United Kingdom Box Office for A Private War (2018)

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A Private War
Theatrical Performance (US$)
United Kingdom Box Office $724,889Details
Worldwide Box Office $3,944,165Details
Home Market Performance
North America DVD Sales $386,802 Details
North America Blu-ray Sales $183,149 Details
Total North America Video Sales $569,951
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Marie Colvin is the most celebrated war correspondent of our era - a woman as comfortable downing martinis with high-society’s elite as she is brazenly staring down warlords and fleeing from gunfire. Driven by an enduring desire to bear witness and give voice to the voiceless, Colvin charges into danger, constantly testing the limits between bravery and bravado.

Metrics

Movie Details

United Kingdom Releases: February 15th, 2019 (Special Engagement)
Video Release: February 5th, 2019 by Universal Home Entertainment
MPAA Rating: R for disturbing violent images, language throughout, and brief sexuality/nudity.
(Rating bulletin 2549 (Cert #51778), 10/17/2018)
Running Time: 106 minutes
Keywords: War Correspondent, War, PTSD, Relationships Gone Wrong, Set in Syria, Photography, 2000s, 2010s
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Aviron Pictures, Tri-G, The Fyzz Facility, Kamala Films, Thunder Road Film, Savvy Media Holdings, Denver & Delilah Films
Production Countries: United States
Languages: English

Home Market Releases for February 5th, 2019

February 5th, 2019

Widows

We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying. More...

2018 Awards Season: DGA - Nominations

January 9th, 2019

A Star is Born

Directors Guild of America announced their theatrical nominations this week and we are starting to see some real patterns emerge and I think the Oscar picture is getting clearer. More...

2018 - Awards Season: Golden Globes - Nominations

December 6th, 2018

Vice

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. For example Vice led the way with six nominations, so its Oscar chances have gone up, but don’t expect it to lead the way when the Oscars nominations are announced. More...

Theater Averages: Gate Begins Eternity on Top

November 20th, 2018

At Eternity’s Gate

At Eternity’s Gate led the weekend chart with an average of $23,214 in four theaters. The overall box office leader, Fantastic Beasts: The Crimes of Grindelwald, was next with an average of $14,932. Green Book debuted with an average of $12,817 in 25 theaters. This would normally be a good start for a limited release, especially one playing in 25 theaters. However, it isn’t good enough to justify a wide expansion on Wednesday. More...

Limited and VOD Releases: Limited Releases get a Green Light

November 16th, 2018

Green Book

This week is filled with films that are earning reviews that are good, but likely not quite good enough to thrive in limited release. There are a few exceptions, mostly documentaries. This leaves Green Book as the only film that has a real shot at mainstream success. In fact, given its reviews, it could earn some Awards Season success. More...

Weekend Prediction: Is Grindelwald Committing Crimes against the Harry Potter Franchise?

November 15th, 2018

Fantastic Beasts: The Crimes of Grindelwald

Fantastic Beasts: The Crimes of Grindelwald is the latest installment in the Harry Potter franchise, but sadly, its reviews are, by far, the worst in the franchise. It should still have no trouble earning first place and will very likely break even just on its international numbers, but this is still troubling for its future. The second biggest release of the week is Instant Family and its reviews are good, but not great. They are certainly fine for a family comedy. Widows is the best-reviewed new release, but its buzz is quiet enough that it will barely finish in the top five. Meanwhile, A Private War is expanding nationwide and that could help it earn a spot in the top ten, but I wouldn’t bet on it. This weekend last year, Justice League opened with $93.84 million, while Wonder debuted in second place with $27.55 million. Add in The Star’s $9.81 million opening and the three wide releases pulled in $130 million. There’s no way the new releases this year will match that and 2018 will likely lose in the year-over-year comparison. More...

Theater Averages: Boy Erased Writes its Way to the Top

November 7th, 2018

Boy Erased

Boy Erased led the way on the theater average chart earning an average of $41,411 in five theaters. This was nearly three times the second place film, A Private War, which earned an average of $15,123 in four theaters. The only other film in the $10,000 club was the overall box office leader, Bohemian Rhapsody, with an average of $12,765. More...

Friday Estimates: Bohemian Rhapsody makes the Box Office Sing

November 3rd, 2018

Bohemian Rhapsody

Bohemian Rhapsody dominated the Friday box office chart with $18.4 million. This is better than our prediction, but not quite as good as some were expecting after Thursday’s previews. Its reviews are good, but not great, while it earned an A from CinemaScore and a 4.5 out of 5 from PostTrak, so audiences clearly like the film more than critics did. The film could come close to $50 million over the weekend, but it probably won’t quite get there. More...

Limited and VOD Releases: Limited Releases won’t be Erased

November 2nd, 2018

Boy Erased

There are a few limited releases on this week’s list that could do well in theaters; A Private War, Bodied, and Boy Erased should do well. On the other hand, if you are not interested in heading out to the theaters, Possum is a great choice for Video on Demand. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

A Private War Trailer

August 28th, 2018

Real-life drama starring Rosamund Pike opens November 2 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/15 13 $287,269   74 $3,882   $287,269 1
2019/02/22 - $71,394 -75% 90 $793   $479,477 2
2019/03/01 - $30,522 -57% 48 $636   $580,710 3
2019/03/08 - $11,206 -63% 15 $747   $622,564 4
2019/03/15 - $16,184 +44% 24 $674   $669,454 5
2019/03/22 - $6,777 -58% 10 $678   $693,828 6
2019/03/29 - $2,582 -62% 6 $430   $695,122 7
2019/04/12 - $998   3 $333   $704,690 9
2019/04/19 - $339 -66% 2 $170   $705,971 10
2019/04/26 - $921 +172% 1 $921   $709,240 11
2019/05/03 - $908 -1% 1 $908   $724,889 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
India 11/23/2018 $31,157 43 43 43 $31,157 12/2/2018
Italy 11/22/2018 $236,227 0 87 101 $367,982 12/7/2019
Netherlands 3/29/2019 $35,904 35 36 128 $185,451 4/23/2019
North America 11/2/2018 $60,491 4 865 1,305 $1,633,209 1/20/2020
Portugal 11/23/2018 $23,896 25 25 59 $56,190 12/27/2018
Russia (CIS) 3/8/2019 $9,746 91 91 150 $20,968 4/13/2019
Spain 5/31/2019 $35,792 28 34 92 $127,818 6/20/2019
Taiwan 1/4/2019 $49,413 47 47 95 $102,258 1/26/2019
United Kingdom 2/15/2019 $287,269 74 90 274 $724,889 5/8/2019
 
Rest of World $694,243
 
Worldwide Total$3,944,165 1/20/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Rosamund Pike    Marie Colvin

Supporting Cast

Jamie Dornan    Paul Conroy
Stanley Tucci    Tony Shaw
Tom Hollander    Sean Ryan
Corey Johnson    Norm Coburn
Faye Marsay    Kate Richardson
Nikki Amuka-Bird    Rita Williams
Alexandra Moen    Zoe
Amanda Drew    Amy Bentham
Raad Rawi    Gaddafi
Hilton McRae    Adam Watkins
Jeremie Laheurte    Remi Ochlik
Manoj Anand    Sri Lankan Hospital Patient
Michele Belgrand    Old Time Friend
Antonythasan Jesuthasan    Tamilselvan
Natasha Jayetileke    Nurse
Pano Masti    Ignacio
Gurnita Kaur Kahlon    Sri Lankan Hospital Patient
Alisdair Simpson    Newscaster #2
Imogen King    Lily Shaw
Michael Haydon    Newspaper Editor
Kishore Bhatt    Sri Lankan Hospital Patient
Pamela Betsy Cooper    Nurse
Ian Morine    Gaddafi’s Aid
Amanda Smith    Passerby
Rudy Valentino Grant    Kensington Party Member
Angela Yeoh    Young Female Journalist
Helen Iesha Goldthorpe    Lady at Party
Bharat Mistri    Sri Lankan Hospital Doctor
David Modigliani    Newscaster #1
Faraz M. Khan    Gaddafi Soldier
Nadeem Srouji    Iraqi Captain
Tristan Tait    US Public Affairs Officer
Gina Morrish    Mrs. Lee
Natalie Gayle    Amy’s Friend
Rami Delshad    Abdallah
Toma Shelmon    Iraqi Militia Corporal
Mahmoud AlFarj    Iraqi Construction Foreman
Wissam Tobaileh    Head of Media Syria
Bassam Hanna Touma    Faruq
Xavier Gomez    Sick War Child
Raman Srinivasan    Tamil Group Leader
Emil Hajj    Gaddafi Translator
Rani Jalal    Iraqi Militia Officer #1
Thaer Manakhi    Iraqi Militia Officer 2
Mo’ath Sharif    Walid

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Matthew Heineman    Director
Arash Amel    Screenwriter
Marie Brenner    Story based on “Marie Colvin’s Private War in Vanity” Fair by
Matthew Heineman    Producer
Matthew George    Producer
Basil Iwanyk    Producer
Charlize Theron    Producer
Marissa McMahon    Producer
Erica Lee    Executive Producer
John Fuhrman    Executive Producer
Ashley Schlaifer    Executive Producer
Jeffrey Sobrato    Executive Producer
Joe Gelchion    Executive Producer
Beth Kono    Executive Producer
A.J. Dix    Executive Producer
David Dinerstein    Executive Producer
Jason Resnick    Executive Producer
William Sadleir    Executive Producer
Wayne Marc Godfrey    Executive Producer
Robert Jones    Executive Producer
Robert Richardson    Director of Photography
Sophie Becher    Production Designer
Nick Fenton    Editor
Michael O’Connor    Costume Designer
H. Scott Salinas    Composer
Laura Katz    Music Supervisor
Jina Jay    Casting Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.