Australia Box Office for Total Dhamaal (2019)

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Total Dhamaal
Theatrical Performance (US$)
Australia Box Office $488,243Details
Worldwide Box Office $16,688,123Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Metrics

Movie Details

Australia Releases: February 22nd, 2019 (Wide)
MPAA Rating: Not Rated
Running Time: 127 minutes
Franchise: Dhamaal
Keywords: Bollywood, Jungle, Confidence Men, Zoos, Animal Lead, Corporate Malfeasance
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Ajay Devgn Films, Fox Star Studios, Maruti Media, Shri Adhikari Bros
Production Countries: India
Languages: Hindi

Captain Marvel has a Glorious Opening

March 14th, 2019

Captain Marvel

Captain Marvel led the way on the Theater Average Chart, but it didn’t dominate like it did on the overall weekend chart. It did earn the best average of the year so far at $35,599. The second place film, Gloria Bell, had the third best theater average of the year so far with an average of $29,044 in five theaters. Finally, Babylon opened with $21,214 in its lone theater, which is enough for the seventh place for the year. It was a good weekend at the box office. More...

Theater Averages: Climactic Results Over the Weekend

March 7th, 2019

Climax

It was a really busy week on the Theater Average Chart with a ton of films to talk about, including six films in the $10,000 club. This list was led by Climax with an average of $23,885 in five theaters. Transit was next with an average of $15,966 in two theaters. Giant Little Ones and Apollo 11 had nearly identical averages of $13,500 and $13,392 respectively, but were playing in vastly different number of theaters at 1 and 120 respectively. Furie was a surprise entry in the $10,000 club with an average of $11,151 in 14 theaters. There was only one wide release in the $10,000 club, as Tyler Perry’s A Madea Family Funeral earned an average of $11,082. More...

Theater Averages: Dragons Look Down on the Other New Releases

February 27th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World was the only film in the $10,000 Club earning an average of $13,506. The best limited release was Wrestle, which earned $6,027 in its lone theater. More...

International Box Office: China Propels Alita to the Top

February 27th, 2019

Alita: Battle Angel

Alita: Battle Angel rose to first place with $92.42 in 82 markets for totals of $202.68 million internationally and $263.70 million worldwide. The film debuted in China with $63.26 million over the weekend for a total opening of $64.31 million. This is a great start in that market and better than the film’s predicted $50 million opening and even better than its early $60 million projection. It won’t be enough to save the film’s financial future, but it will be enough to save face. The film only made $3.2 million during its opening in Japan, which is disappointing, as the movie was based on a Manga / Anime from Japan and many assumed it would perform better there. The film has no more openings but should top $400 million internationally with relative ease and with a bit of luck, could get to $450 million. We will know more next week, once we see how long its legs will be in China. More...

Weekend Estimates: Dragons Roar, Holdovers Can’t Soar

February 24th, 2019

How to Train Your Dragon: The Hidden World

How to Train Your Dragon: The Hidden World isn’t quite matching Friday’s projections, but it is still dominating the weekend box office with an estimated $55.53 million Friday through Sunday, and $58.03 million in total if you include the paid previews. This is by far the biggest opening of the year, topping Glass by $15 million and the film is already in the top five for 2019. Internationally, it debuted in first place in Russia with $11.2 million, pushing its weekend haul to $34.7 million, while its international running tally rose to $216.9 million. It is already the biggest worldwide hit of the year, at least it is the biggest Hollywood hit at the global box office. So far that chart is dominated by Chinese films, but that’s common, as Chinese New Year usually results in a few films earning over $100 million at the box office during that week alone. More...

Limited and VOD Releases: Looking for Change

February 22nd, 2019

The Changeover

It is a painfully slow week for limited releases. It is so slow that I had to include all films we have theater counts for, even ones with no reviews on Rotten Tomatoes, just to have enough films to talk about. Of the nine films on this week’s list, only three would be included in a normal week. Interestingly, two of these films are being released by Vertical Entertainment: The Changeover and Prosecuting Evil: The Extraordinary World of Ben Ferencz. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/22 8 $240,395   49 $4,906   $240,395 1
2019/03/01 15 $108,643 -55% 46 $2,362   $423,286 2
2019/03/08 24 $24,494 -77% 45 $544   $468,584 3
2019/03/15 - $5,337 -78% 42 $127   $484,596 4
2019/03/22 - $1,903 -64% 42 $45   $488,243 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 2/22/2019 $240,395 49 49 224 $488,243 3/26/2019
India 2/22/2019 $9,600,000 0 0 0 $13,700,000 3/4/2019
North America 2/22/2019 $989,387 202 209 583 $2,167,632
Portugal 2/23/2019 $940 1 1 1 $4,793 3/5/2019
United Kingdom 2/22/2019 $327,455 81 81 81 $327,455 3/1/2019
 
Worldwide Total$16,688,123 3/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Ajay Devgn    Radhe
Riteish Deshmukh    Deshbandhu Roy/Lallan
Arshad Warsi    Aditya Shrivastav
Javed Jaffrey    Manav Shrivastav
Madhuri Dixit    Bindu
Esha Gupta    Sanjana
Anil Kapoor    Avinash Patel

Supporting Cast

Sanjay Mishra    Jonny
Boman Irani    Don
Rajpal Yadav    Munna

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Indra Kumar    Director
Ashok Thakeria    Producer
Indra Kumar    Producer
Ajay Devgn    Producer
Markand Adhikari    Producer
Anand Pandit    Producer
Dharmendra Sharma    Editor
Gourov Roshin    Composer
Sandeep Shirodkar    Composer
Keiko Nakahara    Director of Photography