Turkey Box Office for İmgeler ve Sözcükler (2018)
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Synopsis
Displaying an encyclopedic grasp of cinema and its history, Jean-Luc Godard pieces together fragments and clips them from some of the greatest films of the past, then digitally alters, bleaches, and washes them, all in the service of reflecting on what he sees in front of him and what he makes of the dissonance that surrounds him. He uses his own voice, reminiscent of those of Leonard Cohen or Bob Dylan in the twilights of their careers, to guide us through the fascinating labyrinth of his mind. In some cases, it is to reflect on the metaphysical properties of the world — time, and space, and where meaning is found — but more importantly it is the image, the thing that has obsessed Godard for his entire career, that anchors this film. His ontological enquiry into the image continues to be one of the most moving in history.
Metrics
Movie Details
| Turkey Releases: |
January 18th, 2019 (Wide), released as İmgeler ve Sözcükler |
| Video Release: |
May 21st, 2019 by Kino Lorber |
| MPAA Rating: |
Not Rated |
| Running Time: |
84 minutes |
| Keywords: |
Archive Footage, History of Cinema, World War II, Terrorism, Avant Garde, Experimental Film, Movie Business |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Casa Azul Films, Lausanne, ECRAN Noir Productions, Arte, RTS , Cineforom, Office Federal De La Culture |
| Production Countries: |
France, Switzerland |
| Languages: |
Arabic, English, French, German, Italian |
May 21st, 2019
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It is a very strange week on the home market. There are two $100 million hits, How to Train Your Dragon: The Hidden World and The Upside, a midlevel hit, Isn’t it Romantic, and then practically nothing. The week’s releases are more top-heavy than any other week I can remember. Fortunately, the biggest release of the week, How to Train Your Dragon: The Hidden World, is also one of the best wide releases of the year so far and it is easily the Pick of the Week. In fact, it would likely have won that title even if it was a busier than average week.
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January 31st, 2019
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Never Look Away was the only film to earn a spot in the $10,000 club, as it earned $25,789 in its lone theater. It did earn an Oscar Nod for Best Foreign-Language Picture, so it could do very well in limited release.
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January 25th, 2019
It is not a good week for limited releases. The biggest release is BlacKkKlansman, which is getting a re-release this week. King of Thieves is the biggest new release in terms of buzz, but The Image Book and Never Look Away have better reviews.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/01/18 |
- |
$3,007 |
|
18 |
$167 |
$3,617 |
1 |
| 2019/01/25 |
- |
$1,761 |
-41% |
13 |
$135 |
$9,065 |
2 |
| 2019/02/01 |
- |
$1,106 |
-37% |
11 |
$101 |
$11,957 |
3 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
11/16/2018 |
$3,160 |
0 |
0 |
0 |
$6,261 |
1/5/2019 |
| North America |
1/25/2019 |
$13,854 |
3 |
12 |
42 |
$93,950 |
|
| Portugal |
12/7/2018 |
$1,080 |
2 |
3 |
7 |
$7,551 |
1/17/2019 |
| Slovakia |
3/15/2019 |
$0 |
0 |
1 |
1 |
$1,207 |
12/1/2020 |
| Turkey |
1/18/2019 |
$3,007 |
18 |
18 |
42 |
$11,957 |
2/10/2019 |
| United Kingdom |
11/30/2018 |
$13,798 |
12 |
12 |
12 |
$13,798 |
12/6/2018 |
| |
| Worldwide Total | $134,724 |
12/1/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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