Italy Box Office for Tuo, Simon (2018)

← Go to main Love, Simon page

Love, Simon
Theatrical Performance (US$)
Italy Box Office $514,241Details
Worldwide Box Office $65,520,633Details
Home Market Performance
North America DVD Sales $3,468,755 Details
North America Blu-ray Sales $3,071,321 Details
Total North America Video Sales $6,540,076
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.

Metrics

Movie Details

Production Budget:$10,000,000
Italy Releases: May 31st, 2018 (Wide), released as Tuo, Simon
Video Release: June 12th, 2018 by Fox Home Entertainment
MPAA Rating: PG-13 for thematic elements, sexual references, language and teen partying.
(Rating bulletin 2490 (Cert #51124), 8/23/2017)
Running Time: 107 minutes
Keywords: Romance, LGBTQ+, Closeted Homosexual, Coming of Age, Coming Out, High School, Secret Identity, Coming-of-Age Drama, Blackmail
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Fox 2000 Pictures, Temple Hill Entertainment
Production Countries: United States
Languages: English

Home Market Releases for June 12th, 2018

June 12th, 2018

Love, Simon

There are not many big releases on this week’s list. Tomb Raider, Sherlock Gnomes, The Strangers: Prey at Night, and Love, Simon were, at best, midlevel hits domestically. Worse still, only the last one earned good reviews. Fortunately, the film is good enough that the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack is worthy as Pick of the Week. More...

Weekend Wrap-Up: Uprising Wins, but Falls Compared to Original

March 27th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising opened in first place over the weekend. In fact, it opened better than expected with $28.12 million. Unfortunately, that’s nowhere near enough compared to its production budget, so it will need international numbers to thrive. Black Panther was finally removed from top spot, but it also held on better than expected with $17.10 million. As for the rest of the new releases, they ranged from serious disappointments like Sherlock Gnomes and Paul, Apostle of Christ, to complete bombs like Midnight Sun and Unsane. The overall box office slipped just 2.0% from last week earning $129 million. However, this is 36% lower than the same weekend last year. 2018’s lead has completely evaporated and it is now $60 million or $2.1% behind 2017’s pace at $2.64 billion to $2.69 billion. I don’t see that improving this coming weekend. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Estimates: Black Panther Powers Past Tomb Raider

March 18th, 2018

Black Panther

A spirited opening by Tomb Raider won’t be quite enough to knock Black Panther off its perch at the top of the domestic box office chart this weekend. The final numbers will be close: Raider is predicted to earn $23.52 million by Warner Bros., while Disney has Panther coming in with $27.024 million. If the numbers hold (and it would be a huge surprise if they don’t), Black Panther will become the first film since Avatar to spend its first five weekends at the top of the chart. More...

Friday Estimates: Raider Opens in First Place, For Now

March 17th, 2018

Tomb Raider

As expected, Tomb Raider opened in first place with $9.06 million on Friday. However, this won’t be enough to stay ahead of Black Panther for long. Its reviews are nearly 50% positive, while it earned just a B from CinemaScore. A $23 million to $24 million opening isn’t a bad start for this time of year, but it is far from impressive for a film that reportedly cost between $90 million and $106 million. More...

Thursday Night Previews: Tomb Raider Steals $2.1 million during Midnight Shows

March 16th, 2018

Tomb Raider

Tomb Raider started its box office run with $2.1 million during its midnight showings. This is almost exactly what the film needed to earn to match our prediction. In fact, it might be a little on the high side. The film’s reviews are, according to Rotten Tomatoes, the best for a video game adaptation of all time, at least for films that got a theatrical release here. If the film can top $25 million over the weekend, then the studio will be mostly happy. They can’t be completely blown away, as the film reportedly cost $90 million to make and it likely won’t have great legs, due to the Fanboy Effect. More...

Weekend Predictions: Can Raider Capture Top Spot?

March 15th, 2018

Tomb Raider

Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed. More...

2018 Preview: March

March 1st, 2018

Ready Player One

February was an amazing month, thanks mainly to Black Panther, but Fifty Shades Freed and Peter Rabbit were also significant hits and overall the month was a massive improvement over last February. Looking forward, there’s nothing opening in March that will earn as much in total as Black Panther did during its opening weekend. That said, A Wrinkle in Time and Ready Player One should have no trouble getting to $100 million, while Tomb Raider has a 50/50 chance of getting there. Unfortunately, compared to last March, this is still a pittance. There’s a chance that no film opening this March will earn as much in total as Beauty and the Beast opened with last march. We will need Black Panther to have good legs to keep 2018 ahead of 2017 by the end of the month. More...

Love, Simon Trailer

February 12th, 2018

Drama starring Nick Robinson opens March 16 ... Full Movie Details.

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t actually know the identity of the anonymous classmate he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/01 6 $237,884   0     $237,884 1
2018/06/08 8 $112,205 -53% 0     $436,826 2
2018/06/15 16 $31,631 -72% 0     $514,241 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/4/2018 $154,642 0 0 0 $278,137 1/1/2019
Australia 3/30/2018 $917,242 218 233 985 $4,381,883 6/18/2018
Austria 6/29/2018 $132,935 82 82 82 $132,935 7/2/2018
Brazil 4/6/2018 $807,000 0 0 0 $1,482,882 6/18/2018
Czech Republic 6/15/2018 $41,451 90 90 155 $97,104 1/1/2019
Denmark 6/22/2018 $114,149 0 0 0 $114,149 6/25/2018
France 6/29/2018 $349,242 232 232 232 $1,046,106 7/20/2018
Germany 6/29/2018 $555,630 501 501 501 $1,650,508 7/27/2018
Hong Kong 5/10/2018 $0 0 0 0 $317,205 6/14/2018
Italy 5/31/2018 $237,884 0 0 0 $514,241 6/18/2018
Lithuania 6/15/2018 $6,647 95 95 155 $23,441 7/5/2018
Mexico 4/13/2018 $997,262 0 0 0 $2,655,283 6/18/2018
Netherlands 6/15/2018 $202,766 85 430 829 $795,506 8/7/2018
New Zealand 3/30/2018 $94,882 50 53 233 $464,661 3/13/2023
North America 3/16/2018 $11,756,244 2,402 2,434 10,189 $40,826,341
Portugal 6/22/2018 $15,973 30 30 73 $49,769 8/15/2018
Slovakia 6/15/2018 $15,759 56 56 83 $30,494 7/5/2018
South Korea 11/4/2018 $836 1 1 1 $1,551 11/14/2018
Spain 6/22/2018 $188,931 201 216 623 $919,179 7/24/2018
Taiwan 5/4/2018 $177,029 0 0 0 $424,741 9/13/2018
United Kingdom 4/6/2018 $1,661,867 458 499 1692 $5,127,019 6/18/2018
 
Rest of World $4,187,498
 
Worldwide Total$65,520,633 3/13/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Nick Robinson    Simon Spier

Supporting Cast

Katherine Langford    Leah Burke
Jennifer Garner    Emily Spier
Alexandra Shipp    Abby Suso
Josh Duhamel    Jack Spier
Logan Miller    Martin Addison
Jorge Lendeborg Jr    Nick Eisner
Tony Hale    Mr. Worth
Keiynan Lonsdale    Bram Greenfeld
Joey Pollari    Lyle
Miles Heizer    Cal
Colton Haynes    Kevin
Talitha Bateman    Nora Spier
Natasha Rothwell    Ms. Albright
Mackenzie Lintz    Taylor

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Greg Berlanti    Director
Isaac Aptaker    Screenwriter
Elizabeth Berger    Screenwriter
Becky Albertalli    Story based on “Simon vs. The Homo Sapiens Agenda” by
Marty Bowen    Producer
Wyck Godfrey    Producer
Isaac Klausner    Producer
Pouya Shahbazian    Producer
Timothy M. Bourne    Executive Producer
John Guleserian    Director of Photography
Aaron Osborne    Production Designer
Eric Daman    Costume Designer
Jack Antonoff    Executive Music Producer
Rob Simonsen    Composer
Season Kent    Music Supervisor
Joulles Wright    Costume Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.