Greece Box Office for Creed II (2018)

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Creed 2
Theatrical Performance (US$)
Greece Box Office $729,000Details
Worldwide Box Office $213,591,522Details
Home Market Performance
North America DVD Sales $8,618,110 Details
North America Blu-ray Sales $11,308,505 Details
Total North America Video Sales $19,926,615
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Life has become a balancing act for Adonis Creed. Between personal obligations and training for his next big fight, he is up against the challenge of his life. Facing an opponent with ties to his family’s past only intensifies his impending battle in the ring. Rocky Balboa is there by his side through it all and, together, Rocky and Adonis will confront their shared legacy, question what’s worth fighting for, and discover that nothing’s more important than family.

Metrics

Movie Details

Production Budget:$50,000,000
Greece Releases: November 29th, 2018 (Wide)
Video Release: March 5th, 2019 by Warner Home Video
MPAA Rating: PG-13 for sports action violence, language, and a scene of sensuality.
(Rating bulletin 2548 (Cert #51855), 10/10/2018)
Running Time: 128 minutes
Franchise: Rocky, Creed
Keywords: Boxing, Screenplay Written By the Star, Father’s Footsteps, IMAX: DMR, Sports Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Metro-Goldwyn-Mayer Pictures, Warner Bros., New Line Cinema, Chartoff Winkler Productions
Production Countries: United States
Languages: English

Home Market Releases for March 5th, 2019

March 6th, 2019

The Favourite

It’s a weird week at the box office. There are no massive releases; Creed II, is by far the biggest release of the week. However, there are a ton of releases that would make the regular list in a normal week, but have been pushed into the Secondary Blu-ray list, mainly because I have nothing to say about them. There are some contenders for Pick of the Week, including The Favourite on Blu-ray Combo Pack and Liz and the Blue Bird on Blu-ray. It came down to a literally coin-toss here and The Favourite won. More...

International Box Office: Some of the Shine Comes off for Glass

January 31st, 2019

Glass

Glass remained in first place with $23.6 million in 55 markets for a two-week total of $89.1 million. It has no new markets this past weekend. In fact, it only has one major market left in its run, China. The film’s biggest market was the U.K. where it remained in first place with $2.55 million over the weekend for a two-week total of $9.06 million. In Russia, t fell 60% to just $2.08 million on 1,381 over the weekend for a two-week total of $8.68 million. The film opened faster than Split did, but it has shorter legs, so it may or may not overtake its predecessor in the end. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Weekend Wrap-Up: The Calm before the Winter Storm

December 11th, 2018

Ralph Breaks the Internet

There were no new releases / expansions / re-releases in the top five over the weekend. In fact, there were no such films in the top ten. Not a single film in the top five even switched positions, so there’s almost nothing to talk about. Ralph Breaks the Internet held on a tiny bit better than predicted, but that didn’t stop the overall box office falling 27% from last weekend to $84 million. This is still ahead of the same weekend last year, but by a tiny 1.5% margin. Year-to-date, 2018’s margin over 2017 barely changed and currently sits at 10.7% or $1.04 billion at $10.82 billion to $9.77 billion. More...

Weekend Estimates: Christmas Comes Early for Animation

December 9th, 2018

Ralph Breaks the Internet

Both animated films are doing great at the box office with Ralph Breaks the Internet matching our prediction nearly perfectly with a studio estimate of $16.1 million over the weekend, which would give it a running tally of $140.9 million. Internationally, the film has barely opened in half the world earning $18.0 million over the weekend for a total of $117.3 million. This includes a first place debut in Spain with $4.6 million over the five-day weekend. Its next major market isn’t until December 21st when it opens in Japan, while it is a Boxing Day release in Australia. More...

Friday Estimates: Box Office Sinks a Little Deeper

December 8th, 2018

Ralph Breaks the Internet

It looks like it will be another soft weekend at the box office. The lack of new releases is not helping holdovers too much, but most of the top five is on pace to match expectations, more or less. For example, Ralph Breaks the Internet pulled in $3.52 million on Friday, putting it on pace for $15 million over the weekend. This is within a rounding error of our prediction and nothing to panic about. Granted, the film is falling behind Coco’s pace, while $200 million domestically is becoming a more difficult goal, but Disney could give it a push over the top if it wants to. More...

Weekend Predictions: Short List of New Releases

December 6th, 2018

Ralph Breaks the Internet

The first weekend of December is usually a terrible weekend to release a new film. However, that’s because it is usually the first weekend after Thanksgiving long weekend. This year this is not the case, but there are still no wide releases to talk about. The closest to a new release is Schindler’s List, which is getting a semi-wide release. It has a slim chance at reaching the top ten, but I wouldn’t bet on it. This means the top five this week will be identical the top five from last weekend with Ralph Breaks the Internet leading the way. This weekend last year, Coco remained in top spot with $18.45 million, while the only wide release was Just Getting Started, which missed the Mendoza Line. I think 2018 will win in the year-over-year competition, but not by a lot. More...

Weekend Wrap-Up: Ralph Wins, Most Holdovers Hold Strong

December 4th, 2018

Ralph Breaks the Internet

The post-holiday weekend matched expectations, more or less. Ralph Breaks the Internet led the way with $25.57 million over the weekend. The Possession of Hannah Grace opened better than expected and earned more than it cost to make, so if it can find an audience on the home market, it could break even. Overall, the box office fell almost exactly $100 million from last weekend, but it is a post holiday weekend, so this 47% drop-off is not unexpected. More importantly, this is 9.5% above the same weekend last year, which continues 2018’s winning streak. 2018’s lead over 2017 is basically within a rounding error of where it was last week at $10.8 million / $1.05 billion at $10.70 billion to $9.65 billion. More...

Weekend Estimates: Ralph Slips, Still Strong, Hannah Tops Expectations, Still Soft

December 2nd, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet will retain top spot on the weekend box office chart with an estimated $25.8 million for a two-week total of $119.3 million. Granted, this is lower than we predicted, but not so much lower than anyone at Disney should be panicking. Internationally, the film added an estimated $33.7 million in 27 markets, lifting its international total to $87.7 million after two weeks of release. Its only major market opening of the weekend was the U.K. where it reportedly earned $5.2 million. This is less than Wreck-It Ralph opened with, but that film debuted during the school holidays, so it got a boost. Ralph Breaks the Internet should have longer than average legs thanks to Christmas, but I don’t think it will match its predecessor in this market. More...

Friday Estimates: Ralph has a mostly Graceful Decline

December 1st, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet remained in top spot on the box office chart on Friday earning $5.74 million. This is 74% lower than its opening Friday; granted, that was a holiday, so a sharp decline was practically guranteed, but this is still sharper than anticipated. Look for $25 million over the weekend, which is weaker than our prediction and puts $200 million in jeopardy. It will need help over the Christmas break to get there. More...

Weekend Predictions: New Releases don’t look Very Graceful

November 29th, 2018

The Possession of Hannah Grace

It’s the weekend after Thanksgiving long weekend, which is one of the worst weekends for a wide release. This weekend, The Possession of Hannah Grace is the only new release and it is only opening in 1,700 theaters. This means Ralph Breaks the Internet will have no trouble remaining in first place. In fact, the top five from last weekend will remain nearly the same. A couple might switch places, but that’s it. This weekend last year, Coco remained in top spot with just under $28 million, while there were no new releases / semi-wide expansions that managed to grab a spot in the top five. Its holdovers vs. holdovers, which gives 2018 a small advantage. More...

Theater Averages: The Favourite Lives Up to Its Name

November 29th, 2018

The Favourite

The Favourite had the best theater average, not only of the weekend, but of the year. It pulled in $422,000 in 4 theaters for an average of $105,603, putting it ahead of the previous leader for 2018, Suspiria. It is a lot more mainstream and shouldn’t have a problem expanding significantly beyond this point. Shoplifters was well back with an average of $17,853 in five theaters. The overall box office leader, Ralph Breaks The Internet, was next with an average of $14,000. The World Before Your Feet was the latest documentary to open in the $10,000 club earning an average of $11,241 in two theaters. The final film in the $10,000 club was also a wide release, Creed II, which earned an average of $10,338. More...

Weekend Wrap-Up: Ralph, Creed Lead Box Office, Break Records

November 27th, 2018

Ralph Breaks the Internet

The weekend box office was more lucrative than predicted with both Ralph Breaks the Internet and Creed II breaking records. Depending on how technical you want to be. Ralph Breaks the Internet led the way with $55.67 million over the three-day weekend and $84.47 million over five. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Nearly every other film on this week’s list also topped predictions helping this weekend to rise 26% from last weekend hitting $216 million over the three-day period. This was also 15% higher than the same weekend last year, which is a more important result. I was really expecting 2018’s lead over 2017 to be down significantly from its peak; however, instead it has stretched its lead to $1.04 billion or 11% at $10.53 billion to $9.49 billion. More...

Weekend Estimates: Ralph Wrecks Predictions, Technically Sets Record

November 25th, 2018

Ralph Breaks the Internet

While Thanksgiving long weekend wasn’t as lucrative as earlier figures suggested, estimates are still better than our predictions. For example, Ralph Breaks the Internet should open with $55.67 million over the three-day weekend for a five-day opening of $84.47 million. This is technically the record for biggest Thanksgiving opening, as Frozen had a prestige opening the weekend before and only expanded wide on Thanksgiving. Internationally, the film reportedly made $41.5 million during its opening weekend. This doesn’t sound like a lot, but it is only playing in about a third of international markets, and only three major markets. It opened with an estimated $19.5 million in China, while it was also dominant in Mexico ($6.3 million) and Russia ($5.7 million). Overall, the film nearly tripled Wreck-it Ralph’s openings in the same markets. The film won’t have the same legs, as sequels almost never do, but this is still an amazing start and it is clearly on pace for $600 million worldwide. More...

Friday Estimates: Ralph Slips Below Moana’s Pace, Still a Monster Hit

November 24th, 2018

Ralph Breaks the Internet

Ralph Breaks the Internet again led the way on Friday with $21.74 million for a three-day total $50.54 million. Good news: It is still on pace to top our prediction; in fact, depending on when you read this on Saturday, it might have already done so. At this point, a five-day opening of $85 million seems like a safe bet. Bad news: it has fallen behind Moana’s daily pace, despite a much faster start, so it will definitely have weaker legs. It should still have no problem getting to $200 million domestically and still is in a race with Dr Seuss’ The Grinch for biggest hit of November. It’s just no longer a record-setting opening. More...

Daily Box Office: Ralph Slips, but is still Thankful

November 23rd, 2018

Ralph Breaks the Internet

Yesterday was Thanksgiving and some studios were closed for the day, but we have a full list of box office numbers today. Ralph Breaks the Internet continued to lead the way at the box office with $10.3 million on Thursday for a two-day total of $28.8 million. The film is still well above Coco and Moana’s two-day pace, but it fell 44% from its Wednesday debut, which is a sharper decline than either of those two films suffered. It is on pace to dominate the five-day weekend with $85 million, which is below yesterday’s pace and below Frozen’s record-setting wide expansion, but I can’t imagine there are many people at Disney that are disappointed with this result. The film’s reviews and its A minus from CinemaScore, plus its family friendly target audience should help it last in theaters till the new year and it should be profitable enough that the studio will want to turn the franchise into a trilogy. More...

Daily Box Office: Ralph is Breaking Record Books

November 22nd, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means many studios are closed and are not reporting official numbers. However, one of the studios that is reporting numbers is Disney and they are reporting record-breaking numbers. Ralph Breaks the Internet earned $18.5 million on Wednesday, which is significantly more than either Coco or Moana managed the previous two years. In fact, this is more than Frozen managed during its record-breaking wide expansion back in 2013. This film’s reviews are great and it earned an A minus from CinemaScore, so it should have good legs and could top Frozen’s $93.59 million five-day opening. In fact, some studios think it has a real chance of $100 million during its five-day opening. I’m not that bullish, but even if it only earns $90 million over five-days, it will still be a monster hit and way more than we predicted. More...

Weekend Prediction: Will Ralph Wreck the Competition?

November 21st, 2018

Ralph Breaks the Internet

It’s Thanksgiving long weekend, which means it is officially the start of the holiday blockbuster season. This year, three films are opening wide hoping to become hits. One of them, Ralph Breaks the Internet, could become the biggest hit of the month. Creed II is expected to top its predecessor during its five-day opening. Robin Hood is just hoping not to bomb in theaters. Both Green Book and The Front Runner were scheduled to expand wide, but neither will. In fact, The Front Runner isn’t even expanding semi-wide. This weekend last year, Coco opened with nearly $73 million during its five day weekend. Ralph Breaks the Internet likely won’t earn that much over the weekend, but it should come close. Additionally, Justice League earned $60 million during the five-day frame, which is very likely better than Creed II will perform. However, after that point, 2018’s depth becomes stronger than 2017’s depth and we should earn the small win in the year-over-year competition. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

Creed II Trailer

June 20th, 2018

Boxing drama starring Michael B. Jordan and Sylvester Stallone opens November 21 ... Full Movie Details. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/18/2019 $304,677 172 185 617 $940,140 3/25/2019
Australia 11/30/2018 $2,194,969 328 328 1251 $6,273,764 11/20/2020
Belgium 1/11/2019 $0 0 65 65 $1,200,000 1/22/2019
Brazil 1/25/2019 $1,100,000 591 621 1714 $2,800,000 3/14/2019
Bulgaria 11/23/2018 $59,208 0 0 0 $216,347 1/22/2019
China 1/4/2019 $11,936 0 41620 41620 $2,490,000 3/14/2019
Czech Republic 11/23/2018 $115,594 87 87 200 $297,707 1/10/2019
France 1/11/2019 $5,800,000 514 515 2687 $14,700,000 3/14/2019
Germany 1/24/2019 $2,200,000 343 460 1219 $6,200,000 3/14/2019
Greece 11/29/2018 $0 0 0 0 $729,000 1/2/2019
Italy 1/24/2019 $4,194,801 514 514 568 $8,300,000 3/14/2019
Japan 1/11/2019 $1,060,000 318 318 636 $3,000,000 3/14/2019
Lithuania 3/29/2019 $2,916 19 19 25 $5,521 4/16/2019
Mexico 1/1/2019 $1,795,267 1631 1631 2607 $6,280,000 3/14/2019
Middle East Region 12/14/2018 $0 0 0 0 $992,000 1/22/2019
Netherlands 1/11/2019 $783,290 131 131 634 $2,460,000 3/14/2019
North America 11/21/2018 $35,574,710 3,441 3,752 19,110 $115,715,889
Poland 11/23/2018 $190,730 110 110 220 $520,000 12/11/2018
Portugal 12/28/2018 $0 0 66 263 $1,130,383 2/15/2019
Romania 11/23/2018 $0 0 0 0 $586,000 1/22/2019
Russia (CIS) 1/11/2019 $1,109,480 865 865 2004 $2,000,000 3/14/2019
Slovakia 11/23/2018 $104,167 65 65 172 $259,480 1/15/2019
South Korea 2/21/2019 $58,922 288 288 288 $86,727 3/1/2019
Spain 1/25/2019 $2,137,200 321 357 1741 $5,700,000 3/14/2019
Turkey 1/11/2019 $125,050 149 149 302 $302,540 2/10/2019
United Arab Emirates 11/30/2018 $905,000 83 83 83 $1,900,000 1/22/2019
United Kingdom 11/30/2018 $3,820,573 527 563 2719 $12,800,000 3/14/2019
 
Rest of World $15,706,024
 
Worldwide Total$213,591,522 11/20/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Sylvester Stallone    Rocky Balboa
Michael B. Jordan    Adonis Creed

Supporting Cast

Tessa Thompson    Bianca
Wood Harris    Tony ‘Little Duke’ Burton
Phylicia Rashad    Mary Anne Creed
Dolph Lundgren    Ivan Drago
Florian ‘The Big Nasty’ Munteanu*    Viktor Drago
Russell Hornsby    Buddy Marcelle
Milo Ventimiglia    Robert Balboa
Robbie Johns    Logan Balboa
Andre Ward    Danny ‘Stuntman’ Wheeler
Brigitte Nielsen    Ludmilla Drago
Jacob “Stitch” Duran*    Himself/Stitch
Ana Gerena    Adrian’s Waitress
Benjamin Vaynshelboym    Construction Supervisor (Russian)
Angelina Shipilina    Debutante (Russian)
Pavel Vakunov    Russian Politician
Oleg Ivanov    Businessman (Russian)
Christopher Mann    Dr. Percy Ewell
Robert Douglas    Kyri
Zack Beyer    Photographer
Chrisdine King    Casino Bartender
James Collins Jr    Sports Bar Patron
John Jezior    Stage Manager/Barclays Center
Pete Postiglione    Reporter
Bill Vargus    Reporter
Johanna Tolentino    Pharmacist
Eleni Delopoulos    Nurse
Marcia Myers    Obstetrics Nurse
Emily Murray    Nurse (Testing Room)
Corey Calliet    Corner Man
Robert Sale    Corner Man
Hendrix McDaniel    Newborn Amara
Maverick McDaniel    Newborn Amara
Paris Michael Cunningham    Age 4 Months Amara
Ivo Nandi    Russian Referee
Bibi Bourelly    Bianca’s Backup Singer

Cameos

Kenny Bayless    Referee Kenny Bayless
Robert Byrd    Referee Robert Byrd
Michael Buffer    Himself
Jim Lampley    Himself
Max Kellerman    Himself
Roy Jones, Jr.    Himself
Scott Van Pelt    Himself
Linda Cohn    Herself

Patrice “Boogey” Harris*    Apollo Creed

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Steven Caple Jr    Director
Sylvester Stallone    Screenwriter
Juel Taylor    Screenwriter
Sascha Penn    Story by
Cheo Hodari Coker    Story by
Irwin Winkler    Producer
Charles Winkler    Producer
Bill Chartoff    Producer
David Winkler    Producer
Kevin King-Templeton    Producer
Sylvester Stallone    Producer
Ryan Coogler    Executive Producer
Michael B. Jordan    Executive Producer
Guy Riedel    Executive Producer
Kramer Morgenthau    Director of Photography
Franco-Giacomo Carbone    Production Designer
Dana E. Glauberman    Editor
Saira Haider    Editor
Paul Harb    Editor
Ludwig Göransson    Composer
Fam Udeorji    Music Supervisor
Jen Malone    Music Supervisor
Lizz Wolf    Costume Designer
Udi Nedivi    Unit Production Manager
Michele Ziegler    First Assistant Director
Xanthus Valan    Second Assistant Director
Danny Hernandez    Stunt and Supervising Fight Coordinator
Don Thai Theerathada    Fight Choreographer
Daniel Bernhardt    Fight Choreographer
Bernardo Duran Jr    Associate Producer
Jesse Rosenthal    Art Director
Heather Loeffler    Set Decorator
Barbara Munch    Set Decorator
Bill Lance    Set Designer
Damian Elias Canelos    Sound Mixer
Patrick Squares White    Special Effects Coordinator
Kimberly Guenther    Costume Supervisor
Fionagh Cush    Make up
Phyllis Temple    Make up
Gino Crognale    Special Make-up Effects
Diane Dixon    Hairstylist
Daisy Curbeon    Hairstylist
Dawn Gilliam    Script Supervisor
Patricia Taggart    Location Manager
Brennon Edwards    Production Manager
Ian Sharples    Production Manager
Nathalie Samanon    Post-Production Supervisor
Sean Albertson    Additional Editor
Debbie Tennant    First Assistant Editor
Carolyn Calvert    Second Assistant Director
Ronald J. Webb    Music Editor
David Metzner    Music Editor
Crystal Dowd    Visual Effects Producer
Aaron Glascock    Sound Designer
Aaron Glascock    Sound Supervisor
Katy Wood    Supervising Dialogue and ADR Editor
Robert Jackson    Dialogue Editor
Mitch Osias    Sound Designer
Mitch Osias    Sound Effects Editor
Jack Heeren    Foley Mixer
Kevin Schultz    Foley Mixer
Don White    Foley Mixer
Brian Tarlecki    Re-recording Mixer
Sean Madsen    Re-recording Mixer
Jongnic Bontemps    Additional Music
Monica Sonand    Score Supervisor
Chris Fogel    Score Mixer
Tom Hardisty    Score Recordist
Kevin Globerman    Score Recordist
Eric Robinson    Visual Effects Supervisor
Jo Hughes    Visual Effects Producer
Don Libby    Visual Effects Supervisor
Brian Drewes    Visual Effects Producer
Jason Sanford    Visual Effects Executive Producer
Tim LeDoux    Visual Effects Supervisor
Adam Pere    Visual Effects Producer
Sylvester Stallone    Character Creator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.