Spain Box Office for Trois souvenirs de ma jeunesse (2015)
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Synopsis
Paul Dédalus is an anthropologist preparing to leave Tajikistan. Reflecting on his life, he has a series of flashbacks starting from his childhood in Roubaix, his mother’s attacks of madness, his father’s alienating depression. He remembers a student trip to the USSR, where a clandestine mission led him to offer up his own identity for a young Russian, whom he considered a phantom twin for the remainder of his life. He remembers university life, and returning to his hometown to party with his sister and her best friend, his shifting circle of friends and their casual betrayals. And most of all he remembers Esther, the beautiful, rude, haughty soul and love of his life.
Metrics
Movie Details
Spain Releases: |
May 27th, 2016 (Wide) |
Video Release: |
July 12th, 2016 by Magnolia Home Entertainment |
MPAA Rating: |
R for some strong sexual content, graphic nudity, and language. (Rating bulletin 2412 (Cert #50280), 2/17/2016) |
Running Time: |
120 minutes |
Franchise: |
My Sex Life… or How I Got into an Argument |
Keywords: |
Set in Soviet Union, Infidelity, Young Child Dealing with the Death of a Parent, Non-Chronological, Voiceover/Narration |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: |
Magnolia Pictures, Why Not Productions, France 2 Cinema, Canal Plus, Cine Plus, France Television, Centre National du Cinema et de L Image Animee, Pictanovo, Soficinema 11, Cinemage 9, Procirep |
Production Countries: |
France |
Languages: |
French, Hebrew, Russian |
November 23rd, 2016
The Independent Spirit Awards nominations were announced last night and thus the 2016 Awards Season begins. There were a few surprises and some snubs to discuss, but for the most part, there’s not a lot nominations that broke the established narrative. It’s because there isn’t really an established narrative. This means films that earn nominations here have a much better chance of doing well going forward and Moonlight looks like it could rise up as a result.
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March 22nd, 2016
Midnight Special had the best theater average for a film that opened in 2016 earning $190,000 in five theaters for an average of $38,002. The only other film in the $10,000 club was A Space Program with $10,247 in its lone theater.
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March 20th, 2016
Zootopia is set to win a third straight race and pass $200 million at the domestic box office in the process, but the real story of this weekend is the weak debut by The Divergent Series: Allegiant.
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March 18th, 2016
Of the seven films on this week's list, five of them are earning excellent reviews and one of the other two is a Bollywood film with no reviews. Midnight Special was supposed to open wide, but that's not happening now. It could still find an audience in theaters. Additionally, Krisha is being released by A24 and that distributor has a very good track record.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2016/05/27 |
25 |
$11,722 |
|
11 |
$1,066 |
$11,722 |
1 |
2016/06/03 |
33 |
$6,789 |
-42% |
9 |
$754 |
$27,550 |
2 |
2016/06/10 |
40 |
$4,208 |
-38% |
6 |
$701 |
$35,088 |
3 |
2016/06/24 |
47 |
$1,551 |
|
4 |
$388 |
$41,416 |
5 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
France |
5/22/2015 |
$429,368 |
0 |
0 |
0 |
$1,148,626 |
8/21/2018 |
North America |
3/18/2016 |
$26,847 |
3 |
32 |
148 |
$269,144 |
|
Spain |
5/27/2016 |
$11,722 |
11 |
11 |
30 |
$41,416 |
6/30/2016 |
United Kingdom |
3/16/2018 |
$1,366 |
2 |
2 |
2 |
$1,366 |
3/21/2018 |
|
Worldwide Total | $1,460,552 |
8/21/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.