Synopsis
The Moochmore girls are all certain they suffer from some sort of mental illness, because if they're not crazy they're just unpopular. The combination of Shirley's five rambunctious daughters and her philandering husband Barry becomes too much for her to bear and she is committed to a mental institution.
Barry, a small time politician is left to take care of five girls who he barely knows. Overwhelmed, he impulsively picks up Shaz, a colorful hitchhiker on the side of the road, and installs her as the girls' nanny. Shaz is charismatic, hot tempered, inspiring, and completely nuts. However she proves to be exactly what the Moochmore family needs.
Metrics
Movie Details
| New Zealand Releases: |
October 24th, 2012 (Wide) |
| Video Release: |
June 4th, 2013 by Universal Home Entertainment |
| MPAA Rating: |
Not Rated |
| Running Time: |
116 minutes |
| Keywords: |
Mental Illness, Dysfunctional Family, Political, Autobiographical, Inspired by a True Story, Infidelity, Surprise Twist |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Screen Australia, Zucker Productions, Story Bridge Films |
| Production Countries: |
Australia |
| Languages: |
English |
June 4th, 2013
It's a typical summer week on the home market with a good mix of first run releases and some summer TV shows coming out on DVD and Blu-ray. There are certainly some releases that are worth picking up, but nothing that will set sell records. Overall, it is solid, but unspectacular. There were a few contenders for Pick of the Week. Breaking Bad: Season Five on DVD or Blu-ray, but it is a split-season release and I'm not happy with the price-per-minute. By comparons, The Newsroom: Season One, which comes out next week, is nearly twice as long but only 25% more money. Brooklyn Castle is another contender; however, while its DVD is certainly worth picking up, I'm not sure it will have wide enough appeal. In the end, I went with Warm Bodies. It may seem like a strange choice, but it is still one of the best wide releases of the year and the DVD and the Blu-ray are loaded with extras.
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April 2nd, 2013
There was a huge selection of films in the $10,000 club, led by The Place Beyond the Pines, which earned an average of $69,864 in four theaters. This is the second-best per theater average for the year thus far, behind only Spring Breakers. Space Station rose back to the $10,000 club with $15,301 in two theaters. This film has amazing legs, even compared to other IMAX films, and pops into the $10,000 from time to time. Room 237 opened with an average of $14,847 in two theaters. This is a good start, but as a documentary its potential to expand is very limited. The overall box office leader, G.I. Joe: Retaliation, earned an average of $10,891 over the three-day portion of its opening weekend. Renoir was right behind with an average of $10,866 in six theaters. Temptation also managed to earn a spot in the $10,000 club with an average of $10,572.
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March 29th, 2013
It's kind of a mixed week when it comes to limited releases. There are quite a few of them, but not many that have good reviews and strong buzz. The best of these is Blancanieves, which I thought opened previously. There are some with good reviews and some with buzz, but not a lot that scream hit. The Place Beyond the Pines probably has the best chance at hitting major milestones.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2012/11/09 |
9 |
$22,159 |
|
34 |
$652 |
$130,310 |
3 |
| 2012/11/16 |
13 |
$9,987 |
-55% |
15 |
$666 |
$149,634 |
4 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
