Poland Box Office for The Strangers: Prey at Night (2018)

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Strangers: Prey at Night
Theatrical Performance (US$)
Poland Box Office $197,789Details
Worldwide Box Office $32,144,262Details
Home Market Performance
North America DVD Sales $824,741 Details
North America Blu-ray Sales $1,084,131 Details
Total North America Video Sales $1,908,872
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive.

Metrics

Movie Details

Production Budget:$5,000,000
Poland Releases: March 9th, 2018 (Wide)
Video Release: May 22nd, 2018 by Aviron Pictures
MPAA Rating: R for horror violence and terror throughout, and for language.
(Rating bulletin 2510 (Cert #51412), 1/17/2018)
Running Time: 85 minutes
Franchise: The Strangers
Keywords: Home Invasion, Trailer Park, Delayed Sequel, Road Trip, Based on an UNTRUE Story, Slasher Horror, Young Child Dealing with the Death of a Parent, Orphan
Source:Based on Real Life Events
Genre:Horror
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Aviron Pictures, The Fyzz Facility, White Comet Films, Bloom , Rogue Pictures
Production Countries: United States
Languages: English

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

Home Market Releases for May 22nd, 2018

May 23rd, 2018

Early Man

Black Panther came out on DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack last weekend and it is still scaring away a lot of the competition. That’s not to say there are no new releases that are worth picking up. In fact, A Fantastic Woman, I Kill Giants, and Early Man are all contenders for Pick of the Week. In the end, that title went to Early Man on Blu-ray. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Wrap-Up: Black Panther and Wrinkle in Time have Record-Breaking Weekend

March 13th, 2018

Black Panther

For the first time ever, the top two films at the weekend box office were both directed by African-American directors. That’s amazing and should be the big story. Unfortunately for A Wrinkle in Time, the big story is Black Panther’s continued box office dominance, as that film earned first place over Wrinkle with $40.82 million to $33.12 million. Disney should be happy with both results. The only other new release that didn’t bomb was The Strangers: Prey at Night, which earned third place with $10.40 million, which is excellent for a low-budget horror movie. The less said about The Hurricane Heist and Gringo, the better. Overall, the box office fell 8.3% from last weekend to $138 million. Compared to this weekend last year, the box office fell 16%. Year-to-date, 2018 has earned $2.27 billion, which is still 8.3% or $170 million ahead of 2017’s pace. That lead could be cut in half by this time next week. More...

Weekend Estimates: Black Panther Bests Wrinkle in Time, in Disney vs. Disney Battle

March 11th, 2018

A Wrinkle in Time

A Wrinkle in Time got out the gate a little more slowly than hoped for this weekend, and Disney is projecting an opening weekend of $33.3 million, as of Sunday morning. That’s actually in line with our prediction on Thursday of just under $35 million, but well below what pre-release interest in the film would have made seem possible. That relatively subdued debut left the door open for Black Panther, which will pick up another $41.1 million this weekend to top the chart, and continues breaking records. More...

Friday Estimates: Wrinkle Tops Panther for a Limited Time

March 10th, 2018

A Wrinkle in Time

A Wrinkle in Time earned first place on Friday with $10.21 million, which was enough for first place over Black Panther by a small margin. Unfortunately, this lead likely won’t last long, as the film’s reviews are only 42% positive and it only managed a B from CinemaScore. This is the best scores among the new releases this weekend, but not good for a family film and will hurt its legs. Look for a $33 million opening weekend. More...

Thursday Night Previews: Timely Start for Wrinkle

March 9th, 2018

A Wrinkle in Time

A Wrinkle in Time opened with $1.3 million during its previews. This might seem like a low amount; however, it is a live action family film and those tend to struggle during previews, but bounce back during the weekend. For example, Paddington 2 only managed $325,000 during its previews, but it went on to make $11 million during its opening weekend. A Wrinkle in Time won’t have the same legs, because its reviews are mixed. That said, it has a shot at first place with $35 million or more, which is in line with what we predicted. More...

Weekend Predictions: Is It Time for Panther to Relinquish Top Spot?

March 8th, 2018

A Wrinkle in Time

There are four wide releases coming out this week, but only one of them, A Wrinkle in Time, has a shot at dethroning Black Panther. Only one other, The Strangers: Prey at Night, has a shot at the top five. The other two, Gringo and The Hurricane Heist, are just hoping to not embarrass themselves. This weekend last year, the top two movies earned nearly $100 million. This year, the top five likely won’t earn that much. 2018 will lose the year-over-year comparison, but hopefully it will be close. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

The Strangers: Prey at Night Trailer

February 9th, 2018

Horror movie starring Christina Hendricks and Martin Henderson opens March 9 ... Full Movie Details.

A family’s road trip takes a dangerous turn when they arrive at a secluded mobile home park to stay with some relatives and find it mysteriously deserted. Under the cover of darkness, three masked psychopaths pay them a visit to test the family’s every limit as they struggle to survive. More...

Weekend Box Office Performance

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/4/2018 $187,766 0 0 0 $449,122 1/1/2019
Australia 3/16/2018 $41,661 102 102 109 $45,091 3/26/2018
Brazil 6/8/2018 $106,528 0 0 0 $106,528 6/15/2018
Bulgaria 3/23/2018 $13,920 0 0 0 $35,581 2/26/2019
Czech Republic 3/16/2018 $50,847 87 87 132 $83,303 1/1/2019
France 4/20/2018 $189,363 0 0 0 $352,153 6/12/2018
Germany 6/22/2018 $141,117 0 0 0 $159,275 6/29/2018
Hong Kong 4/20/2018 00$0
Italy 5/31/2018 $273,117 0 0 0 $683,336 7/2/2018
Lithuania 3/30/2018 $9,425 62 62 75 $22,578 4/11/2018
Mexico 5/4/2018 $728,258 0 0 0 $1,234,185 5/14/2018
Netherlands 3/9/2018 $68,229 47 47 132 $239,488 9/12/2018
North America 3/9/2018 $10,402,271 2,464 2,464 7,486 $24,431,472 7/25/2019
Poland 3/9/2018 $197,789 0 0 0 $197,789 1/1/2019
Portugal 3/16/2018 $43,622 36 36 74 $92,003 4/3/2018
Russia (CIS) 3/22/2018 $140,896 418 418 622 $207,281 2/26/2019
Slovakia 3/23/2018 $34,287 57 57 110 $76,089 4/18/2018
South Korea 10/11/2018 $113,764 266 266 280 $180,578 10/31/2018
Spain 6/1/2018 $296,177 254 254 672 $662,938 6/21/2018
Turkey 3/9/2018 $66,645 158 158 224 $117,034 2/26/2019
United Kingdom 5/4/2018 $277,917 299 299 541 $584,227 5/16/2018
 
Rest of World $2,184,211
 
Worldwide Total$32,144,262 7/25/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Christina Hendricks    Cindy
Martin Henderson    Mike
Bailee Madison    Kinsey
Lewis James Pullman    Luke

Supporting Cast

Emma Bellomy    Dollface
Damian Maffei    Man in the Mask
Lea Enslin    Pin-Up Girl
Leah Roberts    Young Mother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Johannes Roberts    Director
Bryan Bertino    Screenwriter
Ben Ketai    Screenwriter
Wayne Marc Godfrey    Producer
James Harris    Producer
Robert Jones    Producer
Mark Lane    Producer
Ryan Kavanaugh    Producer
Trevor Macy    Executive Producer
Bryan Bertino    Executive Producer
David Dinerstein    Executive Producer
Jason Resnick    Executive Producer
William Sadleir    Executive Producer
Alex Walton    Executive Producer
Alastair Burlingham    Executive Producer
Charlie Bombek    Executive Producer
Kenneth Halsband    Executive Producer
Brett Dahl    Executive Producer
Jon D. Wagner*    Executive Producer
Adrian Johnston    Composer
Martin Brinkler    Editor
Ryan Samul    Director of Photography
Freddy Waff    Production Designer
Carla Shivener    Costume Designer
Lauren Grey    Casting Director