects Coordinator | $103,028,109 | $111,946,844 | $214,974,953 |
Apr 18, 2003 | Malibu’s Most Wanted | Special Effects Coordinator | $34,308,901 | $190,303 | $34,499,204 |
Apr 19, 2002 | The Scorpion King | Special Effects Coordinator | $90,580,000 | $75,310,634 | $165,890,634 |
Averages | $71,645,959 | $65,329,412 | $136,975,371 | ||
Totals | 8 | $573,167,671 | $522,635,297 | $1,095,802,968 |