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| Theatrical Performance (US$) | ||
| Australia Box Office | $116,505 | Details |
| Worldwide Box Office | $52,491,101 | Details |
| Further financial details... | ||
| Australia Releases: | October 28th, 2016 (Wide), released as Luck-key |
| MPAA Rating: | Not Rated |
| Running Time: | 112 minutes |
| Keywords: | Faulty Memory, Assassination, Hitmen, Film Actor |
| Source: | Remake |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Republic of Korea |
| Languages: | Korean |
October 19th, 2016
Inferno started its international run in first place with $49.75 million on 12,293 screens in 64 markets. However, its individual markets are a bit of a mess. On the low end, the film only managed second place in the U.K. with $3.62 million on 591 screens, while it also had to settle for second place in Australia with $1.73 million on 266. Given the size of those two markets, this is like opening with just under $20 million here. On the other hand, the film earned first place in Italy ($5.07 million on 679 screens); Russia ($4.81 million on 2,032); and Germany ($4.09 million on 768). Those markets suggest a $40 million to $50 million opening here. Sadly, I think the lower end is more likely here.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/10/28 | 20 | $52,502 | 12 | $4,375 | $52,502 | 1 | |
| 2016/11/04 | 26 | $17,715 | -66% | 12 | $1,476 | $101,041 | 2 |
| 2016/11/11 | - | $6,506 | -63% | 3 | $2,169 | $116,523 | 3 |
| 2016/11/18 | - | $2,030 | -69% | 3 | $677 | $116,505 | 4 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/28/2016 | $52,502 | 12 | 12 | 30 | $116,505 | 11/21/2016 |
| New Zealand | 10/28/2016 | $8,454 | 3 | 3 | 8 | $19,346 | 11/14/2016 |
| North America | 10/21/2016 | $113,846 | 21 | 26 | 88 | $466,505 | |
| South Korea | 9/30/2016 | $39,918 | 0 | 1234 | 5675 | $51,879,277 | 9/10/2018 |
| United Kingdom | 10/28/2016 | $9,468 | 5 | 5 | 5 | $9,468 | 11/2/2016 |
| Worldwide Total | $52,491,101 | 9/10/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Yoo Hae-jin | Choi Hyung-wook | |
| Lee Joon | Yoon Jae-sung | |
| Jo Yoon-hee | Kang Ri-na | |
| Lim Ji-yeon | Song Eun-joo |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Lee Gye-Byeok | Director |
