Where’d You Go Bernadette (2019)

Where’d You Go Bernadette
Theatrical Performance
Domestic Box Office $9,198,356Details
International Box Office $1,646,242Details
Worldwide Box Office $10,844,598
Further financial details...

Synopsis

Bernadette Fox is a Seattle woman who had it all — a loving husband and a brilliant daughter. When she unexpectedly disappears, her family sets off on an exciting adventure to solve the mystery of where she might have gone.

Metrics

Opening Weekend:$3,462,308 (37.6% of total gross)
Legs:2.66 (domestic box office/biggest weekend)
Domestic Share:84.8% (domestic box office/worldwide)
Production Budget:$20,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:2,404 opening theaters/2,404 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,825,136

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
Vudu:Vudu

Movie Details

Domestic Releases: August 16th, 2019 (Wide) by United Artists
International Releases: August 16th, 2019 (Wide) (Poland)
September 5th, 2019 (Wide), released as Куда ты пропала, Бернадетт (Russia (CIS))
September 6th, 2019 (Wide), released as Kur tu pradingai, Bernadeta? (Lithuania)
October 4th, 2019 (Wide), released as ¿Dónde Estás Bernadette? (Mexico)
October 11th, 2019 (Wide) (Argentina)
... Show all releases
Video Release: November 19th, 2019 by Fox Home Entertainment
MPAA Rating: PG-13 for some strong language and drug material.
(Rating bulletin 2523 (Cert #51563), 4/18/2018)
Running Time: 104 minutes
Comparisons: vs. The Waterboy
Create your own comparison chart…
Keywords: Missing Person, Set in Seattle, WA, Road Trip, Dysfunctional Family, Infidelity, Surprise Twist, Architecture, Comedy Drama
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Annapurna Pictures, Color Force, Detour Filmproduction
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 11 $3,462,308   2,404 $1,440   $3,462,308 1
Aug 23, 2019 16 $1,424,237 -59% 2,306 $618   $6,609,797 2
Aug 30, 2019 23 $657,607 -54% 907 $725   $8,154,661 3
Sep 6, 2019 26 $217,719 -67% 270 $806   $8,852,084 4
Sep 13, 2019 30 $100,286 -54% 192 $522   $9,065,584 5
Sep 20, 2019 45 $24,841 -75% 74 $336   $9,142,449 6
Sep 27, 2019 53 $14,031 -44% 47 $299   $9,177,536 7
Oct 4, 2019 64 $4,805 -66% 18 $267   $9,195,524 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 16, 2019 11 $1,228,197     2,404 $511   $1,228,197 1
Aug 17, 2019 11 $1,318,743 +7%   2,404 $549   $2,546,940 2
Aug 18, 2019 11 $915,368 -31%   2,404 $381   $3,462,308 3
Aug 19, 2019 11 $376,058 -59%   2,404 $156   $3,838,366 4
Aug 20, 2019 11 $589,921 +57%   2,404 $245   $4,428,287 5
Aug 21, 2019 12 $412,118 -30%   2,404 $171   $4,840,405 6
Aug 22, 2019 11 $345,155 -16%   2,404 $144   $5,185,560 7
Aug 23, 2019 - $436,458 +26% -64% 2,306 $189   $5,622,018 8
Aug 24, 2019 - $571,670 +31% -57% 2,306 $248   $6,193,688 9
Aug 25, 2019 - $416,109 -27% -55% 2,306 $180   $6,609,797 10
Aug 26, 2019 15 $189,990 -54% -49% 2,306 $82   $6,799,787 11
Aug 27, 2019 15 $286,763 +51% -51% 2,306 $124   $7,086,550 12
Aug 28, 2019 14 $223,842 -22% -46% 2,306 $97   $7,310,392 13
Aug 29, 2019 14 $186,662 -17% -46% 2,306 $81   $7,497,054 14
Aug 30, 2019 - $165,440 -11% -62% 907 $182   $7,662,494 15
Aug 31, 2019 - $251,074 +52% -56% 907 $277   $7,913,568 16
Sep 1, 2019 - $241,093 -4% -42% 907 $266   $8,154,661 17
Sep 2, 2019 - $236,178 -2% +24% 907 $260   $8,390,839 18
Sep 3, 2019 - $91,430 -61% -68% 907 $101   $8,482,269 19
Sep 4, 2019 - $81,383 -11% -64% 907 $90   $8,563,652 20
Sep 5, 2019 - $70,713 -13% -62% 907 $78   $8,634,365 21
Sep 6, 2019 - $62,250 -12% -62% 270 $231   $8,696,615 22
Sep 7, 2019 - $93,927 +51% -63% 270 $348   $8,790,542 23
Sep 8, 2019 - $61,542 -34% -74% 270 $228   $8,852,084 24
Sep 9, 2019 - $24,536 -60% -90% 270 $91   $8,876,620 25
Sep 10, 2019 - $35,146 +43% -62% 270 $130   $8,911,766 26
Sep 11, 2019 - $29,689 -16% -64% 270 $110   $8,941,455 27
Sep 12, 2019 - $23,843 -20% -66% 270 $88   $8,965,298 28
Sep 13, 2019 - $29,841 +25% -52% 192 $155   $8,995,139 29
Sep 14, 2019 - $42,936 +44% -54% 192 $224   $9,038,075 30
Sep 15, 2019 - $27,509 -36% -55% 192 $143   $9,065,584 31
Sep 16, 2019 - $11,658 -58% -52% 192 $61   $9,077,242 32
Sep 17, 2019 - $15,058 +29% -57% 192 $78   $9,092,300 33
Sep 18, 2019 - $13,697 -9% -54% 192 $71   $9,105,997 34
Sep 19, 2019 - $11,611 -15% -51% 192 $60   $9,117,608 35
Sep 20, 2019 - $6,607 -43% -78% 74 $89   $9,124,215 36
Sep 21, 2019 - $10,521 +59% -75% 74 $142   $9,134,736 37
Sep 22, 2019 - $7,713 -27% -72% 74 $104   $9,142,449 38
Sep 23, 2019 - $4,082 -47% -65% 74 $55   $9,146,531 39
Sep 24, 2019 - $5,342 +31% -65% 74 $72   $9,151,873 40
Sep 25, 2019 - $5,823 +9% -57% 74 $79   $9,157,696 41
Sep 26, 2019 - $5,809 n/c -50% 74 $79   $9,163,505 42
Sep 27, 2019 - $3,481 -40% -47% 47 $74   $9,166,986 43
Sep 28, 2019 - $6,460 +86% -39% 47 $137   $9,173,446 44
Sep 29, 2019 - $4,090 -37% -47% 47 $87   $9,177,536 45
Sep 30, 2019 - $2,972 -27% -27% 47 $63   $9,180,508 46
Oct 1, 2019 - $3,633 +22% -32% 47 $77   $9,184,141 47
Oct 2, 2019 - $3,437 -5% -41% 47 $73   $9,187,578 48
Oct 3, 2019 - $3,141 -9% -46% 47 $67   $9,190,719 49
Oct 4, 2019 - $1,417 -55% -59% 18 $79   $9,192,136 50
Oct 5, 2019 - $1,972 +39% -69% 18 $110   $9,194,108 51
Oct 6, 2019 - $1,416 -28% -65% 18 $79   $9,195,524 52
Oct 7, 2019 - $714 -50% -76% 18 $40   $9,196,238 53
Oct 8, 2019 - $642 -10% -82% 18 $36   $9,196,880 54
Oct 9, 2019 - $672 +5% -80% 18 $37   $9,197,552 55
Oct 10, 2019 - $804 +20% -74% 18 $45   $9,198,356 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 11 $5,185,560   2,404 $2,157   $5,185,560 1
Aug 23, 2019 16 $2,311,494 -55% 2,306 $1,002   $7,497,054 2
Aug 30, 2019 21 $1,137,311 -51% 907 $1,254   $8,634,365 3
Sep 6, 2019 24 $330,933 -71% 270 $1,226   $8,965,298 4
Sep 13, 2019 31 $152,310 -54% 192 $793   $9,117,608 5
Sep 20, 2019 44 $45,897 -70% 74 $620   $9,163,505 6
Sep 27, 2019 53 $27,214 -41% 47 $579   $9,190,719 7
Oct 4, 2019 60 $7,637 -72% 18 $424   $9,198,356 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/11/2019 $33,341 48 48 68 $63,819 11/17/2019
Australia 7/17/2020 $43,645 40 83 440 $215,361 10/26/2020
Brazil 11/8/2019 $88,382 90 90 90 $88,382 11/17/2019
Italy 12/12/2019 $201,089 0 7 11 $298,164 1/20/2020
Japan 9/22/2023 $0000$0
Lithuania 9/6/2019 $11,831 19 19 34 $23,709 10/2/2019
Mexico 10/4/2019 $148,425 0 0 0 $148,425 10/8/2019
New Zealand 7/30/2020 $48,119 0 87 306 $155,448 10/19/2022
Poland 8/16/2019 $37,284 85 85 85 $44,976 10/19/2022
Portugal 11/29/2019 $10,177 16 16 31 $30,001 12/18/2019
Russia (CIS) 9/5/2019 $84,235 357 357 640 $162,014 10/19/2022
Slovenia 10/25/2019 $2,895 12 12 35 $20,930 12/9/2019
South Korea 10/8/2020 $95,198 243 243 416 $207,000 10/28/2020
Spain 7/10/2020 $55,106 166 166 487 $188,013 8/24/2020
 
International Total$1,646,242 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cate Blanchett    Bernadette Fox

Supporting Cast

Billy Crudup    Elgie Branch
Kristen Wiig    Audrey
Judy Greer    Dr. Kurtz
Laurence Fishburne    Paul Jellinek
Emma Nelson    “Bee” Branch
James Urbaniak    Marcus Strang
Troian Bellisario    Becky
Steve Zahn    David Walker
Megan Mullally    Judy Toll
Richard Robichaux    Floyd the Pharmacist
Kate Burton    Ellen Idelson
David Paymer    Jay Ross
Patrick Sebes    Tom The Blackberry Guy
Zoe Chao    Soo-Lin
Lee Harrington    USC Student
Patrick Jordan    Game Show Host
Shaun Cameron Hall    Pablo
Kathryn Feeney    Tamara the Pharmacy Employee
Amy Rayko    Lisa Prospective Parent #3
Nancy McNulty    Lori Prospective Parent
Daina Griffith    Julie Prospective Parent
Kate Easton    Tammy Prospective Parent
Stephen Donnelly    Mr. Hayes
Thalia Torio    Kennedy
Mark Stevenson    Architectural Expert
Cherie McClain    News Reporter
Maureen d Armand    Crew Member Allegra
Jóhannes Haukur Jóhannesson    Captain J. Rouverol
Claudia Doumit    Iris
Katelyn Statton    Vivian
Jennifer Tober    Snappy Tourist Lady
Joe Coyle    Mike the State Senator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater    Director
Richard Linklater    Screenwriter
Holly Gent Palmo    Screenwriter
Vincent Palmo Jr.    Screenwriter
Maria Semple    Based on the novel by
Nina Jacobson    Producer
Brad Simpson    Producer
Ginger Sledge    Producer
Jillian Longnecker    Executive Producer
Megan Ellison    Executive Producer
Maria Semple    Executive Producer
Shane Kelly    Director of Photography
Bruce Curtis    Production Designer
Sandra Adair    Editor
Graham Reynolds    Composer
Kari Perkins    Costume Designer
Vicky Boone    Casting Director
Anthony Rossi III    Production Supervisor
Nancy Kirhoffer    Post-Production Supervisor
Gregory Weimerskirch    Art Director
Beauchamp Fontaine    Set Decorator
Luke Pebler    Assistant Editor
Brooke Satrazemis    Script Supervisor
Jim Emswiller    Sound Mixer
Kate Dougherty    Set Designer
Adele Plauche    Set Designer
Everett Byrom III    Special Effects Coordinator
Darylin Nagy    Make up
Sharyn Cordice    Make up
Karen Lovell    Hairstylist
Rosalee Riggle    Hairstylist
John Adkins    Location Manager
Jennifer Schossow    Costume Supervisor
Tom Hammond    Supervising Sound Editor
Tom Hammond    Re-recording Mixer
Miles Foster-Greenwood    Dialogue Editor
Evan Dunivan    Dialogue Editor
Korey Pereira    Dialogue Editor
Justin Hennard    Sound Designer
Justin Hennard    Sound Effects Editor
Glenn Eanes    Foley/ADR Mixer
Raoul Yorke Bolognini    Visual Effects Producer
Robert Grasmere    Visual Effects Supervisor
Graham Reynolds    Score Producer
Buzz Moran    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Where’d You Go Bernadette Trailer

December 19th, 2018

Drama starring Cate Blanchett opens March 22 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Bernadette Fox is a Seattle woman who had it all — a loving husband and a brilliant daughter. When she unexpectedly disappears, her family sets off on an exciting adventure to solve the mystery of where she might have gone.

Metrics

Opening Weekend:$3,462,308 (37.6% of total gross)
Legs:2.66 (domestic box office/biggest weekend)
Domestic Share:84.8% (domestic box office/worldwide)
Production Budget:$20,000,000 (worldwide box office is 0.5 times production budget)
Theater counts:2,404 opening theaters/2,404 max. theaters, 2.6 weeks average run per theater
Infl. Adj. Dom. BO $10,825,136

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
Vudu:Vudu

Movie Details

Domestic Releases: August 16th, 2019 (Wide) by United Artists
International Releases: August 16th, 2019 (Wide) (Poland)
September 5th, 2019 (Wide), released as Куда ты пропала, Бернадетт (Russia (CIS))
September 6th, 2019 (Wide), released as Kur tu pradingai, Bernadeta? (Lithuania)
October 4th, 2019 (Wide), released as ¿Dónde Estás Bernadette? (Mexico)
October 11th, 2019 (Wide) (Argentina)
... Show all releases
Video Release: November 19th, 2019 by Fox Home Entertainment
MPAA Rating: PG-13 for some strong language and drug material.
(Rating bulletin 2523 (Cert #51563), 4/18/2018)
Running Time: 104 minutes
Comparisons: vs. The Waterboy
Create your own comparison chart…
Keywords: Missing Person, Set in Seattle, WA, Road Trip, Dysfunctional Family, Infidelity, Surprise Twist, Architecture, Comedy Drama
Source:Based on Fiction Book/Short Story
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Annapurna Pictures, Color Force, Detour Filmproduction
Production Countries: United States
Languages: English

Leading Cast

Cate Blanchett    Bernadette Fox

Supporting Cast

Billy Crudup    Elgie Branch
Kristen Wiig    Audrey
Judy Greer    Dr. Kurtz
Laurence Fishburne    Paul Jellinek
Emma Nelson    “Bee” Branch
James Urbaniak    Marcus Strang
Troian Bellisario    Becky
Steve Zahn    David Walker
Megan Mullally    Judy Toll
Richard Robichaux    Floyd the Pharmacist
Kate Burton    Ellen Idelson
David Paymer    Jay Ross
Patrick Sebes    Tom The Blackberry Guy
Zoe Chao    Soo-Lin
Lee Harrington    USC Student
Patrick Jordan    Game Show Host
Shaun Cameron Hall    Pablo
Kathryn Feeney    Tamara the Pharmacy Employee
Amy Rayko    Lisa Prospective Parent #3
Nancy McNulty    Lori Prospective Parent
Daina Griffith    Julie Prospective Parent
Kate Easton    Tammy Prospective Parent
Stephen Donnelly    Mr. Hayes
Thalia Torio    Kennedy
Mark Stevenson    Architectural Expert
Cherie McClain    News Reporter
Maureen d Armand    Crew Member Allegra
Jóhannes Haukur Jóhannesson    Captain J. Rouverol
Claudia Doumit    Iris
Katelyn Statton    Vivian
Jennifer Tober    Snappy Tourist Lady
Joe Coyle    Mike the State Senator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Richard Linklater    Director
Richard Linklater    Screenwriter
Holly Gent Palmo    Screenwriter
Vincent Palmo Jr.    Screenwriter
Maria Semple    Based on the novel by
Nina Jacobson    Producer
Brad Simpson    Producer
Ginger Sledge    Producer
Jillian Longnecker    Executive Producer
Megan Ellison    Executive Producer
Maria Semple    Executive Producer
Shane Kelly    Director of Photography
Bruce Curtis    Production Designer
Sandra Adair    Editor
Graham Reynolds    Composer
Kari Perkins    Costume Designer
Vicky Boone    Casting Director
Anthony Rossi III    Production Supervisor
Nancy Kirhoffer    Post-Production Supervisor
Gregory Weimerskirch    Art Director
Beauchamp Fontaine    Set Decorator
Luke Pebler    Assistant Editor
Brooke Satrazemis    Script Supervisor
Jim Emswiller    Sound Mixer
Kate Dougherty    Set Designer
Adele Plauche    Set Designer
Everett Byrom III    Special Effects Coordinator
Darylin Nagy    Make up
Sharyn Cordice    Make up
Karen Lovell    Hairstylist
Rosalee Riggle    Hairstylist
John Adkins    Location Manager
Jennifer Schossow    Costume Supervisor
Tom Hammond    Supervising Sound Editor
Tom Hammond    Re-recording Mixer
Miles Foster-Greenwood    Dialogue Editor
Evan Dunivan    Dialogue Editor
Korey Pereira    Dialogue Editor
Justin Hennard    Sound Designer
Justin Hennard    Sound Effects Editor
Glenn Eanes    Foley/ADR Mixer
Raoul Yorke Bolognini    Visual Effects Producer
Robert Grasmere    Visual Effects Supervisor
Graham Reynolds    Score Producer
Buzz Moran    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Where’d You Go Bernadette Trailer

December 19th, 2018

Drama starring Cate Blanchett opens March 22 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 11 $3,462,308   2,404 $1,440   $3,462,308 1
Aug 23, 2019 16 $1,424,237 -59% 2,306 $618   $6,609,797 2
Aug 30, 2019 23 $657,607 -54% 907 $725   $8,154,661 3
Sep 6, 2019 26 $217,719 -67% 270 $806   $8,852,084 4
Sep 13, 2019 30 $100,286 -54% 192 $522   $9,065,584 5
Sep 20, 2019 45 $24,841 -75% 74 $336   $9,142,449 6
Sep 27, 2019 53 $14,031 -44% 47 $299   $9,177,536 7
Oct 4, 2019 64 $4,805 -66% 18 $267   $9,195,524 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 16, 2019 11 $1,228,197     2,404 $511   $1,228,197 1
Aug 17, 2019 11 $1,318,743 +7%   2,404 $549   $2,546,940 2
Aug 18, 2019 11 $915,368 -31%   2,404 $381   $3,462,308 3
Aug 19, 2019 11 $376,058 -59%   2,404 $156   $3,838,366 4
Aug 20, 2019 11 $589,921 +57%   2,404 $245   $4,428,287 5
Aug 21, 2019 12 $412,118 -30%   2,404 $171   $4,840,405 6
Aug 22, 2019 11 $345,155 -16%   2,404 $144   $5,185,560 7
Aug 23, 2019 - $436,458 +26% -64% 2,306 $189   $5,622,018 8
Aug 24, 2019 - $571,670 +31% -57% 2,306 $248   $6,193,688 9
Aug 25, 2019 - $416,109 -27% -55% 2,306 $180   $6,609,797 10
Aug 26, 2019 15 $189,990 -54% -49% 2,306 $82   $6,799,787 11
Aug 27, 2019 15 $286,763 +51% -51% 2,306 $124   $7,086,550 12
Aug 28, 2019 14 $223,842 -22% -46% 2,306 $97   $7,310,392 13
Aug 29, 2019 14 $186,662 -17% -46% 2,306 $81   $7,497,054 14
Aug 30, 2019 - $165,440 -11% -62% 907 $182   $7,662,494 15
Aug 31, 2019 - $251,074 +52% -56% 907 $277   $7,913,568 16
Sep 1, 2019 - $241,093 -4% -42% 907 $266   $8,154,661 17
Sep 2, 2019 - $236,178 -2% +24% 907 $260   $8,390,839 18
Sep 3, 2019 - $91,430 -61% -68% 907 $101   $8,482,269 19
Sep 4, 2019 - $81,383 -11% -64% 907 $90   $8,563,652 20
Sep 5, 2019 - $70,713 -13% -62% 907 $78   $8,634,365 21
Sep 6, 2019 - $62,250 -12% -62% 270 $231   $8,696,615 22
Sep 7, 2019 - $93,927 +51% -63% 270 $348   $8,790,542 23
Sep 8, 2019 - $61,542 -34% -74% 270 $228   $8,852,084 24
Sep 9, 2019 - $24,536 -60% -90% 270 $91   $8,876,620 25
Sep 10, 2019 - $35,146 +43% -62% 270 $130   $8,911,766 26
Sep 11, 2019 - $29,689 -16% -64% 270 $110   $8,941,455 27
Sep 12, 2019 - $23,843 -20% -66% 270 $88   $8,965,298 28
Sep 13, 2019 - $29,841 +25% -52% 192 $155   $8,995,139 29
Sep 14, 2019 - $42,936 +44% -54% 192 $224   $9,038,075 30
Sep 15, 2019 - $27,509 -36% -55% 192 $143   $9,065,584 31
Sep 16, 2019 - $11,658 -58% -52% 192 $61   $9,077,242 32
Sep 17, 2019 - $15,058 +29% -57% 192 $78   $9,092,300 33
Sep 18, 2019 - $13,697 -9% -54% 192 $71   $9,105,997 34
Sep 19, 2019 - $11,611 -15% -51% 192 $60   $9,117,608 35
Sep 20, 2019 - $6,607 -43% -78% 74 $89   $9,124,215 36
Sep 21, 2019 - $10,521 +59% -75% 74 $142   $9,134,736 37
Sep 22, 2019 - $7,713 -27% -72% 74 $104   $9,142,449 38
Sep 23, 2019 - $4,082 -47% -65% 74 $55   $9,146,531 39
Sep 24, 2019 - $5,342 +31% -65% 74 $72   $9,151,873 40
Sep 25, 2019 - $5,823 +9% -57% 74 $79   $9,157,696 41
Sep 26, 2019 - $5,809 n/c -50% 74 $79   $9,163,505 42
Sep 27, 2019 - $3,481 -40% -47% 47 $74   $9,166,986 43
Sep 28, 2019 - $6,460 +86% -39% 47 $137   $9,173,446 44
Sep 29, 2019 - $4,090 -37% -47% 47 $87   $9,177,536 45
Sep 30, 2019 - $2,972 -27% -27% 47 $63   $9,180,508 46
Oct 1, 2019 - $3,633 +22% -32% 47 $77   $9,184,141 47
Oct 2, 2019 - $3,437 -5% -41% 47 $73   $9,187,578 48
Oct 3, 2019 - $3,141 -9% -46% 47 $67   $9,190,719 49
Oct 4, 2019 - $1,417 -55% -59% 18 $79   $9,192,136 50
Oct 5, 2019 - $1,972 +39% -69% 18 $110   $9,194,108 51
Oct 6, 2019 - $1,416 -28% -65% 18 $79   $9,195,524 52
Oct 7, 2019 - $714 -50% -76% 18 $40   $9,196,238 53
Oct 8, 2019 - $642 -10% -82% 18 $36   $9,196,880 54
Oct 9, 2019 - $672 +5% -80% 18 $37   $9,197,552 55
Oct 10, 2019 - $804 +20% -74% 18 $45   $9,198,356 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 11 $5,185,560   2,404 $2,157   $5,185,560 1
Aug 23, 2019 16 $2,311,494 -55% 2,306 $1,002   $7,497,054 2
Aug 30, 2019 21 $1,137,311 -51% 907 $1,254   $8,634,365 3
Sep 6, 2019 24 $330,933 -71% 270 $1,226   $8,965,298 4
Sep 13, 2019 31 $152,310 -54% 192 $793   $9,117,608 5
Sep 20, 2019 44 $45,897 -70% 74 $620   $9,163,505 6
Sep 27, 2019 53 $27,214 -41% 47 $579   $9,190,719 7
Oct 4, 2019 60 $7,637 -72% 18 $424   $9,198,356 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/11/2019 $33,341 48 48 68 $63,819 11/17/2019
Australia 7/17/2020 $43,645 40 83 440 $215,361 10/26/2020
Brazil 11/8/2019 $88,382 90 90 90 $88,382 11/17/2019
Italy 12/12/2019 $201,089 0 7 11 $298,164 1/20/2020
Japan 9/22/2023 $0000$0
Lithuania 9/6/2019 $11,831 19 19 34 $23,709 10/2/2019
Mexico 10/4/2019 $148,425 0 0 0 $148,425 10/8/2019
New Zealand 7/30/2020 $48,119 0 87 306 $155,448 10/19/2022
Poland 8/16/2019 $37,284 85 85 85 $44,976 10/19/2022
Portugal 11/29/2019 $10,177 16 16 31 $30,001 12/18/2019
Russia (CIS) 9/5/2019 $84,235 357 357 640 $162,014 10/19/2022
Slovenia 10/25/2019 $2,895 12 12 35 $20,930 12/9/2019
South Korea 10/8/2020 $95,198 243 243 416 $207,000 10/28/2020
Spain 7/10/2020 $55,106 166 166 487 $188,013 8/24/2020
 
International Total$1,646,242 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.