Portugal Box Office for McQueen (2018)

← Go to main McQueen page

McQueen
Theatrical Performance (US$)
Portugal Box Office $16,289Details
Worldwide Box Office $2,696,131Details
Home Market Performance
North America DVD Sales $24,416 Details
North America Blu-ray Sales $67 Details
Total North America Video Sales $24,483
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A personal look at the extraordinary life, career and artistry of Alexander McQueen. Through exclusive interviews with his closest friends and family, recovered archives, exquisite visuals and music, McQueen is an authentic celebration and thrilling portrait of an inspired yet tortured fashion visionary.

Metrics

Movie Details

Portugal Releases: October 5th, 2018 (Wide)
Video Release: December 4th, 2018 by Lionsgate Home Entertainment
MPAA Rating: R for language and nudity
(Rating bulletin 2525 (Cert #51584), 5/2/2018)
Running Time: 101 minutes
Keywords: Biography, Fashion, Artists, Mental Illness, Suicide, 2000s, 2010s
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Creativity Capital , Salon , Misfits Entertainment, Embankment Films, Electric Shadow Company, Time Based Arts, Moving Pictures Media
Production Countries: United Kingdom
Languages: English

2018 - Awards Season: BAFTA - Nominations

January 12th, 2019

The Favorite

The BAFTA nominations were announced and The Favorite led the way with 12 nominations. Sometimes the BAFTAs are a really good indicator for who will do well on Oscar night. Other times their bias to British films is too much. I think this year will be an example of the latter and I don't think The Favourite is suddenly an Oscar favorite. That said, there’s still some things you can learn here. More...

Theater Averages: Searching Found an Audience in Limited Release

August 29th, 2018

Searching

Searching had one of the ten best theater averages for a limited release so far this year, earning an average of $43,197 in nine theaters. The film is scheduled to expand wide this Friday and this start combined with its reviews is a good omen for its box office chances. The Bookshop was well back in second place with an average of $12,000 in 4 theaters. Meanwhile the only holdover was The Wife, which held on well with an average of $11,819 while playing in 18 theaters. The film should earn some measure of mainstream success, but I’m not sure it will last in theaters long enough to earn any real Awards Season buzz. Finally, John McEnroe: In the Realm of Perfection wasn’t able to reach the $10,000 club over the three-day weekend, as it earned $7,878 in its lone theater. However, it was a Wednesday release and it earned $11,733 during its five-day debut. More...

Theater Averages: Documentaries Remain in Fashion

August 2nd, 2018

Scotty and the Secret History of Hollywood

Scotty and the Secret History of Hollywood dominated the theater average chart earning first place with $28,144 in one theater. The next closest film was a fellow documentary, McQueen, which earned an average of $16,692 in five theaters during its second weekend of release. The overall number one film, Mission: Impossible—Fallout, was next with an average of $13,962. The final film in the $10,000 club was Puzzle, with an average of $12,243 in five theaters.

More...

Theater Averages: Eighth Grade Repeats a Grade

July 25th, 2018

Eighth Grade

Eighth Grade remained on top of the theater average chart with an average of $24,975 in 33 theaters over the weekend. McQueen and Blindspotting were right behind with averages of $24,718 and $24,024 in 4 and 14 theaters respectively. The re-release of Wanda opened with $10,679 in one theater. The two wide releases of the week were next with The Equalizer 2 and Mamma Mia: Here We Go Again! in a virtual tie at $10,629 and $10,537 respectively. More...

Limited and VOD Releases: Some Promising Limited Releases are Ready to Bloom

July 20th, 2018

Maquia: When The Promised Flower Blooms

It is not a busy week for limited releases, but the majority of the ones on the main list are worth checking out. I think Blindspotting has the best shot at box office success, but personally I’m most interested in seeing Maquia: When The Promised Flower Blooms. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/10/05 19 $4,711   8 $589   $4,711 1
2018/10/12 23 $2,486 -47% 5 $497   $8,864 2
2018/10/19 - $822 -67% 4 $206   $11,467 3
2018/10/26 - $1,197 +46% 2 $599   $14,886 4
2018/11/02 - $931 -22% 2 $466   $16,289 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/7/2018 $51,339 18 20 98 $248,241 10/19/2022
Italy 3/15/2019 $4,607 6 6 6 $7,276 3/15/2019
Netherlands 9/28/2018 $42,395 33 33 95 $123,787 10/16/2018
North America 7/20/2018 $98,873 4 95 307 $1,257,275
Portugal 10/5/2018 $4,711 8 8 21 $16,289 11/8/2018
Romania 8/9/2019 $0 0 3 4 $14,383 9/30/2020
Russia (CIS) 11/2/2018 $26,262 39 39 102 $89,667 2/1/2019
South Korea 9/28/2018 $0 0 42 80 $56,684 10/31/2018
Spain 6/8/2018 $13,985 42 42 42 $13,985 6/14/2018
United Kingdom 6/8/2018 $175,999 63 97 370 $868,544 2/8/2019
 
Worldwide Total$2,696,131 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Alexander McQueen    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ian Bonhote    Director
Ian Bonhote    Producer
Peter Ettedgui    Screenwriter
Peter Ettedgui    Co-Director
Nick Taussig    Producer
Paul van Carter    Producer
Andee Ryder    Producer
David Gilbery    Executive Producer
Patrick Fischer    Executive Producer
Tim Haslam    Executive Producer
Hugo Grumbar    Executive Producer
John Jencks    Executive Producer
Jay Taylor    Executive Producer
Peter Ettedgui    Executive Producer
Kinwara Balfour    Executive Producer
Isabella Marchese Ragona    Executive Producer
Ian Berg    Executive Producer
Richard Kondal    Executive Producer
Michael Nyman    Composer
Cinzia Baldessari    Editor
Sofia Ismail Martin    Co-Producer
Pete Smyth    Co-Producer
Will Pugh    Director of Photography