Ecuador Box Office for The Angry Birds Movie 2 (2019)

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The Angry Birds Movie 2
Theatrical Performance (US$)
Ecuador Box Office $510,274Details
Worldwide Box Office $152,255,188Details
Home Market Performance
North America DVD Sales $3,170,333 Details
North America Blu-ray Sales $4,195,853 Details
Total North America Video Sales $7,366,186
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When a new threat emerges that puts both Bird and Pig Island in danger, Red, Chuck, Bomb, and Mighty Eagle recruit Chuck’s sister Silver and team up with pigs Leonard, his assistant Courtney, and techpig Garry to forge an unsteady truce and form an unlikely superteam to save their homes.

Metrics

Movie Details

Production Budget:$65,000,000
Ecuador Releases: August 23rd, 2019 (Wide)
Video Release: October 29th, 2019 by Sony Pictures Home Entertainment
December 2nd, 2019 by Sony Pictures
MPAA Rating: PG for rude humor and action.
(Rating bulletin 2583 (Cert #51937), 6/19/2019)
Running Time: 96 minutes
Franchise: Angry Birds
Keywords: Talking Animals, Animal Lead, War, Ensemble, Enemies Forced to Work Together, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Based on Game
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Rovio Animation, Sony Pictures Animation
Production Countries: Finland, United States
Languages: English

Home Market Releases for November 12th, 2019

November 14th, 2019

Star Trek: Discovery: Season Two

There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people. More...

Home Market Releases for October 29th, 2019

October 30th, 2019

An American Werewolf in London

It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks. More...

Weekend Predictions: Will Abominable Live Up to Its Name or will it be ... Bominable?

September 26th, 2019

Abominable

The last weekend of September has been a great week to release a second-tier animated film and there have been several $100 million hits released this week in the past. This year, Abominable is hoping to succeed in this role. It does have a lot going for it, including no competition, direct or otherwise, and reviews that are, while not spectacular, certainly a selling point. On the other hand, the buzz hasn’t grown the way it should. This weekend last year, Night School led the way with Smallfoot having a strong second place opening. Unfortunately, it looks like 2019’s small winning streak will come to an end, because it is unlikely Abominable will match last year’s number one film. It might not even match last year’s second place film. More...

International Box Office: Hobbs and Shaw have a Fantastically Fast Start in China

August 28th, 2019

Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw roared back into first place on the international chart earning $119.4 million in 68 markets for totals of $440.4 million internationally and $588.1 million worldwide. This includes a first place, three-day $99.08 million debut in China, for a total opening in the market of $103.06 million. Granted, films tend to have short legs in China, but a start like this will still give the film an easy time reaching $700 million worldwide, which is enough to be a financial success, even if it doesn’t match the previous installments in the franchise. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

International Box Office: Hollywood Goes Global

August 21st, 2019

Once Upon a Time... In Hollywood

Once Upon a Time... In Hollywood started its international run in earnest with $48.53 million over the three-day weekend, $55.22 million including previews and weekdays. It was playing on 10,054 screens in 59 markets and has a running tally of $65.44 million after two weeks of release. Its biggest market of the weekend was either France or the U.K., depending on how you look at it. In the former, it earned first place with $7.08 million on 683 screens. It also opened in first place in the latter with $6.22 million on 708 screens over the weekend, and had a total opening of $9.16 million. It also had strong openings in Germany ($5.06 million on 820 screens over the weekend for a total opening of $5.82 million); Australia ($4.52 million on 299 screens); and Spain ($2.41 million on 869 screens over the weekend for a total opening of $3.63 million). More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

New Angry Birds 2 Trailer

June 20th, 2019

Animated adventure with an ensemble cast led by Jason Sudeikis and Josh Gad opens August 14 ... Full Movie Details.

When a new threat emerges that puts both Bird and Pig Island in danger, Red, Chuck, Bomb, and Mighty Eagle recruit Chuck’s sister Silver and team up with pigs Leonard, his assistant Courtney, and techpig Garry to forge an unsteady truce and form an unlikely superteam to save their homes. More...

The Angry Birds Movie 2 Trailer 2

March 28th, 2019

Animated adventure opens August 16 ... Full Movie Details. More...

The Angry Birds Movie 2 Trailer

March 1st, 2019

Animated adventure opens August 16 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/08/23 - $116,912   91 $1,285   $116,912 1
2019/08/30 - $93,112 -20% 73 $1,276   $272,767 2
2019/09/06 - $48,960 -47% 44 $1,113   $365,838 3
2019/09/13 - $41,716 -15% 39 $1,070   $425,236 4
2019/09/20 - $28,503 -32% 27 $1,056   $486,339 5
2019/09/27 - $8,559 -70% 20 $428   $499,055 6
2019/10/04 - $3,776 -56% 15 $252   $503,439 7
2019/10/11 - $3,706 -2% 10 $371   $507,214 8
2019/10/18 - $728 -80% 4 $182   $510,057 9
2019/10/25 - $217 -70% 1 $217   $510,274 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/15/2019 $378,089 399 399 989 $954,809 12/31/2019
Aruba 8/15/2019 $5,707 6 6 11 $20,236 9/19/2019
Australia 9/13/2019 $1,013,838 359 368 2566 $7,057,299 10/20/2022
Austria 9/20/2019 $136,436 145 148 1133 $881,242 1/15/2020
Bahrain 8/8/2019 $0 0 8 37 $313,275 10/1/2019
Belgium 10/2/2019 $180,596 103 103 546 $733,728 12/10/2019
Bolivia 8/22/2019 $61,095 41 41 127 $194,796 10/17/2019
Brazil 10/3/2019 $812,829 688 688 2704 $4,490,270 7/31/2020
Bulgaria 8/23/2019 $68,473 0 1 1 $400,794 2/19/2020
Cambodia 8/15/2019 $35,151 113 113 195 $69,169 10/15/2019
Central America 8/15/2019 $468,260 286 286 810 $1,293,915 10/1/2019
Chile 8/29/2019 $270,518 157 157 445 $680,970 10/15/2019
China 8/10/2019 $560,000 809 54308 80783 $22,720,000 10/9/2019
Colombia 8/29/2019 $297,346 346 346 791 $570,584 10/15/2019
Croatia 8/8/2019 $0 0 87 485 $286,516 11/19/2019
Curacao 8/15/2019 $2,396 6 6 17 $12,665 10/9/2019
Czech Republic 8/30/2019 $182,151 147 147 669 $868,551 10/19/2022
Denmark 8/8/2019 $0 0 98 550 $1,117,052 11/13/2019
Dominican Republic 8/15/2019 $17,503 30 30 76 $47,589 10/15/2019
East Africa 8/8/2019 $0 0 4 23 $19,479 10/8/2019
Ecuador 8/23/2019 $116,912 91 91 324 $510,274 10/29/2019
Egypt 8/7/2019 $0 0 9 27 $68,291 10/1/2019
Estonia 8/23/2019 $33,136 35 35 139 $219,635 10/8/2019
Finland 8/9/2019 $0 0 176 731 $1,978,848 12/27/2019
France 10/16/2019 $804,385 480 496 2444 $4,604,660 12/18/2019
Germany 9/19/2019 $775,412 1050 1050 7051 $6,112,040 1/8/2020
Ghana 8/9/2019 $0 0 4 12 $5,754 9/17/2019
Greece 9/5/2019 $122,318 158 158 560 $387,466 11/13/2019
Hong Kong 8/15/2019 $375,057 132 132 355 $1,021,419 10/17/2019
Hungary 8/8/2019 $0 0 71 404 $598,806 10/19/2022
Iceland 8/7/2019 $0 0 10 53 $107,665 10/29/2019
India 8/23/2019 $923,438 1159 1159 1530 $1,553,495 11/19/2019
Indonesia 8/16/2019 $427,798 504 504 883 $782,203 10/8/2019
Iraq 8/8/2019 $0 0 11 23 $51,552 9/24/2019
Israel 8/8/2019 $0 0 79 378 $1,506,645 10/19/2022
Italy 9/12/2019 $477,981 0 46 173 $1,347,162 12/18/2019
Jamaica 8/14/2019 $15,473 5 5 11 $37,165 9/19/2019
Japan 1/31/2020 $14,504 30 30 72 $36,680 2/19/2020
Jordan 8/8/2019 $0 0 5 23 $81,692 10/9/2019
Kenya 8/9/2019 $0 0 16 44 $25,321 10/15/2019
Kuwait 8/8/2019 $0 0 19 56 $629,281 10/29/2019
Latvia 8/23/2019 $19,805 18 18 97 $173,930 10/29/2019
Lebanon 8/8/2019 $0 0 17 49 $131,765 10/8/2019
Lithuania 8/23/2019 $49,085 17 17 128 $398,977 6/30/2021
Malaysia 8/29/2019 $478,119 326 326 989 $1,299,343 10/22/2019
Mexico 9/6/2019 $1,268,056 0 982 1203 $2,793,824 10/19/2022
Middle East Region 8/8/2019 $0 0 8 24 $532,093 10/1/2019
Mongolia 8/16/2019 $17,184 8 8 52 $88,196 10/8/2019
Netherlands 8/23/2019 $169,835 132 135 1040 $1,857,311 10/19/2022
New Zealand 9/12/2019 $154,828 112 112 590 $1,045,798 10/19/2022
Nigeria 8/9/2019 $0 0 59 187 $40,672 9/24/2019
North America 8/13/2019 $10,354,073 3,869 3,869 16,044 $41,657,076
Norway 8/9/2019 $0 0 172 480 $977,290 10/17/2019
Oman 8/8/2019 $0 0 16 48 $139,611 10/22/2019
Pakistan 8/9/2019 $0 0 16 49 $42,213 10/8/2019
Paraguay 8/15/2019 $19,511 22 22 73 $39,122 9/24/2019
Peru 8/22/2019 $420,841 227 227 516 $1,095,361 10/8/2019
Philippines 8/21/2019 $330,904 190 190 249 $483,831 10/1/2019
Poland 9/20/2019 $615,187 238 239 1259 $2,840,529 10/19/2022
Portugal 8/15/2019 $191,504 91 91 472 $882,367 1/29/2020
Qatar 8/8/2019 $0 0 14 72 $444,936 10/29/2019
Romania 8/9/2019 $0 0 90 369 $595,994 11/5/2019
Russia (CIS) 8/15/2019 $3,502,868 1544 1770 7106 $8,956,847 10/19/2022
Serbia and Montenegro 8/22/2019 $26,664 62 62 268 $130,565 10/29/2019
Singapore 9/5/2019 $341,133 70 70 272 $1,082,693 2/25/2020
Slovakia 9/13/2019 $10,705 19 77 302 $309,286 12/27/2019
Slovenia 8/8/2019 $31,590 37 37 189 $195,038 11/19/2019
South Africa 9/20/2019 $115,464 143 143 477 $602,388 1/8/2020
South Korea 8/7/2019 $554,973 503 503 700 $1,198,727 9/5/2019
Spain 8/23/2019 $621,110 396 396 2060 $2,721,351 1/29/2020
Suriname 8/15/2019 $1,667 2 2 10 $12,961 10/22/2019
Sweden 8/9/2019 $0 0 158 761 $933,420 12/18/2019
Switzerland 9/12/2019 $0 0 103 522 $645,028 10/19/2022
Syria 8/8/2019 $0 0 3 4 $13,887 8/27/2019
Taiwan 8/14/2019 $210,310 130 130 360 $622,625 10/8/2019
Thailand 12/10/2019 $60,884 93 93 272 $403,500 10/19/2022
Trinidad 8/14/2019 $49,499 28 28 91 $164,902 10/1/2019
Turkey 8/16/2019 $197,467 337 342 1441 $776,696 10/10/2024
Ukraine 8/8/2019 $0 0 358 1049 $1,472,587 10/22/2019
United Arab Emirates 8/8/2019 $0 0 57 196 $1,587,046 11/12/2019
United Kingdom 8/2/2019 $850,689 562 584 5267 $6,998,678 2/4/2020
Uruguay 8/29/2019 $18,789 25 30 137 $112,608 12/18/2019
Venezuela 8/23/2019 $15,418 69 69 323 $98,051 10/29/2019
Vietnam 8/23/2019 $292,211 259 259 678 $1,257,072 9/24/2019
 
Worldwide Total$152,255,188 10/10/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Jason Sudeikis    Red
Josh Gad    Chuck
Leslie Jones    Zeta
Bill Hader    Leonard
Rachel Bloom    Silver
Awkwafina*    Courtney
Sterling K. Brown    Garry
Eugenio Derbez    Glenn
Danny McBride    Bomb
Peter Dinklage    Mighty Eagle
Pete Davidson    Jerry Eagle
Zach Woods    Carl Eagle
Dove Cameron    Ella
Lil Rel Howery    Alex
Nicki Minaj    Pinky
Beck Bennett    Brad
Brooklynn Prince    Zoe

Supporting Cast

Maya Rudolph    Matilda
JoJo Siwa    Jay/Kira
Tony Hale    Mime
Gaten Matarazzo    Bubba
Genesis Tennon    Vivi
Alma Varsano    Sam-Sam
Faith Margaret Kidman-Urban    Beatrice/Sophie
Sunday Rose Kidman-Urban    Lily/Isla
Colleen Ballinger    Roxanne
David Dobrik    Axel
Alex Hirsch    Steve
Anthony Padilla    Hal
Mason Ramsey    Oliver
Thurop Van Orman    Duck/Seal
Ally Garrett    Snake/Pig Mother
John Cohen    Eagle Detector
Sean Charmatz    Invisible Pig/Teacher
Kelly Prizeman    Bomb’s Mom
Nolan North    Terence
Josh Engel    Dude Bird
Suzanne Waters    Bomb’s Opera Voice
Asher Bishop    Scott
Hazel Van Orman    Hazel
Leif Van Orman    Leif
David C. Smith    Grumpy Dad
John Rice    Quad Bird
Nova Reed    Ally
Kaci Simotas    Anders
Elizabeth Cohen    Jenny
Samantha Cohen    Bailey
Isla Andrews    Eloise
Newell Alexander    Additional Voice
Rosemary Alexander    Additional Voice
Steve Alterman    Additional Voice
Stephen F. Apostolina    Additional Voice
Susan Boyajian    Additional Voice
Thomas Bromhead    Additional Voice
Mitch Carter    Additional Voice
Brook Chalmers    Additional Voice
June Christopher    Additional Voice
David Cowgill    Additional Voice
Peter Falls    Additional Voice
Jeff Fischer    Additional Voice
Jackie Gonneau    Additional Voice
Grey Griffin    Additional Voice
Bridget Hoffman    Additional Voice
Richard Horvitz    Additional Voice
Rif Hutton    Additional Voice
Joyce Kurtz    Additional Voice
Joanna Leeds    Additional Voice
Richard McGregor    Additional Voice
Scott Menville    Additional Voice
David Michie    Additional Voice
Edie Mirman    Additional Voice
Juan Pope    Additional Voice
Michelle Ruff    Additional Voice
Michael Sorich    Additional Voice
Kelly Stables    Additional Voice
Lynnanne Zager    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Thurop Van Orman    Director
John Rice    Co-Director
John Cohen    Producer
Peter Ackerman    Screenwriter
Eyal Podell    Screenwriter
Jonathon E. Stewart    Screenwriter
David Maisel    Executive Producer
Catherine Winder    Executive Producer
Mikael Hed    Executive Producer
Mary Ellen Bauder Andrews    Co-Producer
John Clinton    Co-Producer
Heitor Pereira    Composer
Kent Beyda    Editor
Ally Garrett    Editor
Pete Oswald    Production Designer
R. Stirling Duguid    Visual Effects Supervisor
Francesca Natale    Character Art Director
Sean Charmatz    Head of Story
Tom Bruno Jr.    Head of Layout
Peter Nash    Head of Character Animation
Earl Brawley    Supervising Animator
Tim Kallok    Supervising Animator
Rohini Kumar    Supervising Animator
Robert Lehman    Supervising Animator
Daniel Pozo    Supervising Animator
Philip Rudolph    Supervising Animator
John Vassallo    Supervising Animator
Kelsey Wagner    Supervising Animator
Scott Berri    Production Manager
Hannah Checkley    Production Manager
Thai Bach    Character CG Supervisor
Patrick Cohen    Character CG Supervisor
Pablo Holcer    Character CG Supervisor
Joosten Kuypers    Character CG Supervisor
Linda Lamontagne    Casting Director
David C. Smith    Story Artist
C. Raggio IV    Story Artist
Vadim Bazhanov    Story Artist
Josh Engel    Story Artist
GiAnna Ligammari    Story Artist
Benton Connor    Story Artist
Sahin Ersoz    Story Artist
Bryan Mann    Story Artist
Carolyn Gair    Story Artist
Erica Jones    Story Artist
Elizabeth Ito    Story Artist
Nassos Vakalis    Story Artist
Mark Walton    Story Artist
Joe Giampapa    Story Artist
Nathan Bulmer    Story Artist
Nate Cash    Story Artist
Lorraine Howard    Story Artist
Sandro Lucio Cleuzo    Character Designer
Meghan Kraft    Editor
Kira Tamagawa    First Assistant Editor
Amelia Underwood    Assistant Editor
Luke Palter    Assistant Editor
Sara Duran-Singer    Post-Production Supervisor
Tom Myers    Sound Designer
Tom Myers    Supervising Sound Editor
Brian Chumney    Supervising Sound Editor
Gary A. Rizzo    Re-recording Mixer
Tom Myers    Re-recording Mixer
David Hughes    Sound Effects Editor
Steve Orlando    Sound Effects Editor
Shaun Farley    Foley Editor
Zach Martin    Foley Editor
Blake Collins    Foley Mixer
Slamm Andrews    Music Editor
Alan Meyerson    Score Mixer
Slamm Andrews    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.