South Korea Box Office for Léon (1994)

← Go to main Léon page

Léon
Theatrical Performance (US$)
South Korea Box Office $380,228Details
Worldwide Box Office $45,284,974Details
Home Market Performance
North America Blu-ray Sales $1,736,403 Details
Total North America Video Sales $1,736,403
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Cast & Crew
  6. Trailer

Synopsis

Mathilda is only 12 years old, but is already familiar with the dark side of life: her abusive father stores drugs for corrupt police officers, and her mother neglects her. Léon, who lives down the hall, tends to his houseplants and works as a hired hitman for mobster Tony. When her family is murdered by crooked DEA agent Stansfield, Mathilda joins forces with a reluctant Léon to learn his deadly trade and avenge her family’s deaths.

Metrics

Movie Details

Production Budget:$16,000,000
South Korea Releases: June 11th, 2020 (Wide)
Video Release: November 17th, 2009 by Sony Pictures Home Entertainment
MPAA Rating: R for scenes of strong graphic violence, and for language
Running Time: 106 minutes
Keywords: Hitmen, Mafia, Corrupt Cops, Film Noir, Crime Thriller, Young Child Dealing with the Death of a Parent, Death of a Mentor
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: France
Languages: English

Home Market Releases for October 27th, 2015

October 26th, 2015

Mad Men: Season 7, Part 2

It's the week of double-dips, as there are five double-dips for films that would normally be Pick of the Week contenders, but only if you don't have them already. Army Of Darkness has been released so many times, it is hard to keep track of them all. Same with Monty Python and the Holy Grail. If you don't own either of these movies, you need to buy them. However, most fans will already have them. Because of this, I'm giving the Pick of the Week to Mad Men. I reviewed Season Seven, Part Two, but the Complete Series Megaset is the better deal. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/06/12 11 $27,783   130 $214   $32,922 1
2020/06/19 17 $9,270 -67% 36 $258   $51,295 2
2020/06/26 25 $5,032 -46% 19 $265   $59,281 3
2020/07/03 - $1,259 -75% 13 $97   $62,803 4
2021/04/30 - $1,894   18 $105   $312,173 47
2024/04/19 10 $40,828   104 $393   $324,658 202
2024/04/26 9 $13,046 -68% 43 $303   $353,753 203
2024/05/03 - $5,723 -56% 27 $212   $373,780 204
2024/05/10 - $2,395 -58% 13 $184   $380,228 205

Box Office Summary Per Territory

$00$00$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 4/27/1995 $0 0 1 1 $2,960 9/9/2024
China 11/1/2024 00$0
Germany 7/5/2022 00$0
North America 11/18/1994 $5,306,558 1,158 1,220 7,129 $19,284,974 12/11/2014
South Korea 6/11/2020 $27,783 130 130 403 $380,228 5/15/2024
Sweden 8/23/2024 00$0
Turkey 10/7/2022 $2,338 11 11 39 $9,470 11/3/2022
 
Rest of World $25,607,342
 
Worldwide Total$45,284,974 9/9/2024

Leading Cast

Natalie Portman    Mathilda

Uncategorized

Jean Reno    Leon
Danny Aiello    Tony
Gary Oldman    Norman Stansfield

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Luc Besson    Director
Luc Besson    Screenwriter
Neil Corbould    Assistant Special Effects

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.