Portugal Box Office for The Kitchen - Rainhas do Crime (2019)

← Go to main The Kitchen page

The Kitchen
Theatrical Performance (US$)
Portugal Box Office $60,139Details
Worldwide Box Office $15,779,261Details
Home Market Performance
North America DVD Sales $802,031 Details
North America Blu-ray Sales $1,041,918 Details
Total North America Video Sales $1,843,949
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Three 1978 Hell’s Kitchen housewives’ mobster husbands are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.

Metrics

Movie Details

Production Budget:$38,000,000
Portugal Releases: August 9th, 2019 (Wide), released as The Kitchen - Rainhas do Crime
Video Release: October 22nd, 2019 by Warner Home Video
January 20th, 2020 by Warner Home Video
MPAA Rating: R for violence, language throughout and some sexual content.
(Rating bulletin 2567 (Cert #52073), 2/27/2019)
Running Time: 102 minutes
Keywords: Mafia, 1970s, Set in New York City, Organized Crime, Crime Caper, Woman in a Male Dominated Profession, Crime Drama
Source:Based on Comic/Graphic Novel
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: New Line Cinema, Bron Creative, Michael De Luca Productions
Production Countries: United States
Languages: English

Home Market Releases for November 5th, 2019

November 6th, 2019

Good Omens

Fast & Furious Presents: Hobbs & Shaw is easily the biggest release of the week, but it is not the best. Pick of the Week contenders include Galaxy Quest and Good Omens, as well as Alice, Sweet Alice, which arrived late. I’m going with Good Omens, but all three are must haves. More...

Home Market Releases for October 22nd, 2019

October 23rd, 2019

The Lion King

The Lion King is scaring away all of the competition and while the Blu-ray / 4K Ultra HD is not Pick of the Week material, there’s almost nothing else to talk about. It might be worth buying WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?: The Complete Series just because of that ridiculously long name. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Wrap-Up: Hobbs and Shaw Survive Their Sophomore Stint

August 12th, 2019

Fast and Furious Presents: Hobbs and Shaw

The weekend box office was mediocre with many of the new releases missing expectations, and some of them had low expectations to begin with. Fast and Furious Presents: Hobbs and Shaw was able to remain in first place, but on the low end of expectations, leaving Scary Stories to Tell in the Dark as the biggest positive news of the weekend. Overall, the weekend box office was 11% lower than last weekend at $132 million. Worse still, this is 10% lower than the same weekend last year, leaving 2019 further behind last year’s pace. 2019 is now behind 2018 by 6.2% or $480 million at $7.16 billion to $7.64 billion. More...

Weekend Estimates: Hobbs and Shaw Remain Top Draw

August 11th, 2019


Friday Estimates: Scary Tops Friday, Hobbs and Shaw Set to Win Weekend

August 10th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark led the way on Friday with $7.86 million. The film’s reviews are Certified Fresh at 80% positive, but it only managed a C from CinemaScore. To be fair, this isn’t a bad result for a horror film, but it does mean it likely won’t have great legs and will sink into second place over the full weekend. It will still beat our prediction and could even become CBS Films’ best opening of all time. Right now, it is on pace to come close to The Woman in Black’s current record with about $20 million during the opening weekend. It would be ironic is CBS Films set the company record now, as it is ceasing theatrical releases and instead shifting towards streaming content. More...

Thursday Night Previews: Stories Scares Up Some Box Office Dollars

August 9th, 2019

Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark had the best previews on Thursday, earning $2.3 million. It was expected to top Dora and the Lost City of Gold, because it is a horror movie and that genre tends to be a lot more front-loaded. However, it wasn’t expected to do this well and it will easily top our $15 million prediction for the weekend, especially if its reviews translate into strong word-of-mouth. More...

Weekend Predictions: Can Dora find Box Office Gold?

August 8th, 2019

Dora and the Lost City of Gold

There are five wide or semi-wide releases coming out this weekend, which is just too many and practically guarantees at least one of them will flop at the box office. Of these films, Dora and the Lost City of Gold is the only one expected to compete for first place, while Scary Stories to Tell in the Dark should do well as a low-budget horror movie. Unfortunately, The Kitchen and The Art of Racing in the Rain are not connecting with critics and that will likely keep them out of the top five. Finally, Brian Banks is opening in just 1,240 theaters and that could keep it out of the top ten. This weekend last year, The Meg opened with $45 million. No film playing this weekend will match that and I don’t think this year’s depth is going to compensate, meaning we are going to lose in the year-over-year competition yet again. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

The Kitchen Trailer

June 21st, 2019

Crime caper starring Melissa McCarthy, Tiffany Haddish, and Elisabeth Moss opens August 9 ... Full Movie Details.

Three 1978 Hell’s Kitchen housewives’ mobster husbands are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition… literally. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/09 8 $30,001   40 $750   $30,001 1
2019/08/16 14 $10,163 -66% 32 $318   $53,529 2
2019/08/23 27 $900 -91% 11 $82   $60,139 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/9/2019 $19,106 64 64 64 $23,034 8/18/2019
Australia 8/30/2019 $255,883 299 299 718 $502,745 9/24/2019
Brazil 8/9/2019 $85,845 76 76 76 $85,845 8/18/2019
France 8/23/2019 $300,715 189 189 370 $545,335 9/8/2019
Netherlands 9/27/2019 $103,750 58 58 116 $198,074 10/19/2022
New Zealand 8/29/2019 $28,392 71 71 184 $80,594 10/19/2022
North America 8/9/2019 $5,527,410 2,745 2,745 6,613 $12,180,032
Portugal 8/9/2019 $30,001 40 40 83 $60,139 8/27/2019
Romania 8/23/2019 $23,416 71 71 178 $68,383 10/19/2022
Slovakia 8/9/2019 $11,806 51 51 95 $26,974 10/19/2022
Slovenia 9/27/2019 $1,721 17 17 17 $2,304 10/7/2019
United Kingdom 9/20/2019 $134,793 335 335 335 $134,793 9/25/2019
 
Rest of World $1,871,009
 
Worldwide Total$15,779,261 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Melissa McCarthy    Kathy Brennan
Tiffany Haddish    Ruby O’Carroll
Elisabeth Moss    Claire Walsh

Supporting Cast

Domhnall Gleeson    Gabriel O’Malley
James Badge Dale    Kevin O’Carroll
Brian d'Arcy James    Jimmy Brennan
Margo Martindale    Helen O’Carroll
Bill Camp    Alfonso Coretti
Common    Gary Silvers
Jeremy Bobb    Rob Walsh
E.J. Bonilla    Gonzalo Martinez
Myk Watford    Little Jackie Quinn
Wayne Duvall    Larry, Kathy’s Father
Pamela Dunlap    Mary, Kathy’s Mother
John Sharian    Duffy
Brian Tarantina    Burns
Will Swenson    Michael Mariano
Annabella Sciorra    Maria Coretti
Alicia Coppola    Maria Coretti
Bernie McInerney    Paul Hogan
Sharon Washington    Estelle
Matt Helm    Colin
Angus O’Brien    Mark Williams
Ciaran O'Reilly    Owen Gibson
Nicholas Zoto    Peter Brennan
Maren Heary    Jennifer Brennan
Stephen Singer    Herb Kamfer
Tatienne Hendricks-Tellefsen    Rachel Kamfer
Jordan Gelber    Chaim
Brandon Uranowitz    Shmuli Chudakoff
Bernard Rachelle    Fyvish Wainer
Tina Benko    Donna—Nail Salon Owner
Susan Blommaert    Mrs. Sullivan
George Riddle    Mr. Sullivan
Tom Patrick Stephens    Father Monaghan
Ann McDonough    Churn Nun
Joseph Russo    Greek Tony
Louis Vanaria    Enzo—Goon #1
James Ciccone    Joe—Goon #2
Aaron Berg*    Sal—Goon #3
Jonathan Eddy Duran    Raul the Pimp
Lenny Venito    Officer Ritchie MacLeod
Kevin Nagle    Officer Lancer
Shaun O’Hagan    Officer Berlinski
Marquise Vilson    Court Officer
Daniel O’Shea    Union Head
Adam Mucci    Union Construction Worker
Jamie Jackson    Union Construction Worker
Brendan Burke    Union Hall Bartender
Dan Daily    Union Member Scotty
Rob Yang    Jeffrey Kahn
Matthew Boston    FBI Boss
Lynn Spencer    Galaxy Diner Waitress
Linda Marie Larson    Mrs. Morris
Gabriel Rush    Claire’s Landlord’s Kid
Adina Verson    Prostitute
Ashley Perez Flanagan    Prostitute
Manny Urena    Gross Guy Stranger
Ethan Dubin    Loser Guy on 42nd Street
Ava Eisenson    Screaming Woman
Brian Charles Johnson    Giovani—The Butcher
Jack Lynch    Scrawny Kid
Vaughn Lynch    Scrawny Kid
Tommy Buck    Clothing Store Owner
Loic Mabanza    Dancing Hunk
Alexis Roberts    Dancer
Joaquim De Santana    Dancer
Borris Anthony York    Dancer
Sabrina Imamura    Dancer
Shernita Anderson    Dancer
Christine Sienicki    Dancer
Marla Phelan    Dancer
Deva Huggins    Dancer
Keith Kuhl    Dancer
Lily Davis    Dancer
Kellie Drobnick    Dancer
Brandon Rubendall    Dancer
Jonathan Royse Windham    Dancer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrea Berloff    Director
Andrea Berloff    Screenwriter
Marcus Viscidi    Producer
Michael De Luca    Producer
Ollie Masters    Story Based on the Comic Book Series Created for DC Vertigo by
Ming Doyle    Story Based on the Comic Book Series Created for DC Vertigo by
Richard Butler    Executive Producer
Michael Disco    Executive Producer
Dave Neustadter    Executive Producer
Aaron L. Gilbert    Executive Producer
Jason Cloth    Executive Producer
Richard Brener    Executive Producer
Elishia Holmes    Executive Producer
Adam Schlagman    Executive Producer
Maryse Alberti    Director of Photography
Shane Valentino    Production Designer
Christopher Tellefsen    Editor
Bryce Dessner    Composer
Deva Anderson    Music Supervisor
Dan Schrecker    Visual Effects Supervisor
Sarah Edwards    Costume Designer
Bernard Telsey    Casting Director
Tiffany Little Canfield    Casting Director
David Vaccari    Casting Director
Marcus Viscidi    Unit Production Manager
Danielle Rigby    First Assistant Director
Brad Robinson    Second Assistant Director
Chris Collins    Production Supervisor
Anu Schwartz    Supervising Art Director
Ernesto Solo    Art Director
Alyssa Winter    Set Decorator
Danny Michael    Sound Mixer
Jessica Lichtner    Script Supervisor
David Rogow    First Assistant Editor
Michael Barry    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Eliza Paley    Supervising Sound Editor
Paul Urmson    Sound Designer
Mariusz Glabinski    Sound Designer
Mitsuko Alexandra Yabe    Music Editor
Michael McMenomy    Dialogue Editor
William Sweeney    Foley Editor
Wyatt Sprague    Sound Effects Editor
Matthew Kay    Foley Mixer
Gavin Hecker    Foley Mixer
Ryan Smith    Location Manager
Colleen Bachman    Visual Effects Producer
Amy Burt    Costume Supervisor
Nicki Ledermann    Make up
Kay Georgiou    Hairstylist
Tania Ribalow    Make up
Sunday Englis    Make up
Mitchell Beck    Hairstylist
Drew Jiritano    Special Effects Supervisor
Alex Venguer    Score Recordist
David Chalmin    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.