Brazil Box Office for Replicas (2018)

← Go to main Replicas page

Replicas
Theatrical Performance (US$)
Brazil Box Office $112,061Details
Worldwide Box Office $9,037,427Details
Home Market Performance
North America DVD Sales $983,480 Details
North America Blu-ray Sales $1,130,976 Details
Total North America Video Sales $2,114,456
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After a car accident kills his loving family, a daring neuroscientist will stop at nothing to bring them back, even if it means pitting himself against a government-controlled laboratory, a police task force, and the physical laws of science themselves.

Metrics

Movie Details

Production Budget:$30,000,000
Brazil Releases: April 19th, 2019 (Wide)
Video Release: April 2nd, 2019 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for thematic material, violence, disturbing images, some nudity and sexual references.
(Rating bulletin 2505 (Cert #51336), 12/6/2017)
Running Time: 107 minutes
Keywords: Mad Scientist, Car Accident, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Medical Crimes, Psychological Thriller, Robot, Fugitive / On the Run, Scientific Experiment Gone Awry
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Riverstone Pictures, Remstar, di Bonaventura Pictures, Entertainment Studios Motion Pictures, Blue Rider Pictures, Company Films, Lotus Entertainment, Ocean Park Entertainment, 74850, Fundamental Films
Production Countries: United States
Languages: English

Home Market Releases for April 16th, 2019

April 17th, 2019

Dragon Ball Super: Broly

We’ve hit the summer doldrums on the home market, but we do have the first major hit of 2019 to talk about. Too bad Glass earned reviews that are so weak. Unfortunately, none of the smaller releases really rise to the level of Pick of the Week. Fans of animation are in luck, as both Dragon Ball Super: Broly and Justice League vs. The Fatal Five are both worth picking up. Bend of the River is a great western. Meanwhile, if you like B-movie cult classics, The Manitou is for you. More...

Weekend Wrap-Up: Glass Wins, Dragon Ball was Super

January 22nd, 2019

Glass

It was a mixed weekend with Glass missing admittedly high expectations, but a lot of the rest of the top five thrived. This includes Dragon Ball Super: Broly, which wasn’t even expected to open in the top five. Overall, the box office rose 8.6% from last weekend to $130 million. This is 5.0% less than the same weekend last year, which means 2019’s losing streak continues. This is more disappointing, as the misalignment in holidays gave 2019 a huge advantage this weekend. Year-to-date, 2019 is below 2018 by $100 million. In fact, 2019 is off to the worst start since 2012 or 2011, depending on if you take ticket price inflation into account. That said, it is still very early in the year and there are several nearly guaranteed monster hits on the way. More...

Weekend Wrap-Up: Upside Surprises Landing on Top Earning STX its First First Place

January 15th, 2019

The Upside

The first major surprise of the year happened over the weekend, as The Upside beat expectations earning first place with $20.36 million. The overall box office fell 14% from last weekend dropping to $119 million. This is 25% lower than the same weekend last year, but that was MLK Day long weekend, so this kind of difference was expected. More...

Weekend Estimates: Upside Surprises as Box Office Slows

January 13th, 2019

The Upside

It wasn’t exactly a great weekend at the box office, but The Upside was the rare exception. The film is estimated to open with $19.59 million. The audiences clearly liked the film better than critics did, as its reviews are mixed, while it got an A from CinemaScore. This makes sense, as the most common complaint from critics were the clichés. The average moviegoer only sees one movie in a theater every other month, whereas the average critic will see two or more movies a week. Clichés are a lot less tolerable when you see them ten times as often as part of your job. The film’s estimates are much better than its predictions and great for a film that cost $37.5 million to make. Furthermore, the news is even better for STX Entertainment, as they didn’t spend nearly that much on the domestic rights, so they will be in the black very soon. More...

Friday Estimates: Box Office is Turned Upside Down

January 12th, 2019

The Upside

The Upside surprised box office analysts with $6.95 million on Friday, knocking Aquaman out of first place on the daily chart. This is very likely enough to knock it out of first place on the weekend chart as well, becoming STX’s first number one hit. Most critics didn’t like the movie, but few hated it. Audiences, on the other hand, loved the movie, giving it an A from CinemaScore. If this translates into long legs, then it could earn first place with as much as $20 million, but $19 million is more likely at this point. More...

Thursday Night Previews: Dog-gone-it

January 11th, 2019

The Upside

The Upside was the surprise winner of last night’s previews, as it earned $1.1 million. Its reviews are not going to help its legs, but perhaps its word-of-mouth will be better. We will have to wait for the CinemaScore for that, but I think it will top our $12 million prediction, which is good news for STX Entertainment. More...

Weekend Predictions: Is Dog’s Home at the Top of the Box Office?

January 10th, 2019

A Dog’s Way Home

There are three or four new releases that should reach the top ten, depending on how you look at things. A Dog’s Way Home is by far the biggest of these and has a not unreasonable shot at opening in first place. I think Aquaman will defend its crown, but it should at least be close. The Upside is the only other new release with a better than 50/50 shot of earning a spot in the top five. Replicas, on the other hand, is widely expected to bomb. The last “new” release is On the Basis of Sex, which is expanding nearly truly wide and it has an outside chance of earning a spot in the top five. This weekend last year was MLK Day long weekend. If 2019 doesn’t lose the year-over-year comparison by more than 20%, then it will be a reason to celebrate. More...

Replicas Trailer

January 4th, 2019

Thriller starring Keanu Reeves and Alice Eve opens January 11 ... Full Movie Details.

Neuro-scientist William Foster is on the verge of successfully transferring human consciousness into a computer when his family is tragically killed in a car crash. Desperate to resurrect them, William recruits fellow scientist Ed Whittle to help him secretly clone their bodies and create replicas. But he soon faces a “Sophie’s choice” when it turns out that they can only bring three of the four family members back to life. More...

Preview: January

January 1st, 2019

Glass

December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases. More...

Weekend Box Office Performance

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 4/19/2019 $112,061 118 118 118 $112,061 4/27/2019
China 11/23/2018 $410,000 13395 13395 13395 $727,089 12/6/2018
Lithuania 11/9/2018 $5,164 25 25 33 $9,899 11/27/2018
Mexico 10/26/2018 $414,116 0 0 0 $414,116 10/29/2018
Netherlands 1/4/2019 $98,134 35 40 109 $286,609 1/22/2019
North America 1/11/2019 $2,375,325 2,329 2,329 4,564 $4,046,429 8/15/2019
Portugal 3/15/2019 $68,109 45 45 132 $164,390 4/16/2019
Russia (CIS) 10/25/2018 $1,060,348 965 965 2311 $2,268,518 1/15/2019
South Korea 9/25/2019 $127,469 339 339 385 $328,043 2/5/2020
Turkey 1/11/2019 $87,974 146 146 309 $202,193 2/14/2019
 
Rest of World $478,080
 
Worldwide Total$9,037,427 2/5/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Keanu Reeves    William Foster

Supporting Cast

Alice Eve    Mona Foster
Thomas Middleditch    Ed Whittle
John Ortiz    Jones
Emily Alyn Lind    Sophie Foster
Emjay Anthony    Matt Foster
Nyasha Hatendi    Scott
Aria Leabu    Zoe Foster
Sunshine Logroño    Hector
Amber Townsend    Lab Tech

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jeffrey Nachmanoff    Director
Chad St. John    Screenplay By
Stephen Hamel    Story Creator
Lorenzo di Bonaventura    Producer
Stephen Hamel    Producer
Keanu Reeves    Producer
Mark Gao    Producer
Luis Riefkohl    Producer
Bill Johnson    Executive Producer
Jim Seibel    Executive Producer
Nik Bower    Executive Producer
James Dodson    Executive Producer
Deepak Nayar    Executive Producer
Maxime Remillard    Executive Producer
Clark Peterson    Executive Producer
Walter Josten    Executive Producer
Erik Howsam    Executive Producer
Ara Keshishian    Executive Producer
Chad St. John    Executive Producer
Gregory Ouanhon    Executive Producer
Sebastian Boneta    Executive Producer
Byron Allen    Executive Producer
Carolyn Folks    Executive Producer
Jennifer Lucas    Executive Producer
Terence Hill    Executive Producer
Mark Devitre    Executive Producer
Chris Charalambous    Executive Producer
Mark Borde    Executive Producer
Simon Michael    Executive Producer
Steve Zadrick    Executive Producer
Richard Barner    Executive Producer
Chad Doher    Executive Producer
Joan Robbins    Executive Producer
Checco Varese    Director of Photography
Johnny Breedt    Production Designer
Pedro Javier Muniz    Editor
Chris Piccaro    Music Supervisor
Mark Kilian    Music By
Jose Ojeda    Music By
Sharon Bialy    Casting Director
Sherry Thomas    Casting Director