Portugal Box Office for The Young Messiah (2016)

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The Young Messiah poster
Theatrical Performance (US$)
Portugal Box Office $29,202Details
Worldwide Box Office $7,313,697Details
Home Market Performance
North America DVD Sales $1,548,875 Details
North America Blu-ray Sales $811,544 Details
Total North America Video Sales $2,360,419
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of seven year old Jesus Christ and His family as they come to a fuller understanding of His divine nature and purpose

Metrics

Movie Details

Production Budget:$16,800,000
Portugal Releases: March 10th, 2016 (Wide)
Video Release: June 14th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for some violence and thematic elements.
(Rating bulletin 2394, 10/7/2015)
Running Time: 111 minutes
Keywords: Religious, Faith-Based Film, Coming of Age, Faith-Based Drama, Ancient Rome
Source:Based on Comic/Graphic Novel
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Focus Features, Ocean Blue Entertainment, 1492 Pictures, CJ Entertainment
Production Countries: United States
Languages: English

Home Market Releases for June 14th, 2016

June 14th, 2016

Hello, My Name is Doris

It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.

(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.) More...

Thursday Night Previews: New Releases Start in the Black

April 1st, 2016

Meet the Blacks

God's Not Dead 2 started its box office run with $400,000 during its Thursday previews. This is a little lower than Risen ($425,000) and The Young Messiah ($475,000), but faith-based films are unpredictable enough that we can't use this result to make any clear predictions going forward. Perhaps predictions were a little generous and $11 million is more likely. We will know by this time tomorrow. More...

Weekend Estimates: Batman v Superman hits March record $170 milion

March 27th, 2016

Batman v Superman: Dawn of Justice

Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them. More...

Weekend Wrap-Up: Zootopia Leads the Way with $37.16 million, while The Divergent Series Collapses

March 22nd, 2016

Zootopia

At the beginning of the month, it was widely accepted that The Divergent Series: Allegiant would open in first place. However, two things happened to prevent that. Firstly, Zootopia not only opened faster, but its legs were much longer. Secondly, Allegiant failed to match even lowered expectations. This left Zootopia with an easy first place win over the weekend. However, it wasn't the only pleasant surprise, as Miracles from Heaven opened faster than expected. The overall box office slipped 3.3% from last weekend to $131 million. It was also 0.3% lower than the same weekend last year. Year-to-date, 2016 is still ahead of 2015 by an 8.4% margin at $2.33 billion to $2.15 billion. More...

Weekend Wrap-Up: Zootopia Doubles The Competition with $51.34 Million

March 15th, 2016

Zootopia

The weekend box office was mostly positive with both Zootopia and 10 Cloverfield Lane finishing on the very high end of expectations over the weekend. On the other hand, the less said about the other new wide releases the better. Overall, the box office fell from last weekend, down 17% to $135 million, but that's not a bad decline after Zootopia's monster opening. Compared to last year, the box office was up 2.5%, which isn't a great improvement, but any win now increases the chances 2016 will remain competitive with 2015 when we reach the point that Furious 7, The Avengers: Age of Ultron, and Jurassic World opened last year. Speaking of the year-over-year comparison, 2016's lead over 2015 slipped to 8.7% at $2.15 billion to $1.98 billion. That is still an impressive lead and one that will hopefully grow by the end of the month. More...

Weekend Estimates: Zootopia Romps to $50 Million Second Weekend

March 13th, 2016

Zootopia

Zootopia is headed to another big win at the box office this weekend, with a modest 33% decline from last weekend keeping it well ahead of a pack of new releases. Its $50 million gross this time around takes it to $142.6 million in total domestically. With $288.7 million in the bank internationally, including over $100 million in China by the end of the weekend, Disney looks to have struck gold again. A sequel, theme park tie-ins and merchandizing seem likely, although Disney has so much of that going on already, what with Star Wars, Marvel, its Princess lines, and Pixar, that this might actually be more of a niche for them. (A half-billion-dollar-and-counting niche. Nice work if you can get it.) More...

Thursday Night Previews: Cloverfield gets Lucky During Its Previews

March 11th, 2016

10 Cloverfield Lane

10 Cloverfield Lane had the best results during its Thursday previews with $1.8 million in 2,500 theaters. This is the same as Insidious: Chapter 3 managed last year during its previews. That film opened with $22.69 million over the full weekend, which is a good target for 10 Cloverfield Lane to aim for. With amazing reviews, $25 million is within reach. We will know more tomorrow when we get Friday's estimates. More...

Weekend Predictions: Clover Will Need Lots of Luck to Win Box Office Race

March 10th, 2016

10 Cloverfield Lane

There are four widish releases coming out this week, but only two of them are opening truly wide, while only one of them has any real box office power. That film is 10 Cloverfield Lane, which is the pseudo-sequel to Cloverfield. Very few people think it will match its predecessor, but it should open in a solid second place. That leaves Zootopia in the perfect spot to repeat on the top of the box office chart. This weekend last year, Cinderella led the way with $67.88 million. This is more than any one single film will make this year. However, the second biggest hit of last year was Run All Night at barely more than $11 million and no other film earned substantially more than $6 million. Perhaps the depth from 2016 will help it win in the year-over-year comparison. I'm not overly bullish that will happen, but we can't rule it out either. More...

2016 Preview: March

March 1st, 2016

Zootopia

It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.

As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/11 14 $8,855   16 $553   $8,855 1
2016/03/18 16 $6,093 -31% 16 $381   $19,160 2
2016/03/25 20 $3,688 -39% 12 $307   $26,177 3
2016/04/01 29 $181 -95% 1 $181   $29,202 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 3/24/2016 $106,001 205 205 250 $146,939 6/9/2016
Croatia 3/17/2016 $1,594 9 11 20 $4,523 12/31/2018
Iraq 3/17/2016 $393 1 1 1 $393 12/31/2018
Lebanon 3/17/2016 $0 0 2 3 $10,358 12/31/2018
Mexico 3/11/2016 $335,731 0 301 301 $390,268 6/9/2016
North America 3/11/2016 $3,294,876 1,761 1,769 4,652 $6,469,813
Poland 5/6/2016 $46,252 0 0 0 $136,673 12/31/2018
Portugal 3/10/2016 $8,855 16 16 45 $29,202 6/9/2016
Singapore 3/24/2016 $21,443 7 10 23 $37,923 6/9/2016
Taiwan 3/25/2016 $0 0 10 18 $66,548 6/9/2016
 
Rest of World $21,057
 
Worldwide Total$7,313,697 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Adam Greaves-Neal    Jesus

Supporting Cast

Sara Lazzard    Mary
Vincent Walsh    Joseph
Clive Russell    Weer
Sean Bean    Severus
Christian McKay    Cleopas
Finn McLeod Ireland    James
Agni Scott    Miriam
Lois Ellington    Salome
Jane Lapotaire    Old Sarah
Dune Medros    Riba
Rory Keenan    The Demon
Jonathan Bailey    Herod
David Bradley    Old Rabbi (Nazareth)
David Burke    The Blind Rabbi
Jacopo Alaimo    Eleazer
Dorotea Mercuri    Eleazer's Mother
Jarreth Merz    Eleazer's Father
Gabriele Dentoni    Teenage Boy
Douglas Dean    Physician
Christopher Jones    Teacher
Matt Patresi    Cynical Stranger
Matteo Carlomagno    Ambusher
Giselda Volodi    Female Soothsayer
Lydia Muijen    Bald Soothsayer
Iaon Gunn    Wizened Soothsayer
Niccolo Senni    Tall Pilgrim
Gian Piero Rotoli    Pilgrim #2
Giorgio Antonini    Assailant
Lee Boardman    Roman Squad Leader
Giulio Cristini    Roman Private
Paul Ireland    Optio
Michele Bevilacqua    Shepherd #1
Harold Bradley    Shepherd #2
Francesco DeVito    Shepherd #3
Simone Spinazze    Impoverished Pilgrim
Silvia De Santis    Harried Woman
Andrea Scarduzio    Dove Seller
Francesco Carnelutti    Old Friend
Isabelle Adriani    Seleni
Ben Oduwole    Wise Man #1
Terence Nadesan    Wise Man #2
Marco Iannone    Wise Man #3
Niccolo Alaimo    Shepherd's Boy
Gabrielle Chiararo    Crying Mother #1
Paola Lavini    Crying Mother #2
Pierluigi Pasino    Dove Seller Helper

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Cyrus Nowrasteh    Director
Cyrus Nowrasteh    Screenwriter
Betsy Giffen Nowrasteh*    Screenwriter
Anne Rice    Based on the novel 'Christ the Lord: Out of Egypt' by
Chris Columbus    Producer
Mark Radcliffe    Producer
Michael Barnathan    Producer
Tracy K Price    Producer
Mark W Shaw    Producer
Enzo Sisti    Executive Producer
William V. Andrew    Executive Producer
Mark Burton    Executive Producer
Miky Lee    Executive Producer
Jeong Tae-Sung    Executive Producer
Ashok Amritraj    Executive Producer
Andrew Spaulding    Executive Producer
Richard Sandfer    Executive Producer
Joel Ransom    Director of Photography
Francesco Frigeri    Production Designer
Geoffrey Rowland    Editor
Paul Seydor    Editor
John Debney    Composer
Sang H Cho    Co-Producer
Guy Inzalaco    Co-Producer
Richard Lee    Co-Producer
Steven Nam    Co-Producer
Stefano De Nardis    Costume Designer
Suzanne M. Smith    Casting Director
Karen Swallow    Associate Producer
Vito Colazzo    Unit Production Manager
Luca Lachin    First Assistant Director
Enzo Sisti    Line Producer
Domenico Sica    Supervising Art Director
Rachel Griffiths    Script Supervisor
James K. Jensen    Post-Production Supervisor
Steve Sahagun    First Assistant Editor
Marco Fiumara    Sound Mixer
Francesco Frigeri    Set Decorator
Renato Agostini    Special Effects Supervisor
Simona Sciannamanico    Costume Supervisor
Raymond McIntyre    Visual Effects Supervisor
Aaron Levy    Re-recording Mixer
Ethan Beigel    Re-recording Mixer
Daniel Pagan    Sound Effects Editor
Ryan Collins    Sound Effects Editor
Todd A. Niesen*    Dialogue Editor
Sarah Payan    Dialogue Editor
David Barnaby    Sound Designer
Jim Harrison    Music Editor
Jeff Carson    Music Editor
Franco Salamon    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.