Australia Box Office for Me and Earl and the Dying Girl (2015)

← Go to main Me and Earl and the Dying Girl page

Me and Earl and the Dying Girl poster
Theatrical Performance (US$)
Australia Box Office $481,311Details
Worldwide Box Office $9,266,180Details
Home Market Performance
North America DVD Sales $662,609 Details
North America Blu-ray Sales $454,640 Details
Total North America Video Sales $1,117,249
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

This is the story of Greg, a high school senior who is trying to blend in anonymously, avoiding deeper relationships as a survival strategy for navigating the social minefield that is teenage life. He even describes his constant companion Earl, with whom he makes short film parodies of classic movies, as more of a “co-worker” than a best friend. But when Greg’s mom insists he spend time with Rachel—a girl in his class who has just been diagnosed with cancer—he slowly discovers how worthwhile the true bonds of friendship can be.

Metrics

Movie Details

Production Budget:$8,000,000
Australia Releases: September 3rd, 2015 (Limited)
Video Release: September 18th, 2015 by Fox Home Entertainment
MPAA Rating: PG-13 for sexual content, drug material, language and some thematic elements.
(Rating bulletin 2366, 3/25/2015)
Running Time: 105 minutes
Keywords: Coming of Age, Terminal Illness, Cancer, Young Adult Book Adaptation, Amateur Filmmakers, Novel or Other Work Adapted by Author, High School, Death of a Best Friend, Voiceover/Narration, Unreliable Narrator, Medical and Hospitals, African Americans, Jewish, Sundance Film Festival 2015, Comedy Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Indian Paintbrush, Rhode Island Ave.
Production Countries: United States
Languages: English

2015 - Awards Season: Independent Spirit Awards - Nominations

November 25th, 2015

Carol

Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)

More...

Home Market Releases for September 15th, 2015

September 16th, 2015

Agent Peggy Carter

This week's home market releases are insane, so I'm going to have to be a lot more judicious in pruning the list. If I were to include all releases that are big enough to include, if they were released during a slow week, there would be more than 100 releases on this week's list (including secondary Blu-rays, but not VOD releases). I have to pare that back to a more reasonable number. Why are there so many releases? Firstly, it is the beginning of the Christmas Shopping season and we have two monster hits on this week's list. Secondly, it is the last week before the fall season begins in earnest, so it is the last week for a lot of shows to come out on DVD before they are running into competition from the new season. It should come as no surprise that the best releases on this week's list are in the TV on DVD categories, including Marvel's Agent Carter: Season 1 and Marvel's Agents of S.H.I.E.L.D.: Season 2. Both of which are co-winners of the Pick of the Week. More...

Weekend Estimates: Ant-Man Defeats Poor Pixels

July 26th, 2015

Pixels

Three new wide releases and three returning movies that are still pulling in good crowds will produce a box office chart with no knock-out winner this weekend. That’s in large part thanks to a disappointing debut from Pixels. The Adam Sandler/Kevin James-comedy/adventure-Ghostbusters/wannabe will earn about $24 million this weekend, according to Sony’s Sunday estimate. That puts it in danger of not even earning back its marketing budget domestically, let alone starting to recover the $88 million production budget. It also means that Ant-Man will top the charts for a second weekend. More...

Per Theater Chart: Tangerine Has Sweet Start

July 14th, 2015

Tangerine

The $10,000 club was busier that it was last week with four films earning a per theater average of more than $10,000. This includes the overall number one film, Minions, which earned an average of $26,905 in over 4,000 theaters. The best limited release was Tangerine with an average $15,171 in four theaters. I thought this might be a little too niche to find a large audience, but perhaps I was wrong. Up next is Baahubali: The Beginning, which was also a surprise hit with an average of $13,559 in 236 theaters. It is very rare for a Bollywood film to do that well. The final film in the $10,000 club was Do I Sound Gay? with $11,000 in its lone theater. More...

Per Theater Chart: Amy Earns an A

July 8th, 2015

Amy

Only one film was in the $10,000 club this week. Amy earned an average of $37,083 in six theaters. That's amazing for a documentary, but this genre rarely expands truly wide. Let's see what happens next weekend and maybe I will be proven wrong. More...

Weekend Wrap-Up: New Releases are on the Outside

July 6th, 2015

Inside Out

It was not a good weekend for new releases, as the top two spots went to holdovers. Fortunately, Inside Out earned first place over Jurassic World, because I had no idea what I was going to do for an image this time around. (That's not true. I was going to look for pictures of corgis dressed as dinosaurs.) Neither Terminator: Genisys or Magic Mike XXL matched expectations. At least Terminator: Genisys came close. Overall, the box office plummeted 26% from last weekend to just $135 million. Granted, that's still 2.2% higher than the same weekend last year, but boy have we come down from the highs we saw just a few weeks ago. Year-to-date, 2015 has earned $5.62 billion, which is 6.0% above 2014's pace of $5.31 million. 2015 would really need to sink for a number of weeks before that lead was in trouble, but after this week, that scenario is a little more likely. More...

Weekend Predictions: Will the New Releases Free the Box Office from Jurassic's Grip?

July 3rd, 2015

Terminator: Genisys

If one of the new releases doesn't earn top spot this weekend, then the box office is in trouble. Jurassic World has been in first place for three weeks in a row and even last week it only won because the new release, Ted 2, missed expectations. If it or Inside Out win this weekend, it will be because Terminator: Genisys and Magic Mike XXL are both struggling. Fortunately, the two films topped the chart on Wednesday during their opening day, but not by enough to ensure they come out on top over the full weekend. It could be a very close race for first place. This weekend last year was led by Transformers: Age of Extinction with $37 million, while Tammy was second with an opening of $21.58 million over the three-day weekend and $33.51 million over five days. The overall box office take was just $133 million last year, while the top five could top that this year. 2015 should have no trouble coming out on top in the year-over-year competition. More...

Per Theater Chart: Wide Releases Run Away from the Pack

July 2nd, 2015

Runoff

There were only two films in the $10,000 club and they were the wide releases that earned the top two spots on the overall box office chart. Jurassic World earned an average of $12,990, while Inside Out was very close behind with an average of $12,663. The best limited release was Runoff, which earned $9,515 in one theater. More...

Jurassic World is the Alpha Male of the Theater Averages

June 18th, 2015

The Wolfpack

It's a strange week on the theater averages chart. The number one film was Jurassic World with an average of $48,855. This is the best average for a wide release in 2015 and the third best average for a film released in 2015 and the fifth best average during 2015. Second place went to The Wolfpack with an average of $21,960 in two theaters. This is amazing for a documentary. The only other film in the $10,000 club was Me and Earl and the Dying Girl, which debuted in 15 theaters, a lot for a limited release, and earned an average of $13,100. This suggests room to expand over the coming weeks. More...

Limited and VOD Releases: Me and Earl and the Limited Releases

June 12th, 2015

Me and Earl and the Dying Girl

While there are a number of films on this week's list, only one of them is earning overwhelmingly positive reviews. Me and Earl and the Dying Girl's Tomatometer Score is 85% positive and it is playing in 15 theaters, so it is the clear choice for fans of limited releases. In fact, it might do well enough to earn some measure of mainstream success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/04 13 $146,954   97 $1,515   $146,954 1
2015/09/11 16 $66,374 -55% 94 $706   $270,811 2
2015/09/18 17 $32,565 -51% 39 $835   $337,496 3
2015/09/25 25 $18,693 -43% 28 $668   $367,394 4
2015/10/02 34 $7,661 -59% 10 $766   $452,620 5
2015/10/09 35 $6,782 -11% 14 $484   $463,756 6
2015/10/16 36 $4,574 -33% 21 $218   $397,170 7
2015/10/23 45 $2,762 -40% 10 $276   $475,616 8
2015/10/30 73 $490 -82% 3 $163   $479,032 9
2015/11/06 74 $370 -24% 3 $123   $479,887 10
2015/11/13 74 $7 -98% 1 $7   $480,709 11
2015/11/27 69 $158   1 $158   $481,311 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/3/2015 $146,954 97 97 321 $481,311 12/1/2015
Austria 12/4/2015 $4,706 8 8 42 $33,005 6/9/2016
Belgium 11/18/2015 $0 0 34 40 $37,520 12/8/2015
Chile 11/5/2015 $11,615 13 13 22 $18,266 12/30/2018
France 11/18/2015 $11,945 11 11 11 $11,945 11/25/2015
Germany 11/19/2015 $17,771 52 52 73 $25,799 12/1/2015
Hong Kong 11/12/2015 $15,196 4 4 10 $23,964 12/8/2015
Italy 12/10/2015 $30,658 33 33 62 $69,855 6/9/2016
Mexico 10/30/2015 $15,659 27 27 27 $15,659 11/3/2015
New Zealand 9/3/2015 $36,677 52 52 181 $94,022 11/10/2015
North America 6/12/2015 $196,496 15 870 2,454 $6,758,416 5/2/2016
Philippines 9/16/2015 $34,161 55 55 55 $34,145 12/30/2018
Singapore 9/3/2015 $0 0 9 24 $71,070 9/5/2016
Spain 10/9/2015 $78,321 53 53 127 $192,998 12/16/2015
United Kingdom 9/4/2015 $656,019 432 432 931 $1,315,355 12/1/2015
 
Rest of World $82,850
 
Worldwide Total$9,266,180 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Thomas Mann    Greg
Olivia Cooke    Rachel
RJ Cyler    Earl

Supporting Cast

Nick Offerman    Greg's Dad
Molly Shannon    Denise
Jon Bernthal    Mr. McCarthy
Connie Britton    Greg's Mom
Matt Bennett    Scott Mayhew
Katherine Hughes    Madison
Masam Holden    Ill Phil
Bobb'e J. Thompson    Derrick
George Gavin Dietz    Young Greg
Edward DeBruce III    Young Earl
Natalie Marchelletta    Anna
Chelsea Zhang    Naomi
Marco Zappala    Theater Dork
Kaza Marie Ayersman    Rachel's Friend
Etta Cox    Principal
Karriem Sami    Limo Driver
Cheryl Klein    Rabbi
Joan Augustin    Elderly Mourner
Mark Granatire    Testimonial Student #1
Kayana White    Testimonial Student #2
Linda Kanyarusoke    Testimonial Student #3
Drew Palajsa    Testimonial Student #4
Elly Silberstein    Testimonial Student #5
Nicole Tubbs    Children's Hospital Nurse

Cameos

Hugh Jackman    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Alfonso Gomez-Rejon    Director
Jesse Andrews    Screenwriter
Jesse Andrews    Based on the Novel By
Steven Rales    Producer
Dan Fogelman    Producer
Jeremy Dawson    Producer
Nora Skinner    Executive Producer
Michael Sledd    Co-Producer
Jeff Sommerville    Co-Producer
Chung-Hoon Chung    Director of Photography
Gerald Sullivan    Production Designer
David Trachtenberg    Editor
Jennifer Eve    Costume Designer
Brian Eno    Composer
Nico Muhly    Additional Music-Featuring Music by
Randall Poster    Music Supervisor
Angela Demo    Casting Director
Nathan O. Marsh    Animation-Gaines/Jackson Animation by
Edward Bursch    Animation-Gaines/Jackson Animation by
Parry Creedon    Assistant Unit Production Manager
Michael Sledd    Unit Production Manager
Jonas Spaccarotelli    First Assistant Director
Dana Zolli    Second Assistant Director
Pawel Wdowczak    Sound Mixer
Virginia Phillips    Wardrobe Supervisor
Marianne Skiba    Make up
Sharyn Cordice    Make up
Nancy Keslar    Hairstylist
Geri Mataya    Hairstylist
Sarah Pott    Art Director
Rebecca Markuson    Artistic Coordinator
Peter Beck    Story Artist-Storyboard Artist
Diana Stoughton    Set Decorator
Nancy Mosser*    Additional Casting-Local Casting
Katie Shenot    Additional Casting-Extras Casting
Stuart MacPhee    Post-Production Supervisor
Zared Shai    Assistant Editor
Jacob Ribicoff    Sound Supervisor
Jacob Ribicoff    Sound Designer
Bob Chefalas    Re-recording Mixer
Jacob Ribicoff    Re-recording Mixer
David Briggs    Dialogue Editor
Mick Gormaley    Music Editor
Gene Harrison    Stunt Coordinator
Dave Buglione    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.