Central America Box Office for Daddy’s Home (2015)

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Daddy's Home poster
Theatrical Performance (US$)
Central America Box Office $1,213,955Details
Worldwide Box Office $241,504,989Details
Home Market Performance
North America DVD Sales $11,324,827 Details
North America Blu-ray Sales $6,602,153 Details
Total North America Video Sales $17,926,980
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A mild-mannered radio executive strives to become the best stepdad to his wife’s two children, but complications ensue when their freewheeling and freeloading real father arrives, forcing him to compete for the affection of the kids.

Metrics

Movie Details

Production Budget:$50,000,000
Central America Releases: January 14th, 2016 (Wide)
Video Release: March 8th, 2016 by Paramount Home Video
MPAA Rating: PG-13 for thematic elements, crude and suggestive content, and for language.
(Rating bulletin 2404 (Cert #49962), 12/16/2015)
Running Time: 96 minutes
Franchise: Daddy’s Home
Keywords: Step-Family, Dysfunctional Family, Family Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Paramount Pictures, Red Granite Pictures, Gary Sanchez Productions
Production Countries: United States
Languages: English

Home Market Releases for March 22nd, 2016

March 21st, 2016

Mountain Men

This week, there are not many releases to talk about and one of them, The Hunger Games: Mockingjay - Part 2, is dominating the list so much that I could ignore the rest of the list and very little of substance would be lost. I'm not going to do that, but I could. The Box Set is a contender for Pick of the Week, but I'm still waiting for the screener. City Lights is another contender for Pick of the Week, but in the end, I went with the Canadian movie, Mountain Men on DVD, which is Puck of the Week. More...

Weekend Wrap-Up: Ride Along Rides the Wave to the Top with $41.01 Million

January 20th, 2016

Ride Along 2

As anticipated, Ride Along 2 earned first place over the long weekend earning more than it cost to make in just four days. The other two wide releases were less successful. Despite costing more to make, 13 Hours earned less than half Ride Along 2 opened with, while the less said about Norm of the North, the better. Star Wars: The Force Awakens was pushed into third place over the three-day weekend, but it rose to first place on the daily chart on Monday. It is not done yet. The overall, the three-day weekend was up 4.2% from last weekend; however, it was down 18% from last year. This is not surprising, as this weekend last year, American Sniper set the record for biggest January weekend. Year-to-date, 2016 has pulled in $693 million, giving 2016 an early lead over 2015. That lead was cut to 5.9% or $39 million and will likely be cut further next weekend. Hopefully it won't be entirely gone. More...

Weekend Predictions: Along for the Ride

January 14th, 2016

Ride Along 2

Star Wars: The Force Awakens will finally relinquish its hold on the weekend box office and there are three new releases looking to grab as much of the box office share as they can. Ride Along 2 is the film with the best shot at first place, assuming its reviews don't kill it. The Revenant should have one of the best week-to-week declines, thanks in part to its Awards Season success. 13 Hours looks like a solid top-five film, but not a major hit, while Norm of the North is just hoping not to embarrass itself. This weekend last year, American Sniper expanded wide and set the record for biggest January weekend. That record fell earlier this year, but that's not a lot of comfort for this weekend, as all three new releases combined won't match American Sniper's haul. 2016's winning streak will end at two weeks. Hopefully the upcoming losing streak won't be much longer than that. More...

Weekend Wrap-Up: The Schwartz is still Strong with Star Wars as it Earns $42.35 Million

January 12th, 2016

Star Wars: The Force Awakens

Star Wars: The Force Awakens earned first place on the weekend chart for the fourth time and likely the last time. It was a close race, as The Revenant beat expectations; meanwhile, The Forest was very solid as counter-programming. The overall box office was $159 million, which is 28% less than last weekend, but 26% more than the same weekend last year. After just two weeks, 2016 is 19% / $70 million above 2015's pace. Granted, it is way too early to make any long terms predictions and next weekend will be brutal for 2016 in the year-over-year comparison, but every little bit now will help at the end of the year. More...

Weekend Predictions: How will Revenant and Forest Weather the Star Wars Storm?

January 7th, 2016

Star Wars: The Force Awakens

The big news this week was Star Wars: The Force Awakens being officially crowned the All-Time Domestic Box Office champion. It should follow-up that news with yet another first place finish on the weekend box office. There are two films trying to take its crown: The Forest and The Revenant. The Revenant is a very likely Oscar winner and has performed phenomenally well in limited release, so it has a real shot at box office success this weekend. On the other hand, The Forest is a low-budget horror film that is just hoping to land in the top five. This weekend last year was led by Taken 3 with just under $40 million over the weekend, while Selma earned second place with $11 million. The Force Awakens might make more than those two films combined, but even if it doesn't, the one-two punch of The Force Awakens plus The Revenant will give 2016 an easy win in the year-over-year comparison. More...

Weekend Wrap-Up: Star Wars misses its third Century Mark, Still Sets Multiple Records with $90.24 Million

January 4th, 2016

Star Wars: The Force Awakens

As expected, Star Wars: The Force Awakens dominated the weekend box office earning $90.24 million, breaking several records along the way. However, it did fall 40% over the weekend, which is a lot for this time of year. It appears The Force Awakens is acting more like a typical blockbuster hit and less like the typically leggy December release. That said, I don't think Disney is disappointed with the results so far. On the other hand, The Hateful Eight got off to a disappointing start earning third place with just a fraction of Django Unchained's opening weekend. The overall box office was down from last week, but was still an incredible $219 million. This was 26% lower than last week, but 41% higher than the same weekend last year. Year-to-date is a little less useful, as 2016 is only 3 days old, but it is 27% higher than 2015 was after the first weekend. This is even more impressive, as 2015 had an extra day before the weekend.

More...

Weekend Estimates: Force aweakens with $88.3 million weekend

January 3rd, 2016

Star Wars: The Force Awakens This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for. More...

Friday Estimates: Star Wars is Top of the Class of 2015 with $686.43 Million

January 2nd, 2016

Star Wars: The Force Awakens

It took just 15 days for Star Wars: The Force Awakens to overtake Jurassic World’s final domestic box office. On Friday, the film earned an easy first place with $34.46 million to push its running tally to $686.43 million. Not only is this the best domestic box office for a film released in 2015, it is more than enough to overtake Titanic and push it into second place All-Time. As for the film’s weekend projection, we are looking at a $95 million weekend, plus or minus $5 million. It is possible the film could crack $100 million over the weekend, but very unlikely. That said, it has already broken a couple of major records—Fastest to $650 million and Biggest Domestic Hit of 2015—and will likely break a few more over the weekend (Fastest to $700 million, Biggest third weekend, and Biggest January weekend). More...

Weekend Predictions: Will Hateful Experience any Love? Will Star Wars hit the Century Mark?

December 31st, 2015

Star Wars: The Force Awakens

There are two questions that are being asked about this weekend. Firstly, will Star Wars: The Force Awakens become the first film to earn $100 million three weekends in a row? Secondly, will The Hateful Eight live up to Django Unchained? I'm going to say no to both, but the former is much more likely than the latter. The rest of the top five should look the same as last time, with Daddy's Home being the best of the holdovers. The Force Awakens should earn more than the top five did last year, giving 2016 a fast start on the year-over-year comparison.

One last note, there are only two limited releases this week, including Anomalisa, which we previously talked about. The only other limited release is Devil and Angel, which has no reviews, so there's not much to talk about. Because of this, there will be no Limited Release Report this week. More...

Theater Averages: Revenant Arrives with a Lively Debut of $118,640

December 29th, 2015

Star Wars: The Revenant

The Revenant had the best theater average of the week and the second best opening theater average of the year with $474,560 in four theaters for an average of $118,640. The only film to open in 2015 with a better theater average was Steve Jobs with an average of $130,381. It struggled during its wide expansion. Hopefully that won't happen here. The Hateful Eight was next with an average of $46,107 in 100 theaters. The overall number one film, Star Wars: The Force Awakens, was next with an average of $36,092. This would have been the fourth best opening weekend average for a wide release all year. 45 Years opened with an average of $21,925 in three theaters over the weekend and an average of $30,119 over its five-day opening. Daddy's Home was the second wide release in the $10,000 club with an average of $11,844. Mr. Six just missed the $10,000 club over the weekend with an average of $9,562 in 30 theaters; however, it earned an average of $12,500 over its four-day opening. More...

Weekend Wrap-Up: The Force Awakens Earns $149.20 million and Daddy Hits Home Run

December 28th, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens easily won the weekend race, but not by as much as anticipated. On the other hand, Daddy's Home was a surprise hit and should cruise to $100 million. None of the rest of the new releases really bombed and most will end their runs as midlevel hits. Overall, the box office fell just 5.1% from last weekend to $295 million, which is the second biggest combined weekend of all time. It was also 41% bigger than the same weekend last year and 2015's year-over-year lead grew to 7.0%. It looks like the 2015 box office will reach $11 billion when all is said and done, but we won't know for sure till we get the absolute final numbers. More...

Weekend Estimates: Star Wars’ $153 million Christmas demolishes another set of records

December 27th, 2015

Star Wars: The Force Awakens

The Star Wars juggernaut continues to roll through box office records all around the world this weekend. It will pass $1 billion globally today, Sunday, in just its 12th day in release—one day faster than Jurassic World. That blockbuster figure is largely thanks to an incredible $544 million after just ten days domestically, far ahead of Jurassic World’s $402 million at the same point in its run. The Force Awakens has now broken records for every milestone from $50 million to $500 million, with more to fall. The current record for fastest to $550 million is also Jurassic World, which reached the mark in 24 days. Star Wars will do it in eleven. After that, we will start looking at some serious all-time records. More...

The Force Awakens Doubles Previous Christmas Record with $49.34 Million

December 26th, 2015

Star Wars: The Force Awakens

Star Wars: The Force Awakens set another record by earning $49.34 million on Christmas Day. This more than doubles the previous record of $24.61 million held by Sherlock Holmes. However, this was only 79% more than it made on Christmas Eve, whereas Avatar rose 107% on the same day in its run. You can't even say Avatar had it easy due to weaker competition, so perhaps the explanation lies elsewhere. Perhaps a lot of people who were scared off by the crowds thus far decided to see the movie on Christmas Eve, because it is historically a slow day a the box office. That’s certainly what I was thinking. Because of this, I'm lowing my expectations for the weekend from $170 million to $160 million. This would have been a good opening weekend result for the film. It will be well above the current Record Second Weekend of $106.59 million by Jurassic World. More...

Weekend Predictions: Will The New Releases Experience Any Joy?

December 23rd, 2015

Star Wars: The Force Awakens

There are five wide releases / wide expansions this week, none of which will even come close to Star Wars: The Force Awakens' second weekend of release. The rest of the box office combined won't come close to The Force Awakens' sophomore stint. It looks like Daddy's Home has the advantage for second place, while Joy should be close behind. The Big Short expands wide on Wednesday and its five-day total should be close to the previous two films' three-day totals. On the downside, it looks like both Concussion and Point Break will open on the outside of the top five. The Force Awakens will make more than the entire top ten made this weekend last year, so 2015 will end the year on a very positive note in the year-over-year comparison. More...

2015 Preview: December

December 1st, 2015

Star Wars: The Force Awakens

November ended on a positive note with a strong Thanksgiving weekend. Even so, the overall numbers were mixed with a lot of misses mixed in with a few hits. It was better than October and we will call that a victory. Meanwhile, December is potentially record-breaking. Actually, given the evidence, it is almost assuredly going to be record-breaking. Star Wars: The Force Awakens has already set a record for the most money taken from ticket pre-sales and the biggest December weekend will fall. The pre-orders alone will guarantee that. On the downside, it is very likely that no film will make as much in total as The Force Awakens will make during its opening weekend. There's a chance no film makes in total as much as The Force Awakens makes during its opening day. There are a few films that have a shot at $100 million. For example, Joy should get there, if it becomes a major player during Awards Season. If not, it will at least come close. Daddy's Home, and to a lesser extent Sisters, could be surprise $100 million hits. However, like the rest of 2015, December is shaping up to be a month of a record-breaking hit and a lot of films that struggle just to get noticed. On the other hand, last December, was a lot more balanced at the top with four films earning more than $100 million, led by The Hobbit: The Battle of the Five Armies. There's a chance The Force Awakens earns more than all four $100 million hits from last year earned combined. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/01/15 1 $364,692   138 $2,643   $364,692 1
2016/01/22 3 $218,128 -40% 102 $2,139   $710,595 2
2016/01/29 4 $149,180 -32% 84 $1,776   $930,515 3
2016/02/12 7 $64,441   43 $1,499   $1,174,522 5
2016/02/19 10 $13,165 -80% 22 $598   $1,205,713 6
2016/02/26 13 $1,789 -86% 3 $596   $1,211,458 7
2016/03/04 11 $981 -45% 1 $981   $1,213,023 8
2016/03/11 12 $647 -34% 1 $647   $1,213,955 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/14/2016 $383,345 105 105 327 $1,185,905 12/31/2018
Australia 12/26/2015 $2,081,086 242 283 1976 $15,204,247 8/8/2022
Austria 1/21/2016 $111,028 48 48 198 $413,661 6/9/2016
Belgium 1/20/2016 $139,743 32 32 72 $344,515 6/9/2016
Bolivia 1/1/2016 $73,429 8 8 63 $402,552 12/31/2018
Brazil 1/28/2016 $601,034 337 337 983 $0 2/2/2016
Bulgaria 1/22/2016 $31,858 19 19 84 $130,128 12/31/2018
Cambodia 12/25/2015 $2,782 7 7 7 $2,782 12/30/2018
Central America 1/14/2016 $364,692 138 138 394 $1,213,955 3/15/2016
Colombia 1/14/2016 $439,419 179 179 570 $1,518,646 12/31/2018
Croatia 2/4/2016 $14,083 16 16 54 $40,273 12/31/2018
Czech Republic 3/31/2016 $14,328 39 39 65 $24,377 12/31/2018
Denmark 1/14/2016 $166,758 51 51 109 $598,325 6/9/2016
Ecuador 1/29/2016 $0 0 36 89 $487,875 12/31/2018
Finland 1/1/2016 $74,628 37 37 114 $286,192 6/9/2016
Germany 1/21/2016 $682,787 291 291 1058 $1,811,127 10/27/2018
Greece 3/3/2016 $25,797 22 22 22 $25,797 6/9/2016
Hong Kong 1/7/2016 $170,129 29 29 53 $302,303 6/9/2016
Hungary 1/7/2016 $0 0 43 86 $594,347 12/31/2018
Indonesia 1/6/2016 $0 0 44 65 $598,867 12/31/2018
Iraq 1/7/2016 $10,630 4 4 10 $24,864 1/26/2016
Israel 1/7/2016 $205,189 23 23 130 $819,041 12/31/2018
Italy 1/14/2016 $185,268 80 80 87 $225,813 6/9/2016
Kenya 1/22/2016 $0 0 2 2 $12,537 12/31/2018
Kuwait 1/7/2016 $162,899 11 11 21 $370,357 12/31/2018
Latvia 1/15/2016 $19,215 11 11 11 $19,215 12/31/2018
Lebanon 1/7/2016 $66,124 10 10 31 $205,097 12/31/2018
Lithuania 1/8/2016 $0 0 8 8 $62,841 6/9/2016
Malaysia 12/31/2015 $118,245 29 29 101 $262,075 6/9/2016
Mexico 1/29/2016 $2,421,009 0 893 896 $6,824,205 9/8/2018
Netherlands 1/14/2016 $280,820 71 71 205 $696,884 6/9/2016
New Zealand 12/26/2015 $92,527 62 62 348 $1,108,554 2/9/2016
North America 12/25/2015 $38,740,203 3,271 3,483 21,404 $150,357,137
Oman 1/7/2016 $3,303 1 3 4 $26,495 12/31/2018
Peru 1/1/2016 $463,076 103 105 414 $2,193,473 2/2/2016
Poland 3/18/2016 $83,421 116 116 116 $83,421 12/31/2018
Portugal 3/17/2016 $75,379 44 48 139 $245,053 6/9/2016
Romania 1/8/2016 $187,657 54 54 100 $294,142 12/31/2018
Russia (CIS) 1/7/2016 $249,382 0 689 1378 $2,079,885 12/31/2018
Singapore 12/31/2015 $314,437 28 28 83 $568,870 6/9/2016
Slovakia 3/31/2016 $20,110 37 37 37 $20,110 6/9/2016
Slovenia 1/28/2016 $15,830 9 9 36 $46,781 6/9/2016
South Africa 1/22/2016 $109,073 68 68 123 $356,405 6/9/2016
Spain 1/1/2016 $696,588 254 257 1023 $2,025,825 2/17/2016
Sweden 1/6/2016 $0 0 59 112 $774,443 6/9/2016
Taiwan 12/31/2015 $359,986 67 68 227 $901,711 10/30/2018
Thailand 12/31/2015 $112,570 51 51 103 $253,287 6/9/2016
Turkey 3/4/2016 $30,442 54 54 77 $63,766 12/31/2018
Ukraine 1/7/2016 $262,155 147 147 444 $551,102 2/2/2016
United Arab Emirates 1/7/2016 $515,864 67 67 176 $1,432,233 12/31/2018
United Kingdom 12/25/2015 $2,433,083 438 473 3557 $25,267,552 6/9/2016
Uruguay 1/14/2016 $26,725 11 55 127 $171,343 12/31/2018
Venezuela 2/5/2016 $27,449 27 52 209 $283,950 6/9/2016
 
Rest of World $17,690,648
 
Worldwide Total$241,504,989 8/8/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Will Ferrell    Brad
Mark Wahlberg    Dusty
Linda Cardellini    Sarah

Supporting Cast

Owen Wilder Vaccaro    Dylan
Scarlett Estevez    Megan
Hannibal Buress    Griff
Thomas Haden Church    Leo
Bobby Cannavale    Dr. Francisco
Paul Scheer    The Whip
Bill Burr    Jerry
Jamie Denbo    Doris
Mark L. Young    Dental Hygienist
Dave Davis    Panda Singer
Billy Slaughter    Instigator Dad
LaMonica Garrett    Marco
John Cena    Cool Dad
Alessandra Ambrosio    Karen
Kerry Cahill    Angry Cone-Lane Mom
Joel Berger    Corey from Red Bull
Allen Zwolle    Birthday Guy

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sean Anders    Director
John Morris    Screenwriter
Brian Burns    Screenwriter
Sean Anders    Screenwriter
Brian Burns    Story by
Will Ferrell    Producer
Adam McKay    Producer
Chris Henchy    Producer
John Morris    Producer
Riza Aziz    Executive Producer
Joey McFarland    Executive Producer
David Koplan    Executive Producer
Kevin Messick    Executive Producer
Jessica Elbaum    Executive Producer
Sean Anders    Executive Producer
Diana Pokorny    Executive Producer
Julio Macat    Director of Photography
Clayton Hartley    Production Designer
Eric Kissack    Editor
Brad Wilhite    Editor
Carol Ramsey    Costume Designer
Dave Jordan    Music Supervisor
Jojo Villanueva    Music Supervisor
Daniel Silverberg    Assistant Director
James Roque, Jr.    Assistant Director
Jay Vinitsky    Post-Production Supervisor
Michelle Morrissey    Production Supervisor
Cate Hardman    Script Supervisor
Kirstie Mattheis    Assistant Editor
Elliott Glick    Art Director
Jan Pascale    Set Decorator
Allison Jones    Casting Director
Ben Harris    Additional Casting-Casting Associate
Peter Kousakis    Additional Casting-Casting Assistant
Steve Artmont    Make up
Bridget Cook    Hairstylist
Johnny Villanueva    Hairstylist
Richard Schoen    Costume Supervisor
David Wyman    Sound Mixer
Anna Behlmer    Sound Mixer
Todd Bryant    Stunt Coordinator
Paul Linden    Visual Effects Supervisor
Dane Allan Smith    Visual Effects Producer
Jeremy Hays    Special Effects Coordinator
Chris L Ward*    Special Effects
Anna Behlmer    Re-recording Mixer
Terry Porter    Re-recording Mixer
James Tocci    Set Designer
Andrew DeCristofaro    Supervising Sound Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.