Italy Box Office for Playmobil The Movie (2019)

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PLAYMOBIL
Theatrical Performance (US$)
Italy Box Office $670,378Details
Worldwide Box Office $16,288,031Details
Home Market Performance
North America DVD Sales $38,388 Details
Total North America Video Sales $38,388
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of.

Metrics

Movie Details

Production Budget:$75,000,000
Italy Releases: December 31st, 2019 (Wide), released as Playmobil The Movie
Video Release: March 3rd, 2020 by Universal Home Entertainment
MPAA Rating: PG for action/peril and some language.
(Rating bulletin 2607 (Cert #52469), 12/4/2019)
Running Time: 99 minutes
Keywords: Secret Agent, Kidnap, Living Toys, Missing Person, Rescue
Source:Based on Toy
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: ON Animation Studios, Pathe, Wild Bunch
Production Countries: Canada, France, Germany
Languages: English

Home Market Releases for March 3rd, 2020

March 5th, 2020

Jojo Rabbit

It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago. More...

Weekend Wrap-Up: Jumanji Spreads a Little Christmas Cheer

December 17th, 2019

Jumanji: The Next Level

As expected, Jumanji: The Next Level dominated the competition over the weekend. Fortunately, it did so with a lot more than anticipated, earning $59.25 million. This is more than the rest of the top ten combined. Unfortunately, this happened in part due to the disastrous openings of Black Christmas and Richard Jewell. The overall box office rose dramatically from last weekend earning 31% more at $117 million. More importantly, this was 1.6% higher than the same weekend last year. Granted, that’s a tiny margin, but any win is worth celebrating at this point. Year-to-date, 2019 is still well behind 2018’s pace down 5.7% or $620 million at $10.31 billion to $10.93 billion. That said, if we can chip away at that deficit, then 2019 can at least end on a positive note and save face. More...

Theater Averages: Portrait has a Fiery Start

December 12th, 2019

Portrait of a Lady on Fire

Portrait of a Lady on Fire was the only new release to make an impart on the per theater chart earning an average of $33,672 in two theaters. If we combine this with its early Awards Season success, we can confidently predict a long run in theaters. The only other film in the $10,000 club was 63 Up with an average of $10,313 in two theaters. More...

Weekend Wrap-Up: Post-holiday Blues Gets to Frozen II

December 10th, 2019

Frozen II

As expected, the box office collapsed this week, as it always does in a post-holiday weekend. Despite the best efforts of Frozen II and Knives Out, the overall weekend box office fell 50% to $89 million. This is 5.4% higher than the same weekend last year and that’s the more important figure. Year-to-date, 2019 closed ground with 2018, albeit by a tiny margin and this year is still behind last year by 5.9% or $630 million at $10.16 billion to $10.80 billion. It has been a long time since we’ve seen the box office decline by that high of a percentage in one year; however, 2019 is still on pace to be the second highest grossing year of all time and it still has higher ticket sales than 2017 had at this point, so I think we shouldn’t panic over this. More...

Weekend Estimates: Frozen Falls, Still Set to Top Predecessor

December 8th, 2019

Frozen II

Frozen II fell both faster than expected, and faster than projections based on Friday’s estimates. However, the film is still managing an estimated $34.67 million over the weekend for a three-week total of $337.59 million. This is enough to push it ahead of Joker and into seventh place on the yearly chart. If this holds up, then it will have an excellent shot at topping the first Frozen’s domestic total, even without the Christmas break coming up. Internationally, the film pulled in $90.2 million in 48 markets for totals of $582.1 million internationally and $919.7 million worldwide. It had no major market openings this weekend, but it is earning an estimated $800,000 in South Africa, which would make it the second biggest opening for an animated film there, behind only Minions. The film has become the biggest animated film in South Korea with $75.5 million. It as also topped its predecessor in Russia ($23.0 million) and Mexico ($21.1 million) and a lot of smaller markets. More...

Friday Estimates: Frozen Begins to Thaw, Playmobil Nowhere to be Found

December 7th, 2019

Frozen II

As expected, Frozen II earned first place on the Friday box office chart. However, the film fell further than anticipated, earning $7.84 million—off 77% from last Friday. That was a holiday, so obviously it will bounce back over the rest of the weekend, but projections have the film earning about $36 million compared to our $38 million prediction. This is close enough that I’m satisfied with the result and it is more than enough to keep it in wide release until after the new year. More...

Weekend Predictions: December Will Start on a Chilly Note

December 5th, 2019

Playmobil

The weekend after Thanksgiving is one of the worst weeks of the year to release a film wide. In fact, many years there are no wide releases. This year, Playmobil gets thrown to the wolves, or to the mercy of Frozen II, to be more specific. I can’t imagine it will survive the competition. In fact, most think the wide expansion of Dark Waters will beat it at the box office and that film isn’t expected to land in the top five. This weekend last year had no wide releases and Frozen II should earn more than last year’s top two films, Ralph Breaks the Internet and The Grinch, earned combined. December should get off to a fast start on the year-over-year competition and hopefully that’s a good omen going forward. More...

Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left

December 2nd, 2019

Frozen II

2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half. More...

2019 Preview: December

December 1st, 2019

Star Wars: The Rise of Skywalker

Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate. More...

PLAYMOBIL Trailer

October 1st, 2019

Animated adventure opens December 6 ... Full Movie Details.

When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/01/03 10 $294,002   0     $443,712 1
2020/01/10 15 $65,336 -78% 0     $603,440 2
2020/01/31 - $7,010   21 $334   $648,405 5
2020/02/07 - $7,102 +1% 6 $1,184   $657,748 6
2020/02/14 - $8,680 +22% 44 $197   $668,815 7
2020/02/21 - $101 -99% 3 $34   $670,300 8
2020/02/28 - $78 -23% 1 $78   $670,378 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/10/2019 $64,825 162 162 265 $115,940 12/20/2019
Australia 12/13/2019 $82,813 207 207 567 $366,164 3/2/2020
Austria 8/30/2019 $57,705 122 122 402 $241,983 10/10/2019
Bahrain 9/5/2019 $6,041 9 9 9 $11,433 9/19/2019
Belgium 8/7/2019 $0 0 84 435 $615,278 11/21/2019
Bolivia 8/8/2019 $0 0 15 16 $17,169 9/2/2019
Brazil 12/20/2019 $193,539 106 259 420 $787,655 2/14/2020
Bulgaria 9/20/2019 $12,308 0 3 6 $34,841 11/15/2019
Cambodia 9/14/2019 $3,350 16 16 16 $6,030 10/10/2019
Chile 1/30/2020 $24,046 56 56 71 $43,359 2/21/2020
Colombia 11/7/2019 $34,445 128 128 156 $71,367 12/20/2019
Costa Rica 8/22/2019 $3,629 16 16 21 $4,822 9/5/2019
Croatia 2/27/2020 $3,410 20 20 20 $4,838 3/12/2020
Cyprus 2/6/2020 $5,601 8 8 15 $7,860 2/21/2020
Czech Republic 9/20/2019 $2,277 18 121 262 $45,828 10/19/2022
Dominican Republic 9/5/2019 $84 4 4 4 $1,238 9/26/2019
Ecuador 10/4/2019 $12,484 33 33 97 $26,642 11/15/2019
Egypt 9/4/2019 $2,191 8 8 9 $2,884 9/19/2019
El Salvador 8/22/2019 $1,332 7 7 9 $1,880 9/5/2019
Estonia 10/25/2019 $35,474 23 23 56 $53,026 11/29/2019
Finland 9/27/2019 $31,724 93 93 202 $74,050 10/30/2019
France 8/9/2019 $963,910 604 683 2923 $2,627,246 9/26/2019
Germany 8/29/2019 $425,102 820 820 3890 $1,776,507 12/5/2019
Greece 12/19/2019 $0 0 37 91 $488,909 3/6/2020
Guatemala 8/22/2019 $2,306 9 9 12 $3,049 9/5/2019
Honduras 8/22/2019 $691 13 13 15 $1,507 9/12/2019
Hungary 9/26/2019 $31,052 65 65 221 $96,812 10/19/2022
Iceland 9/13/2019 $16,234 0 0 0 $50,267 11/21/2019
Indonesia 8/30/2019 $50,651 0 0 0 $50,651 9/5/2019
Iraq 9/5/2019 $187 2 2 2 $353 9/19/2019
Israel 8/8/2019 $0 0 30 128 $365,682 10/19/2022
Italy 12/31/2019 $294,002 0 44 75 $670,378 10/19/2022
Jordan 9/5/2019 $539 4 4 4 $1,573 9/19/2019
Kuwait 9/5/2019 $20,100 14 14 16 $27,053 9/19/2019
Laos 8/28/2019 $500 0 0 0 $780 10/30/2019
Latvia 10/25/2019 $19,133 15 15 36 $27,989 11/21/2019
Lebanon 9/5/2019 $5,342 13 13 19 $10,166 10/10/2019
Lithuania 10/25/2019 $1,867 5 14 50 $53,204 6/16/2021
Malaysia 9/12/2019 $28,060 54 54 54 $61,732 10/10/2019
Mexico 8/16/2019 $393,721 0 379 546 $1,008,952 10/19/2022
Netherlands 8/9/2019 $111,469 133 133 667 $572,122 10/10/2019
New Zealand 12/12/2019 $11,255 59 59 152 $42,455 10/19/2022
Nicaragua 8/22/2019 $787 5 5 5 $787 9/2/2019
North America 12/6/2019 $656,530 2,337 2,337 3,911 $1,115,008
Oman 9/5/2019 $7,097 12 12 14 $10,139 9/19/2019
Panama 8/22/2019 $2,598 6 6 6 $2,598 9/2/2019
Paraguay 9/12/2019 $1,720 11 11 14 $3,276 10/3/2019
Peru 12/5/2019 $29,489 77 77 91 $49,626 12/20/2019
Philippines 9/4/2019 $18,892 143 143 143 $18,892 9/12/2019
Poland 8/23/2019 $132,864 278 278 613 $674,799 10/19/2022
Portugal 10/4/2019 $60,718 74 76 265 $173,961 10/19/2022
Qatar 9/5/2019 $16,334 15 15 19 $23,432 10/10/2019
Romania 9/27/2019 $26,893 79 79 215 $60,454 12/10/2019
Russia (CIS) 1/30/2020 $131,935 1186 1186 2230 $213,995 10/19/2022
Serbia and Montenegro 12/5/2019 $0 0 0 0 $16,996 1/10/2020
Singapore 8/29/2019 $6,002 15 15 42 $18,375 10/30/2019
Slovakia 8/23/2019 $4,013 25 73 178 $57,545 10/30/2019
Slovenia 12/5/2019 $3,578 20 20 50 $10,684 1/10/2020
South Africa 8/16/2019 $24,544 87 102 228 $64,338 9/19/2019
South Korea 9/11/2019 $85,120 246 246 296 $189,910 10/16/2019
Spain 8/30/2019 $225,651 285 285 1461 $1,051,580 12/20/2019
Sweden 9/20/2019 $31,726 150 150 334 $68,254 10/25/2019
Switzerland (French Speaking) 8/7/2019 $0 0 20 72 $78,182 10/18/2019
Switzerland (German Speaking) 8/7/2019 $0 0 68 164 $120,516 10/18/2019
Thailand 8/29/2019 $21,388 82 82 82 $47,053 10/30/2019
Ukraine 1/30/2020 $35,317 194 194 346 $51,300 2/27/2020
United Arab Emirates 9/5/2019 $54,529 54 54 76 $78,637 10/10/2019
United Kingdom 8/9/2019 $454,738 519 519 2641 $1,580,510 12/20/2019
Uruguay 9/12/2019 $1,894 14 14 29 $10,412 10/3/2019
Venezuela 8/30/2019 $8,075 23 23 48 $25,098 10/3/2019
 
Worldwide Total$16,288,031 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Lino Disalvo    Robotitron
Anya Taylor-Joy    Marla
Jim Gaffigan    Del
Gabriel Bateman    Charlie
Adam Lambert    Emperor Maximus
Kenan Thompson    Bloodbones
Meghan Trainor    Fairy Godmother
Daniel Radcliffe    Rex Dasher

Supporting Cast

Wendi McLendon-Covey    Glinara
Karen Strassman    Voice
Ben Diskin    Seadog
Keith Silverstein    Voice
Kirk Thornton    Ook-Ook
Cindy Robinson    Nola
Christopher Corey Smith    Western Outlaw
Wilson Gonzalez Ochsenknecht    Yellow Viking
Ian James Corlett    Dogsled Driver
Ryan S. Hill    Charlie (6 yrs old)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lino Disalvo    Director
Greg Erb    Screenwriter
Jason Oremland    Screenwriter
Blaise Hemingway    Screenwriter
Lino Disalvo    Story by
Aton Soumache    Producer
Dimitri Rassam    Producer
Axel Von Maydell    Producer
Alexis Vonarb    Producer
Timothy Burrill    Producer
Moritz Borman    Producer
Bin Wu    Producer
Emmanuel Jacomet    Executive Producer
Lino Disalvo    Executive Producer
Tito Ortiz    Executive Producer
Greg Erb    Executive Producer
Jason Oremland    Executive Producer
Bahman Naraghi    Executive Producer
Dan Mintz    Executive Producer
Remi Salmon    Production Designer
Maurissa Horwitz    Editor
Heitor Pereira    Composer
Andre Turpin    Director of Photography