Australia Box Office for The Son Of Bigfoot (2017)

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The Son of Bigfoot
Theatrical Performance (US$)
Australia Box Office $510,733Details
Worldwide Box Office $31,488,505Details
Home Market Performance
North America DVD Sales $111,261 Details
Total North America Video Sales $111,261
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Teenage outsider Adam sets out on an epic and daring quest to uncover the mystery behind his long-lost dad, only to find out that he is none other than the legendary Bigfoot! He has been hiding deep in the forest for years to protect himself and his family from HairCo., a giant corporation eager to run scientific experiments with his special DNA. As father and son start making up for lost time after the boy's initial disbelief, Adam soon discovers that he too is gifted with superpowers beyond his imagination. But little do they know, HairCo. is on their tail as Adam's traces have led them to Bigfoot!

Metrics

Movie Details

Australia Releases: October 20th, 2017 (Wide), released as The Son Of Bigfoot
Video Release: May 1st, 2018 by Cinedigm
MPAA Rating: PG for action/peril, thematic elements and some language
(Rating bulletin 2514 (Cert #51469), 2/14/2018)
Running Time: 92 minutes
Keywords: Family Movie, Animal Lead, Missing Person, Bigfoot, Corporate Malfeasance, Talking Animals, Rescue, Kidnap, 3-D, 3-D - Shot in 3-D
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production Countries: Belgium, France
Languages: English

Limited and VOD Releases: The Notorious RBG

May 4th, 2018

RBG

There are not many limited releases on this week’s list and even fewer that have a real shot at box office success. Surprisingly, it is a documentary, RBG, that is earning the loudest buzz. Its reviews should also help it find an audience in theaters. More...

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/10/20 11 $179,869   221 $814   $180,694 1
2017/10/27 10 $111,507 -38% 198 $563   $295,158 2
2017/11/03 13 $81,850 -27% 125 $655   $384,190 3
2017/11/10 13 $38,260 -53% 86 $445   $451,135 4
2017/11/17 20 $24,468 -36% 52 $471   $473,110 5
2017/11/24 - $9,008 -63% 25 $360   $487,343 6
2017/12/01 - $11,273 +25% 54 $209   $503,169 7
2017/12/08 - $9,482 -16% 15 $632   $510,733 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/1/2017 $150,987 0 0 0 $249,536 1/1/2019
Australia 10/20/2017 $179,869 221 221 776 $510,733 12/11/2017
Brazil 11/3/2017 $541,629 0 0 0 $1,341,794 8/31/2018
Bulgaria 11/10/2017 $52,503 0 0 0 $184,937 2/26/2019
China 10/14/2017 $2,380,000 16638 16638 28514 $8,473,259 8/16/2018
Czech Republic 11/10/2017 $121,080 116 116 471 $539,275 1/1/2019
France 8/18/2017 $891,958 0 0 0 $4,952,832 6/28/2018
Germany 8/18/2017 $557,383 0 0 0 $670,572 6/29/2018
Italy 1/25/2018 $607,058 0 0 0 $1,917,669 9/12/2018
Lithuania 10/20/2017 $0 0 161 529 $260,414 8/15/2018
Mexico 12/1/2017 $301,826 0 0 0 $301,826 12/5/2017
Netherlands 7/21/2017 $0 0 171 1323 $1,556,855 10/2/2017
New Zealand 10/20/2017 $34,983 45 45 313 $224,167 1/30/2018
North America 5/4/2018 $0 0 0 0 $0
Poland 7/28/2017 $205,655 0 0 0 $1,480,806 1/1/2019
Portugal 9/8/2017 $80,423 51 55 351 $373,047 12/20/2017
Russia (CIS) 7/27/2017 $713,010 1365 1365 3893 $2,292,348 1/1/2019
Slovakia 9/8/2017 $33,184 68 68 321 $250,453 12/29/2017
South Korea 8/9/2017 $0 0 437 1026 $2,004,482 10/13/2017
Spain 3/2/2018 $628,852 178 269 1852 $3,592,180 8/30/2018
Turkey 9/15/2017 $117,119 231 231 589 $280,988 2/26/2019
United Kingdom 11/3/2017 $30,332 94 94 94 $30,332 11/8/2017
 
Worldwide Total$31,488,505 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

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Production and Technical Credits

Jeremy Degruson    Co-Director
Ben Stassen    Co-Director