United Kingdom Box Office for Our Time (2018)
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Synopsis
A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horse-breaker and Juan is unable to control his jealousy.
Metrics
Movie Details
| United Kingdom Releases: |
July 12th, 2019 (Limited), released as Our Time |
| Video Release: |
June 14th, 2019 by Monument Releasing |
| MPAA Rating: |
Not Rated |
| Running Time: |
173 minutes |
| Keywords: |
Set in Mexico, Life on a Farm, Infidelity, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
NoDream Cinema, Mantarraya, The Match Factory, Snowglobe, Mer Film , Eficine, Foprocine, ZDF/ARTE, Luxbox, Detalle Films, Film i Vast, Bord Cadre |
| Production Countries: |
Denmark, France, Germany, Mexico, Sweden |
| Languages: |
English, Spanish |
June 20th, 2019
-1-News.jpg)
There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters.
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June 14th, 2019
-1-News.jpg)
It’s a terrible week for limited releases. Half the films on this week’s list are playing on VOD, while most of the rest have very limited box office chances either due to weak reviews, or because they are foreign-language films. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Plus One are among the two biggest / best releases of the week, but both are playing on VOD, so I don’t think either will find an audience in theaters. In fact, I suspect none of the films on this week’s list will find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/07/12 |
- |
$3,784 |
|
6 |
$631 |
$3,784 |
1 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Mexico |
9/28/2018 |
| $0 | 00 | 0 | $0 | |
| North America |
6/14/2019 |
$3,000 |
1 |
4 |
1 |
$14,777 |
11/19/2020 |
| Poland |
6/19/2020 |
$3,719 |
47 |
47 |
47 |
$5,867 |
10/19/2022 |
| Portugal |
8/14/2020 |
$1,162 |
4 |
4 |
12 |
$4,323 |
10/13/2020 |
| Russia (CIS) |
1/18/2019 |
$6,655 |
30 |
30 |
52 |
$17,674 |
3/5/2019 |
| United Kingdom |
7/12/2019 |
$3,784 |
6 |
6 |
6 |
$3,784 |
7/17/2019 |
| |
| Rest of World |
$107,535 |
|
| |
| Worldwide Total | $153,960 |
10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
-(2018).jpg)