| Best known as a Director based on credits in that role in 2 films, with $35,944,957 worldwide aggregate box office (rank #2,041) |
| Best-known technical roles: Boiler Room (Director), Boiler Room (Screenwriter), Bleed for This (Director), Bleed for This (Producer), Bleed for This (Screenwriter) |
| Born: October 7, 1972 (52 years old) |
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Director | 2 | $22,047,869 | $13,897,088 | $35,944,957 |
| Screenwriter | 2 | $22,047,869 | $13,897,088 | $35,944,957 | |
| Producer | 1 | $5,083,906 | $2,087,414 | $7,171,320 | |
| Story Creator | 1 | $5,083,906 | $2,087,414 | $7,171,320 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
November 1st, 2016
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October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
More...
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Nov 18, 2016 | Bleed for This | Director Screenwriter Producer Story by |
$5,083,906 | $2,087,414 | $7,171,320 |
| Feb 18, 2000 | Boiler Room | Director Screenwriter |
$16,963,963 | $11,809,674 | $28,773,637 |
| Averages | $11,023,935 | $6,948,544 | $17,972,479 | ||
| Totals | 2 | $22,047,869 | $13,897,088 | $35,944,957 | |
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 18, 2016 | Bleed for This | $2,366,810 | 1,549 | $5,083,906 | $7,171,320 | 70.9% |
| Feb 18, 2000 | Boiler Room | $6,722,884 | 1,335 | $16,963,963 | $28,773,637 | 59.0% |
| Averages | $4,544,847 | 1,442 | $11,023,935 | $17,972,479 | 64.9% | |
| Totals | 2 | $22,047,869 | $35,944,957 | |||
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| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 18, 2016 | Bleed for This | $2,366,810 | 1,549 | $5,083,906 | $7,171,320 | 70.9% |
| Averages | $2,366,810 | 1,549 | $5,083,906 | $7,171,320 | 70.9% | |
| Totals | 1 | $5,083,906 | $7,171,320 | |||
Register with The Numbers for free to customize this chart.
| Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
|---|---|---|---|---|---|---|
| Nov 18, 2016 | Bleed for This | $2,366,810 | 1,549 | $5,083,906 | $7,171,320 | 70.9% |
| Feb 18, 2000 | Boiler Room | $6,722,884 | 1,335 | $16,963,963 | $28,773,637 | 59.0% |
| Averages | $4,544,847 | 1,442 | $11,023,935 | $17,972,479 | 64.9% | |
| Totals | 2 | $22,047,869 | $35,944,957 | |||
