Oman Box Office for Bloodshot (2019)

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Bloodshot
Theatrical Performance (US$)
Oman Box Office $83,338Details
Worldwide Box Office $37,163,054Details
Home Market Performance
North America DVD Sales $7,044,814 Details
North America Blu-ray Sales $11,751,410 Details
Total North America Video Sales $18,796,224
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Ray Garrison is a soldier recently killed in action and brought back to life as the superhero Bloodshot by the RST corporation. With an army of nanotechnology in his veins, he’s an unstoppable force –stronger than ever and able to heal instantly. But in controlling his body, the company has sway over his mind and memories, too. Now, Ray doesn’t know what’s real and what’s not — but he’s on a mission to find out.

Metrics

Movie Details

Production Budget:$45,000,000
Oman Releases: March 12th, 2020 (Wide)
Video Release: March 24th, 2020 by Sony Pictures Home Entertainment
June 8th, 2020 by Sony Pictures
MPAA Rating: PG-13 for intense sequences of violence, some suggestive material and language.
(Rating bulletin 2613 (Cert #52048), 1/22/2020)
Running Time: 109 minutes
Keywords: Super Soldiers, Death of a Spouse or Fiancée / Fiancé, Faulty Memory, Revenge, Valiant Comics, Action Adventure, Failed Franchises
Source:Based on Comic/Graphic Novel
Genre:Action
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: Columbia Pictures, Original Film, Valiant Productions, Bona Film Group, AnnaBell Pictures, The Hideaway Entertainment
Production Countries: United States
Languages: English

DEG Watched At Home Chart: Sonic Sneaks into First Place

May 28th, 2020

Sonic the Hedgehog

Sonic the Hedgehog was released on DVD / Blu-ray / 4K last week and that helped it climb into first place on the DEG Watched at Home chart. The film was already in fifth place last week on the strength of its digital releases, so it has had a very profitable run on the home market already. More...

DEG Watched At Home Chart: Preying for a Miracle

May 21st, 2020

Birds of Prey

Birds of Prey hit DVD / Blu-ray / 4K last week, and that helped it shoot up the DEG Watched at Home chart from eighth place last week to land in first place. It looks like Warner Bros. should break even on this film before too long. On the downside, the studio only had two other entries in the top twenty, leaving Sony in first place in that regard with five releases in the top twenty this week. More...

DEG Watched At Home Chart: Sony Scores Again

May 14th, 2020

Bloodshot

Sony continues to have a good year, given the circumstances. They just chalked up a win on the DEG Watched at Home Chart for the third week in a row. However, this week it was Bloodshot that topped the chart by rocketing up the chart 11 places. Why the massive jump? It debuted on DVD / Blu-ray. We haven’t seen an increase that dramatic since we’ve been tracking this chart; however, this is also a film that was still in theaters when Covid-19 forced it into VOD early, so there’s mitigating circumstances. More...

DVD and Blu-ray Releases for May 5th, 2020

May 6th, 2020

Elvira: Mistress of the Dark

It’s a sad week for DVDs / Blu-rays as there are no top-notch first-run releases. Gretel and Hansel is the biggest and the best first-run release on this week’s list, but its DVD / Blu-ray don’t have enough extras to be a Pick of the Week contender. Likewise, The Lodge is amazing, but its DVD / Blu-ray have no extras… Is Elvira: Mistress of the Dark really the Pick of the Week? It came out last week, but the screener was late, so it is the best release on this week’s list. More...

DEG Watched At Home Chart: Skywalker Remains Top Draw

April 23rd, 2020

Star Wars: The Rise of Skywalker

Star Wars: The Rise of Skywalker remained on top of the chart on this week’s DEG Watched at Home Chart. In fact, the top five were nearly identical to the top five from last week, so we are going to spend some more time looking lower down the list. More...

VOD Releases: Will these VOD Releases Rescue the Movie Industry?

March 26th, 2020

Banana Split

With the COVID-19 outbreak causing mass shutdowns of non-essential businesses in a lot of places, theatrical releases are, for the most part, non-existent. However, the movie industry is trying to rapidly adapt to this and so are we. They are fast-tracking lots of theatrical releases to VOD and we will be expanding our coverage of VOD releases. Like last week, there are a lot of fast-tracked theatrical releases coming out this week, but we also have the more typical VOD premieres to talk about. Of the former category, Bad Boys for Life is clearly leading the way, although Birds of Prey is coming out on Friday rather than Tuesday, so it gets a jump on the action. Of the latter category, Banana Split is the film that I’m most interested in seeing. Sadly, there are so many major VOD releases this week that I fear it will slip between the cracks. More...

International Box Office: Bloodshot Wins by Default

March 25th, 2020

Bloodshot

Sony was the only major studio to release international numbers, so I guess Bloodshot wins the weekend chart by default. That said, it also won last weekend, so it probably was the actual winner this weekend. According to Sony’s numbers, it earned $1.41 million on 3,795 screens in 60 markets for a two-week total of $18.41 million. This includes a $31,842 debut on 65 screens in Nigeria. Its largest market was Russia, where it was down 78% to $549,000 on 1,665 screens over the weekend for a two-week total of $3.55 million. It is not surprising that Russia had one of the best holds for the film, as the country was slow to realize the extent of Covid-19. Singapore also held on well down 53% to $119,000 on 65 screens over the weekend for a two week total of $454,000. Singapore was able to hold on this well, because the country has been extremely proactive in combating the Covid-19 outbreak, so they have successfully flattened the curve. Unfortunately for the rest of the world, they are a city-state and I don’t think their methods could be emulated by other nations easily. More...

Home Market Releases for March 24th, 2020

March 23rd, 2020

Leave Her to Heaven

The COVID-19 outbreak had basically ended the theatrical market with most theaters closed. Only drive-ins are showing any signs of life. Unfortunately, this is having an effect on the home market as well, some of it positive, some of it very negative. There is a rush to get movies from theaters to the home market and that’s helping improve the list this week. On the other hand, uncertainty with supply chains and stores being open means we could have a very short list next weekend, and next month. There are some big releases this week, including 1917, while Birds of Prey leads the VOD list. However, for Pick of the Week, I went with a much older film, Leave Her to Heaven, which is getting a Criterion Collection release this week. More...

International Box Office: One Last Shot at the Box Office

March 18th, 2020

Bloodshot

The COVID-19 outbreak has been causing major closures of theater chains both domestically and internationally, which means this could be the last meaningful box office report for weeks, if not months. Bloodshot led the way with $12.47 million on 10,443 screens in 59 markets for an early international total of $14.59 million. The film is playing in most major markets, but it only cracked $1 million in three of them, led by Russia at $2.47 million on 1,665. Indonesia isn’t considered a major market, but the film earned $1.72 million on 868 screens there. The film topped the charts in both of those markets, but had to settle for second place in Mexico with $1.13 million on 1,510 screens in that market. More...

Weekend Wrap-Up: COVID-19 Scare Results in Worst Weekend in Decades

March 16th, 2020

Onward

The weekend broke a record, one that I thought would never be broken. Ticket price inflation means the smallest overall weekend record looked unbreakable, but this weekend only managed $53.50 million, although that number should be adjusted up as some indie films report numbers later in the week. This is down 47% from last weekend and down 61% from the same weekend last year. Only one film managed to top $10 million, Onward, while the total box office was less than what Captain Marvel earned this weekend last year. This is easily the worst weekend since I’ve been in the business, but I fear it will get worse before it gets better. Year-to-date is, to be blunt, a disaster. 2020 is already $100 million behind 2019’s pace and 2019 was not a good year at the box office. Furthermore, the $1.76 billion box office is only 195 million tickets sold, meaning we are on pace for the lowest ticket sales since the turn of the century. More...

Weekend Estimates: Onward Hit by Box Office Shutdown

March 15th, 2020

Onward

People are clearly taking the concept of social distancing seriously and this is causing a massive drop at the box office. Onward is going to lead the way at the box office this weekend, but with just $10.53 million. This is down 73% from its opening weekend, which is the worst in the top ten. Granted, it is a family film during its sophomore stint, so it would naturally be affected the most by social distancing. Internationally, things were much worse as some markets were shutting down theaters entirely. The film is only earning $6.8 million in 47 markets for totals of $41.4 million internationally and $101.7 million worldwide. On the positive side, its reviews are really strong, so it should find a second life on the home market. More...

Friday Estimates: COVID-19 Outbreak Takes Out Box Office

March 14th, 2020

I Still Believe

I Still Believe debuted in first place with $4.0 million on Friday, putting it on pace for close to $11 million over the full weekend. On the positive side, this is what was predicted, so at least it is matching lowered expectations. On the negative side, it won’t be enough to remain in first place for long. Its reviews are mixed, but it did earn an A-rating from CinemaScore, which is easily the best of the three new releases that came out this week. More...

Thursday Night Previews: Bloodshot Draws First Blood

March 13th, 2020

Bloodshot

Bloodshot opened with $1.2 million during Thursday previews, which is almost as much as the other two wide releases earned combined. Granted, its reviews are the weakest of the three new releases, but this start should still be enough to top our $8 million prediction. The demographics are extremely male and young and young men are the ones least likely to take precautions during something like the COVID-19 outbreak, so perhaps this is not a surprise. More...

Weekend Predictions: Trio of Films Opening Wide could be Last Wide Releases for Weeks

March 12th, 2020

I Still Believe

Wash your hands. This could be the worst weekend of the year at the box office, perhaps even the worst weekend of the past several years. COVID-19 has caused the suspension of the NBA and NHL seasons, while practically every wide release for the next several weeks has been pushed back indefinitely. This news is very likely going to hurt ticket sales as people are taking the concept of “self isolation” seriously. Last weekend, Onward and Sonic the Hedgehog were hit the hardest, which makes sense, as families would be the first to avoid going out because of a pandemic, but now I think general audiences will also avoid crowds. Worse still, none of the three wide releases were expected to be anything more than midlevel hits at the best of times. Now, I wouldn’t be surprised if none of Bloodshot, The Hunt, and I Still Believe hit $10 million over the weekend. This weekend last year, Captain Marvel earned $67.99 million during its second weekend of release. That will be more than the three new releases will open with combined. It could be more than their combined domestic totals. More...

2020 Preview: March

March 1st, 2020

Mulan

The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January. More...

Bloodshot Trailer

October 21st, 2019

Action movie starring Vin Diesel opens February 21 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/03/13 - $83,338   36 $2,315   $83,338 1

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/12/2020 $60,602 155 155 155 $60,602 3/23/2020
Aruba 3/12/2020 $2,228 6 6 6 $2,228 3/23/2020
Australia 3/13/2020 $870,049 346 346 1336 $2,059,722 8/24/2020
Austria 3/6/2020 $0 0 60 60 $224,493 3/17/2020
Bahrain 3/12/2020 $32,034 13 13 13 $32,034 3/17/2020
Bolivia 3/12/2020 $17,457 30 30 30 $17,457 3/17/2020
Brazil 3/12/2020 $503,884 551 551 551 $512,364 8/28/2020
Bulgaria 3/13/2020 $684 74 74 74 $6,278 3/17/2020
Cambodia 3/13/2020 $25,858 82 82 82 $26,455 3/17/2020
Central America 3/12/2020 $106,279 252 252 257 $111,932 3/25/2020
Chile 3/12/2020 $80,415 105 105 105 $80,415 3/23/2020
China 7/24/2020 $2,810,000 23375 23375 40832 $6,520,000 8/20/2020
Colombia 3/12/2020 $250,864 355 355 355 $250,864 3/23/2020
Croatia 3/12/2020 $11,113 39 39 39 $11,114 3/17/2020
Curacao 3/12/2020 $7,380 9 9 9 $7,380 3/23/2020
Czech Republic 3/12/2020 $3,848 58 58 268 $57,493 10/19/2022
Dominican Republic 3/12/2020 $30,702 48 48 48 $30,702 3/17/2020
East Africa 3/12/2020 $5,396 4 4 4 $5,396 3/17/2020
Ecuador 3/13/2020 $26,214 69 69 69 $26,214 3/17/2020
Egypt 3/12/2020 $52,400 42 42 42 $52,400 3/17/2020
Germany 11/29/2019 $0 0 366 673 $954,892 3/23/2020
Hong Kong 3/27/2020 $132,092 0 0 0 $132,092 4/9/2020
Hungary 3/12/2020 $48,236 49 49 49 $56,520 10/19/2022
Iceland 3/13/2020 $9,763 8 8 12 $21,822 3/24/2020
India 3/13/2020 $326,162 507 507 507 $326,162 3/17/2020
Indonesia 3/13/2020 $1,716,288 868 868 1501 $2,111,485 3/25/2020
Israel 3/12/2020 $82,340 40 40 40 $155,496 10/19/2022
Italy 3/26/2020 00$0
Jamaica 3/11/2020 $2,485 5 5 5 $2,485 3/23/2020
Jordan 3/12/2020 $16,958 5 5 5 $16,958 3/23/2020
Kenya 3/13/2020 $21,577 23 23 40 $35,027 3/24/2020
Latvia 3/13/2020 $6,148 10 10 10 $8,812 3/17/2020
Lithuania 6/5/2020 $296 3 3 14 $5,038 7/29/2020
Malaysia 3/13/2020 $584,004 409 409 409 $584,004 3/23/2020
Mexico 3/13/2020 $1,119,488 0 0 0 $1,602,431 10/19/2022
Netherlands 3/13/2020 $254,762 102 102 337 $489,482 10/19/2022
New Zealand 3/12/2020 $128,725 71 71 346 $385,787 10/19/2022
Nigeria 3/20/2020 $31,842 65 65 65 $39,853 3/24/2020
North America 3/13/2020 $9,176,695 2,861 2,861 2,861 $10,021,787
Oman 3/12/2020 $83,338 36 36 36 $83,338 3/17/2020
Pakistan 3/13/2020 $19,243 57 57 57 $19,244 3/17/2020
Peru 3/12/2020 $115,983 133 133 133 $115,983 3/23/2020
Philippines 3/11/2020 $167,200 262 262 266 $170,109 3/24/2020
Portugal 3/6/2020 $96,943 61 65 267 $171,872 10/19/2022
Qatar 3/12/2020 $39,313 35 35 35 $39,313 3/17/2020
Romania 3/13/2020 $59,330 70 70 183 $113,682 10/7/2020
Russia (CIS) 3/12/2020 $2,486,015 1565 1565 3535 $4,470,964 10/19/2022
Serbia and Montenegro 3/12/2020 $3,822 24 24 24 $3,822 3/17/2020
Singapore 3/12/2020 $254,367 64 65 129 $454,067 3/24/2020
Slovakia 5/29/2020 $0 0 31 83 $26,173 7/21/2020
Slovenia 3/12/2020 $827 9 9 9 $1,145 3/17/2020
South Africa 3/13/2020 $127,546 112 112 221 $189,728 3/24/2020
South Korea 5/21/2020 $2,903 8 8 8 $5,331 5/27/2020
Spain 3/6/2020 $793,183 303 303 550 $1,242,798 8/7/2020
Suriname 3/12/2020 $858 1 1 1 $858 3/17/2020
Sweden 3/13/2020 $76,778 112 112 182 $88,382 3/24/2020
Switzerland 3/5/2020 $0 0 51 51 $197,593 3/17/2020
Syria 3/12/2020 $9,533 2 2 2 $9,533 3/17/2020
Thailand 3/11/2020 $265,277 253 253 257 $792,664 10/19/2022
Trinidad 3/11/2020 $42,104 26 26 35 $52,098 3/24/2020
Turkey 3/13/2020 $129,100 420 420 810 $196,697 10/19/2022
United Arab Emirates 3/12/2020 $504,297 135 135 135 $504,297 3/23/2020
United Kingdom 3/13/2020 $551,938 419 419 424 $625,675 3/24/2020
Uruguay 3/12/2020 $1,551 7 7 7 $1,552 3/17/2020
Vietnam 3/13/2020 $298,144 268 268 328 $540,460 3/24/2020
 
Worldwide Total$37,163,054 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Vin Diesel    Bloodshot
Eiza González    KT
Sam Heughan    Corporal Harlan ‘So Long’ Shifflet
Toby Kebbell    Axe
Guy Pearce    Dr. Emil Harting

Supporting Cast

Talulah Riley    Gina Garrison
Lamorne Morris    Wilfred Wigans
Jóhannes Haukur Jóhannesson    Nick Baris
Alex Hernandez    Tibbs
Siddharth Dhananjay    Eric
Tamer Burjaq    Mombasa Gunman
Clyde Berning    Mombasa Hostage
David Dukas    Merc Driver
Charlie Bouguenon    Merc Leader
Tyrel Meyer    Merc
Frans Steyn    Guard
David Davadoss    Guard
Alex Anlos    Baris Merc
Nic Rasenti    Baris Merc
Ryan Michael Sin    Ex-RST Employee
Michael Kirch    Ex-RST Employee
Ryan Kruger    Ex-RST Employee
Austin Rose    Ex-RST Employee
Gary Naidoo    Ex-RST Employee
Hilton Sun    Ex-RST Employee
Tsogt Bayasgalan    Ex-RST Employee
Donovan Goliath    Police Officer #1
Freyja Stern    Gina’s Daughter
Keeno-Lee Hector    RST Tech
Jeremy Jess Boado    RST Tech
Maarten Römer    RST Tech
Shelani van Niekerk    RST Tech
Jason Goliath    Police Officer #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David S.F. Wilson    Director
Eric Heisserer    Screenwriter
Jeff Wadlow    Screenwriter
Jeff Wadlow    Story based on the Valiant Comic Book by
Toby Jaffe    Producer
Dinesh Shamdasani    Producer
Neal H. Moritz    Producer
Jason Kothari    Producer
Matthew Vaughn    Executive Producer
Dan Mintz    Executive Producer
Louis G. Friedman    Executive Producer
Yu Dong    Executive Producer
Jeffrey Chan    Executive Producer
Rita LeBlanc    Executive Producer
Buddy Patrick    Executive Producer
Jacques Jouffret    Director of Photography
Tom Brown    Production Designer
Jim May    Editor
John Papsidera    Casting Director
Steve Jablonsky    Composer
Kimberly A. Tillman*    Costume Designer
Chris Harvey    Visual Effects Supervisor
Louis G. Friedman    Unit Production Manager
Nadia Paine    Unit Production Manager
Vincent Lascoumes    First Assistant Director
J.J. Perry    Second Unit Director
Steve Matzkin    Executive Producer
Sarah Schroeder-Matzkin    Executive Producer
Matthew Rhodes    Executive Producer
Jonathan Gray    Executive Producer
Matt Antoun    Executive Producer
Mark Strome    Executive Producer
Maurice Fadida    Executive Producer
Jason Kothari    Executive Producer
Dione Wood    Co-Producer
Cheryl Eatock    Line Producer
James Muringani    Production Supervisor
Kenny G. Krauss    Additional Editor
Simon Lamont    Supervising Art Director
Michele Barfoot    Set Decorator
Morag Cameron    Script Supervisor
Florence Gilles    Costume Supervisor
Christa Schoeman    Make up
Natasha Du Toit    Make up
Marie Maggio    Hairstylist
Cordell McQueen    Special Effects Supervisor
Tyrell Kemlo    Special Effects Coordinator
Paul Pieterse    Special Effects Coordinator
Deon Du Preez    Location Manager
Dino Denton    Location Manager
Wikus Van Der Merwe    Location Manager
Moray McGregor    Art Director
Graeme Cowie    Art Director
Jaco van Heerden    Art Director
Christiana Serra    Art Director
Storm Dysell    Art Director
Brett Hirson    Set Designer
Stephanie Clerkin    Set Designer
Celene McDowell    Set Designer
Catherine Gaum    Set Designer
Steve M. Ngo    Assistant Editor
Esther Sokolow    Assistant Editor
Matt Allen    Assistant Editor
J.J. Le Roux    Sound Mixer
Greg Albert    Sound Mixer
Paul N. J. Ottosson    Re-recording Mixer
Beau Borders    Re-recording Mixer
Paul N. J. Ottosson    Supervising Sound Editor
Paul N. J. Ottosson    Sound Designer
Hamilton Sterling    Sound Effects Editor
Greg ten Bosch    Sound Effects Editor
Robert Kellough    Sound Effects Editor
Casey Genton    Sound Effects Editor
Chuck Michael    Sound Effects Editor
Robert Troy    Dialogue Editor
Russell Farmarco    Dialogue Editor
Curt Schulkey    Dialogue Editor
Jamie Famularo    Foley Editor
Brendan Hill    Foley Editor
Brendan Croxon    Foley Mixer
Darrell Hall    Music Editor
Daniel Pinder    Music Editor
Sven Faulconer    Additional Music
Christian Wibe    Additional Music
Jeff Biggers    Score Recordist
Jeff Biggers    Score Mixer
J.J. Perry    Stunt Coordinator
Troy Robinson    Stunt Coordinator
Grant Hulley    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.