| Theatrical Performance (US$) | ||
| South Africa Box Office | $5,124,901 | Details |
| Worldwide Box Office | $961,632,807 | Details |
| Home Market Performance | ||
| North America DVD Sales | $37,509,757 | Details |
| North America Blu-ray Sales | $32,884,645 | Details |
| Total North America Video Sales | $70,394,402 | |
| Further financial details... | ||
Four teenagers in detention are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they are immediately thrust into the game’s jungle setting, into the bodies of their avatars. What they discover is that you don’t just play Jumanji—Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in the game forever…
April 10th, 2018
Ready Player One remained in first place on the international chart with $83.8 million on 33,787 screens in 65 markets for totals of $297.1 million internationally and $393.6 million worldwide. The film’s best new market was Germany, where it opened in first place with $2.88 million on 866 screens. Its best market overall was China with $43.45 million in 17,738 screens over the weekend for a two-week total of $162.26 million.
More...
April 3rd, 2018
It’s a short week for one reason: Star Wars: The Last Jedi, which came out last week, but it is still scaring away top-notch releases. There are only a couple of first-run releases coming out this week, Father Figures and Insidious: The Last Key. However, there are also a few films in the main section that wouldn’t even be included in the secondary releases on a normal week. There are a trio of Pick of the Week contenders, including Jumanji: Welcome to the Jungle, but that’s a late review. The best of this week’s releases are Jane and My Hero Academia Season Two, Volume One. Both are absolutely worth picking up, but in the end, I went with My Hero Academia.
More...
April 2nd, 2018
Jumanji: Welcome to the Jungle is arguably the biggest surprise hit of 2017 earning over $400 million domestically and nearly $1 billion worldwide. Most people were expecting the film to be a box office hit, but almost no one thought this would happen. Did it deserve this success? Or was it a success, because it was the last big hit of 2017 and 2018 got off to such a slow start?
More...
March 20th, 2018
-4-News.jpg)
It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week.
More...
March 7th, 2018
-1-News.jpg)
Operation Red Sea remained in first place with $62 million in seven markets for an international total of $472 million. Of this, the film earned $61.90 million in its native China for a two-week total of $471.44 million there.
More...
March 6th, 2018
Black Panther keeps beating expectations to the point where it is my fault for not being overly optimistic. This past weekend, it earned $66.31 million, becoming the third fastest film to reach $500 million. The two new releases weren’t bad either. Red Sparrow earned second place while Death Wish wasn’t that far behind in third. Overall, the box office still fell 24% from last weekend, earning $147 million. It was also down from this week last year last year by a similar 22% margin. Year-to-date, 2018’s lead shrunk by almost exactly $10 million, but we still have a $220 million / 12% lead over 2017 at $2.09 billion to $1.87 billion. That lead will shrink dramatically over the next few weeks.
More...
February 28th, 2018
Operation Red Sea climbed into first place with $107 million in five markets for an international total of $336 million. Of this, the film earned $107.02 million in its native China for a two-week total of $335.81 million there. Amazingly, this was 46% higher than its opening weekend.
More...
February 26th, 2018
Almost everyone expected Black Panther to earn first place over the weekend. I doubt there were many people who expected this. The film fell just 45% earning $111.66 million for a ten-day total of $403.61 million, helping the film make appearances on a number of record charts, including; second biggest second weekend of release, second fastest to $400 million, etc. The new releases matched expectations, more or less, with Game Night earning second place and coming within a rounding error of our prediction. Overall, the box office earned $192 million. This is 33% lower than last weekend; however, this is a good hold for a post-holiday weekend. Compared to last year, the box office was up by 55% and this is a much more important number. Year-to-date, 2018 has a 14% / $230 million lead over 2017, at $1.88 billion to $1.65 billion. This is great news at this point of the year, but we really need to stretch that lead to over $300 million in the next two plus weeks, before we are dealing with Beauty and the Beast, if we can’t, then this lead could evaporate before the end of March.
More...
February 22nd, 2018
-1-News.jpg)
Monster Hunt 2 earned first place on the international chart with $190 million. Of that, $188.47 million was earned in its native China. The only other market where the film earned more than $1 million was Malaysia, where it earned $1.2 million. The original Monster Hunt didn’t start nearly as fast, but it also had surprisingly long legs for a Chinese film. I suspect Sequelitis will reduce this film’s legs, but that won’t stop it from improving on the first film’s nearly $400 million worldwide run.
More...
February 20th, 2018
Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million.
More...
February 15th, 2018
It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition.
More...
February 14th, 2018
Fifty Shades Freed made its international debut in 57 markets, earning first place in 54 of them. Overall, it earned $96.5 million internationally for a worldwide debut of $135.2 million. The film’s biggest market was Germany, where it earned $10.36 million on 731 screens. It earned similar openings in France ($8.90 million on 700 screens) and the U.K. ($8.22 million in 603 theaters). Add in more first place openings in Italy ($7.29 million on 517 screens); Russia ($6.99 million on 1,430); and Brazil ($6.26 million on 650), and the film was much stronger internationally than domestically. The studio’s share of the worldwide box office is already $60 million, which is more than the film cost to make. Assuming the film gets to $300 million worldwide, which is almost guaranteed at this point, the film will make a healthy profit before it reaches the home market.
More...
February 13th, 2018
Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased.
More...
February 11th, 2018
Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday.
More...
February 8th, 2018
As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison.
More...
February 7th, 2018
Maze Runner: The Death Cure remained in first place with $35.5 million in 80 markets for totals of $143.2 million internationally and $183.2 million worldwide. The film’s biggest new market was Mexico, where it earned first place with $3.20 million. Its best market overall was China, where it added $5.17 million over the weekend to its running tally, which now sits at $38.67 million.
More...
February 6th, 2018
Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that.
More...
February 4th, 2018
In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance.
More...
February 3rd, 2018
Winchester started out in first place on Friday with $3.61 million. That’s the good news. The bad news is, well, everything else. Its reviews have fallen to just 8% positive, while it earned a B minus from CinemaScore. To be fair, a lot of horror movies actually do worse than that with CinemaScore, as horror fans are notoriously hard to please. Since it is a new release and its word-of-mouth is likely going to be quite bad, it will have shorter legs than the rest of the films on this list and will very likely drop to third place by the end of the weekend with roughly $9 million. This is close enough to our prediction that I’m going to call it a victory.
More...
February 1st, 2018
It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition.
More...
February 1st, 2018
The Greatest Showman’s box office life has almost mirrored that of a cliché Broadway musical. Before release, no one believed in its dreams: an $84 million circus musical starring Hugh Jackman and Zac Efron that was mocked by the bullies on film Twitter. It even had its darkest moment when it debuted at #4 with just $8.8 million, a definite sign of a total bomb. But then the rallying moment, as the film defied the odds and just kind of stuck around at #4 (and, on one weekend, #5) for 5 weeks straight, each weekend making more than its opening. Now the film’s soundtrack has reached #1 on the Billboard Top 100 albums, #1 on iTunes, and has over 200 million plays on Spotify. Two of the songs (“This is Me” and “Rewrite the Stars”) have been listened to over 50 million times each on Spotify (in comparison, the Spanish version of “Remember Me” from Coco has been listened to 12 million times). The film has earned a Golden Globe for Best Song and an Academy Award nomination for the same song. And, of course, it has shockingly earned over $100 million domestically. It currently stands at $128.2 million, which makes it the 15th-highest-grossing musical of all time, and it will climb higher on that list.
February 1st, 2018
Maze Runner: The Death Cure jumped into first place on the international chart with $62.6 million in 70 markets for an early international total of $82.0 million. The film opened in first place in China with $22.80 million over the weekend for a total opening of $23.07 million. On the other hand, the film struggled in the U.K. earning third place with just $3.19 million in 507 theaters. By the end of the weekend, the studio’s share of the worldwide box office was over $40 million, which is fantastic for a film that cost $61 million to make. It should have no trouble breaking even early in its home market run, if not sooner.
More...
January 30th, 2018
Maze Runner: The Death Cure beat expectations by a little bit with $24.17 million. In fact, every film in the top five this this weekend, except one, topped expectations, including the other new release, Hostiles. This helped the overall box office rise 2.6% from last week. It did fall 0.8% from last year, but 2018 is still ahead of 2017 by $18 million or 2.1% at $908 million to $890 million.
More...
January 28th, 2018
The delayed final film in the Maze Runner trilogy, The Death Cure, will open with $23.5 million, per Fox’s Sunday morning estimate. With another $82 million overseas so far, the film will have earned a little over $100 million by the end of the weekend, and its early international pace looks a little better than The Scorch Trials, which amassed $78 million over its first two weekends back in 2015. (Scorch Trials had a more staggered release, making a direct comparison difficult.)
More...
January 27th, 2018
As expected, Maze Runner: The Death Cure opened in first place on Friday. The film pulled in $8.4 million during its opening day, which is about 30% lower than its immediate predecessor. If this film has the same legs, it will open with $23 million during the weekend. I think that seems likely, as the two films have earned nearly identical reviews and both films earned a B plus from CinemaScore. This should be enough for the film to nearly match its $62 million production budget domestically, so if it can top $150 million worldwide, it will break even.
More...
January 25th, 2018
Maze Runner: The Death Cure, is the final installment of the Maze Runner trilogy and is the only wide release of the week. It is guaranteed first place, unless something horrible happens, but there’s almost no chance it will live up to the other two installments. Hostiles is expanding wide, but I don’t have a lot of faith in the film’s box office chances. It is almost the exact wrong time to expand. This weekend last year, Split had a surprisingly good hold earning $25 million, while four other films earned more than $10 million at the box office. That’s not going to happen this year, so 2018 will lose in the year-over-year comparison. It shouldn’t be a complete blowout, on the other hand.
More...
January 24th, 2018
Jumanji: Welcome to the Jungle remained in first place with $32.6 million on 33,000 screens in 83 markets for totals of $450.8 million internationally and $767.3 million worldwide. Had the film earned half of that, it still would have been a financial success worthy of a sequel. China was the film’s biggest market, both of the weekend and overall, as it earned $7.71 million over the weekend for a two-week total of $66.50 million. The film will have no trouble getting to $800 million worldwide, probably by the end of this coming weekend, while $900 million isn’t completely out of the question.
More...
January 23rd, 2018
Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year.
More...
January 21st, 2018
Jumanji will win at the box office for a third straight weekend, according to studio estimates released on Sunday morning. Its weekend total of about $20.04 million is down just 29% from its MLK Holiday numbers, in spite of losing over 100 theaters (its theater average is off just 26%). With $317 million to date, it is now Sony’s most successful non-Spider-Man movie at the domestic box office, not accounting for ticket price inflation. Inflation-adjusted, it’s at number 8 for the studio, and should end up their fifth-best ticket seller ever.
Jumanji’s strength is far from the only good news this weekend.
More...
January 20th, 2018
As expected, 12 Strong opened in first place on Friday. Technically it tied for first place according to the estimates. It did do a little bit better than expected, earning $5.66 million, which puts it on pace for about $15 million over the weekend. Its reviews got a little bit better since Thursday and are now 56% positive, while it is earning an A from CinemaScore. Clearly this movie is connecting with its target audience. This is great news for Warner Bros., as they only spent $35 million making the movie and likely a little under that advertising it. Strong legs would be a good omen for strong home market sales. On the other hand, I don’t think its going to find an audience internationally.
More...
January 18th, 2018
The post-holiday weekend is rarely a good week to release a movie and none of the three new releases are expected to be box office successes. 12 Strong is the biggest release and it is also earning the best reviews, although its Tomatometer Score is just 50% positive. Den of Thieves isn’t opening as wide, while its reviews are not as good. It also shares its target audience with 12 Strong, which will hurt its box office chances even more. Finally there’s Forever My Girl, which is barely opening semi-wide and will likely miss the top ten. This weekend last year, Split had a shockingly big opening. In fact, the second place film, xXx: Return of Xander Cage, opened with just over $20 million, which is more than any film is expected to earn this weekend. 2018’s mini-winning streak is about to come to a painful end.
More...
January 18th, 2018
Jumanji: Welcome to the Jungle leaped into first place with $81.75 million on 33,000 screens in 83 markets for totals of $385.03 million internationally and $669.27 million worldwide. The film debuted in first place in China with $39.74 million on 20,000 screens over the weekend for a total opening of $40.23 million. Had the film only earned $385.03 million in total, it still would have been enough to to break even before the home market. The film will eventually hit $800 million worldwide, which is enough to cover its entire budget and the production budget of the inevitable sequel.
More...
January 16th, 2018
Jumanji: Welcome to the Jungle continues to surprise analysts earning $35.18 million over the MLK long weekend. At this point, I would be shocked if it didn’t finish with $350 million domestically, while I assume Sony has a planned trilogy in the works. The best “new” release of the week was The Post, which expanded into second place with $23.06 million, while the best truly new release of the week was The Commuter at $15.80 million. Overall, the box office fell 4.7% from last weekend, earning $165 million over the the three-day weekend. This was still 5.9% higher than the same weekend last year, and that’s the more important number. It is still very early in the year, extremely early, but 2018 does have a $27 million / 5.1% lead over 2017 at $553 million to $526 million. 2018 could lose that entire lead next weekend, but I chose to focus on the positive for now.
More...
January 14th, 2018
Jumanji: Welcome to the Jungle will come out an easy winner at the box office this MLK weekend. Over three days, the family adventure is headed for an estimated $27 million, for $283 million to date. With another $8 million or so on Monday, the film will finish the holiday on the threshold of $300 million domestically. Partly helped by the long weekend, it will record the 10th-best fourth weekend of all time—remarkable strength for a movie that ran the risk of being over-shadowed by The Last Jedi when it came out at Christmas.
More...
January 13th, 2018
There was a two-horse race on the Friday box office chart. In the end, Jumanji: Welcome to the Jungle came out on top with $6.13 million, for $262.26 million after 24 days of release. Because it is a holdover, it should have better legs over the rest of the weekend, putting it on pace for just over $30 million over the weekend, matching our prediction perfectly.
More...
January 11th, 2018
It is the first long weekend of 2018 and we have four films trying to take advantage of the MLK holiday. However, only Paddington 2 and The Post have a real shot at box office success. The Commuter’s buzz is so quiet that its box office chances have taken a real hit. Worse still, Sony’s treatment of Proud Mary is almost bizarre. I’ve seen limited releases with more marketing push than Proud Mary is getting. Jumanji: Welcome to the Jungle’s legs will likely remain really long, helping it repeat as box office champion. More importantly, it should help the 2018 box office get a sizable win in the year-over-year comparison. This weekend last year, there were seven films that earned more than $10 million over the long weekend, but only one film, Hidden Figures, earned more than $20 million. This year, not only will we match that number of $10 million films, Jumanji: Welcome to the Jungle should top $30 million, while Paddington 2 and The Post should top $20 million.
More...
January 10th, 2018
-1-News.jpg)
Ex Files 3: Return of the Exes roared into first place with $86.96 million over the weekend for a 13-day total of $200.43 million. Its weekend total was double last weekend’s haul, while every other holdover at the top of the Chinese chart fell by more than 50%.
More...
January 9th, 2018
Jumanji: Welcome to the Jungle held on strongly during the first weekend of 2018 earning $37.23 million. Insidious: The Last Key opened with $29.58 million, earning a solid second place. Overall, the box office pulled in $165 million, which is 15% lower than last weekend; however, last weekend was a holiday weekend, so this is a better than expected hold. More importantly, this is 21% better than the same weekend last year. 2018 has a small lead over 2017 at 7.1% to $306 million to $285 million. It has been a while since we’ve seen a lead in the year-over-year comparison, but obviously it is far too early for this lead to be meaningful.
More...
January 7th, 2018
The Last Jedi’s run at the top of the chart came to an abrupt end this weekend, according to studio estimates released on Sunday morning. Disney’s big Christmas hit doesn’t seem to have much by way of legs going into January, as it falls by 55% from New Year’s weekend, the worst performance in the top 10. It will still pick up another $23.551 million or so, according to the studio, for a total of $572.5 million to date domestically. Its global total now stands at $1.2 billion, the 13th-best performance of all time.
More...
January 6th, 2018
There will be a fifth installment in the Insidious franchise. That much is practically guaranteed after Friday’s debut. Insidious: The Last Key opened in first place with $12.74 million during its opening day. On the downside, its critical / popular reception has been mixed. Its reviews are only 25% positive and that won’t help it draw in new viewers. The film did earn a B minus from CinemaScore, which is better than a lot of horror films manage, so that could help. It will very likely slip to second place on Saturday, but the film will still top our prediction with between $25 million and $30 million.
More...
January 4th, 2018
It is the first weekend of 2018 and Insidious: The Last Key is the only true wide release, although Molly’s Game is expanding semi-wide. The Last Key isn’t expected to compete with Jumanji: Welcome to the Jungle or Star Wars: The Last Jedi for first place, but if it can open with more than $15 million, it should at least help the year get off to a good start. This weekend last year, Underworld: Blood Wars opened in fourth place, while Hidden Figures expanded into first place. Both Jumanji: Welcome to the Jungle and Star Wars: The Last Jedi should top Hidden Figures and while 2018 won’t have the same depth, it should still earn a victory in the year-over-year comparison.
More...
January 3rd, 2018
We’ve been tracking Star Wars: The Last Jedi’s international numbers on a daily basis, since it debuted, so talking about the weekend numbers would actually be behind our most recent report. Just a quick recap: The film earned $68.0 million in 54 markets for totals of $523.3 million internationally and $1.040 billion worldwide. The film is on pace for $1.4 billion to $1.5 billion worldwide, including China, where it opens on Friday.
More...
January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
More...
January 2nd, 2018
It was a really close weekend with Star Wars: The Last Jedi and Jumanji: Welcome to the Jungle both earning around $67 million during the four-day weekend. In fact, Jumanji beat The Last Jedi on New Year’s Day. Overall, the box office grew 11% from last weekend to $194 million, which was 4.3% more than the same weekend last year. It’s going to take a bit before we have the final numbers for all studios to compare how 2017 did compared to 2016, but it is safe to say 2016 will come out on top.
More...
December 30th, 2017
The last year to have Christmas and New Years Days on a Monday was 2006. Using that year as a guide and adjusting for changes in the market, specifically how much more front-loaded films tend to be, I was expecting a slight improvement for Star Wars: The Last Jedi from Thursday to Friday. That didn’t happen. In reality, the film lost 2.2% of its daily box office to hit $19.06 million on Friday. Granted, the film already has $483.76 million domestically and will likely hit first place for the year by the end of business today, surpassing Beauty and the Beast. Even with a slightly reduced weekend estimate of $54 million / $70 million, it is on pace for $600 million domestically with relative ease, making it a shoo-in for the sixth-highest-grossing domestic film of all time.
More...
December 28th, 2017
As per usual, the weekend after Christmas has no new wide releases. This means there will be almost no changes in the top five from last weekend, meaning Star Wars: The Last Jedi will win with ease, while Jumanji: Welcome to the Jungle will be in a comfortable second place. This weekend last year, Rogue One: A Star Wars Story and Sing were neck-and-neck with just over $90 million combined. The Last Jedi and Jumanji should top that, giving 2017 one last win in the year-over-year comparison.
More...
December 27th, 2017
We’ve been tracking Star Wars: The Last Jedi’s international numbers since it debuted, so there’s not a lot to talk about here. The film earned $75.1 million over the weekend for totals of $380.3 million internationally and $748.5 million worldwide. The film has yet to open in China, so this is not a complete picture of its box office strength.
More...
December 26th, 2017
We still don’t have final numbers for the weekend or Christmas day, and because of the holidays, we likely won’t get them until January 2nd. This means were are stuck with weekend estimates for Jumanji: Welcome to the Jungle and other films and no information for Monday. Star Wars: The Last Jedi outperformed estimates with $71.57 million for a four-day total of $99.03 million. Its 11-day total is $395.63 million and it will take just 12 days to get to $400 million. That’s not the record, but it is the third best result and that's still very impressive.
More...
December 24th, 2017
It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday.
More...
December 23rd, 2017
This weekend complicated, as Christmas Eve lands on a Sunday and Christmas Day technically makes it a four-day weekend. Although with so many schools closed for the holidays, you could almost call it a eleven-day weekend. This makes interpreting Friday’s box office numbers more difficult than usual. Star Wars: The Last Jedi earned $24.68 million on Friday, putting its running tally to $321.28 million. It tied Jurassic World for second-fastest to $300 million at just 8 days. On the other hand, this is a little bit lower than our predictions. It still has a real shot at over $100 million during the four-day weekend, but it could have to wait until Tuesday to get to $400 million.
More...
December 22nd, 2017
Star Wars: The Last Jedi bounced back 5% from Wednesday, earning $17.8 million on Thursday for a week-long total of $296.5 million. It is impossible to compare the film to The Force Awakens, as the seventh day in that film’s run was Christmas Eve and it fell 28% as a result. Rogue One grew a lot more, up 12% to $16.7 million. I was expecting the film to bounce back more than this. That said, it is already in seventh place on the 2017 domestic chart and will be in fourth place by the end of the weekend. Add in Christmas and it will be at over $500 million by the end of the year.
More...
December 21st, 2017
This is technically Christmas Weekend, so it should come as no surprised that there are a lot of movies vying for that lucrative Christmas family audience. Two of them, Jumanji: Welcome to the Jungle and The Greatest Showman, opened yesterday, and we’ve already talked about how well they did on their opening day. On Friday, they will be joined by Pitch Perfect 3, Downsizing, and Father Figures, none of which are earning good reviews and only one of which is expected to be a box office hit. This should leave Star Wars: The Last Jedi on top of the chart with room to spare. This weekend last year, Rogue One: A Star Wars Story dominated the box office, while Sing was the only release that was a major hit.
More...
December 21st, 2017
Star Wars: The Last Jedi had to deal with competition for the first time in its run, as both Jumanji: Welcome to the Jungle and The Greatest Showman debuted in theaters on Wednesday. It didn’t have much of an effect. The Last Jedi earned $16.9 million yesterday for a six-day total of $278.8 million domestically. This was only the 32nd-biggest Wednesday ever, although 12th-biggest for a film not opening on that day. The film fell 17% from Tuesday, compared to a 2% gain by The Force Awakens and a 15% drop by Rogue One. It overtook Despicable Me 3 for seventh place on the 2017 domestic chart and it is eyeing Thor: Ragnarok for sixth place. It won’t get there tomorrow. It will certainly get there sometime on Friday.
More...
December 20th, 2017
Five films are opening wide this week, two of which, Jumanji: Welcome to the Jungle and The Greatest Showman, debut on Wednesday. We will have full predictions at the usual time, but we should at least discuss these two films before everyone has a chance to see them.
More...
December 1st, 2017
The box office was mostly as expected during November. Granted, Thor: Ragnarok over-performed and Justice League underperformed, but overall there were no real surprises. This means the month started slow, but we got a couple of wins in the end and that bodes well going into the final month of the year. That said, December is a weird month. There are five weekends, but only seven films that I’m sure are opening truly wide. Additionally, five of those seven films are opening Christmas weekend. I’ve never seen a month this lop-sided. There are no real wide releases the first two weeks of the month, so we will likely start slow again, but when The Last Jedi debuts, we should see explosive growth at the box office. It will open with more than any film last December made and that should help 2017 cut into 2016’s lead. 2017 won’t be able to close the gap entirely, but the month could do well enough to cut 2016’s lead to under $250 million. That’s my goal. If that happens, I will be happy.
More...
June 29th, 2017
Adventure starring Dwayne Johnson, Kevin Hart and Jack Black, and Karen Gillan opens December 22 ... Full Movie Details.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/12/29 | - | $884,289 | 121 | $7,308 | $1,107,452 | 1 | |
| 2018/01/05 | - | $642,753 | -27% | 129 | $4,983 | $2,609,917 | 2 |
| 2018/01/12 | - | $398,458 | -38% | 120 | $3,320 | $3,499,651 | 3 |
| 2018/01/19 | - | $251,273 | -37% | 125 | $2,010 | $3,925,230 | 4 |
| 2018/01/26 | - | $216,727 | -14% | 100 | $2,167 | $4,233,639 | 5 |
| 2018/02/02 | - | $169,971 | -22% | 105 | $1,619 | $4,466,849 | 6 |
| 2018/02/09 | - | $133,248 | -22% | 96 | $1,388 | $4,638,909 | 7 |
| 2018/02/16 | - | $105,515 | -21% | 82 | $1,287 | $4,807,404 | 8 |
| 2018/02/23 | - | $95,157 | -10% | 74 | $1,286 | $4,937,700 | 9 |
| 2018/03/02 | - | $51,573 | -46% | 56 | $921 | $5,018,292 | 10 |
| 2018/03/09 | - | $29,314 | -43% | 40 | $733 | $5,063,664 | 11 |
| 2018/03/16 | - | $13,937 | -52% | 22 | $634 | $5,082,807 | 12 |
| 2018/03/23 | - | $10,117 | -27% | 14 | $723 | $5,103,400 | 13 |
| 2018/03/30 | - | $5,409 | -47% | 4 | $1,352 | $5,115,342 | 14 |
| 2018/04/06 | - | $2,283 | -58% | 3 | $761 | $5,122,853 | 15 |
| 2018/04/13 | - | $753 | -67% | 2 | $377 | $5,124,416 | 16 |
| 2018/04/20 | - | $211 | -72% | 1 | $211 | $5,124,901 | 17 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/5/2018 | $1,830,827 | 396 | 396 | 1750 | $8,369,449 | 1/1/2019 |
| Aruba | 12/21/2017 | $0 | 0 | 5 | 15 | $116,380 | 1/1/2019 |
| Australia | 12/22/2017 | $772,174 | 0 | 477 | 3491 | $37,760,606 | 1/23/2023 |
| Austria | 12/22/2017 | $0 | 0 | 103 | 828 | $3,696,462 | 6/27/2018 |
| Bahrain | 12/21/2017 | $0 | 0 | 12 | 103 | $2,192,306 | 1/1/2019 |
| Belgium | 1/31/2018 | $647,913 | 134 | 134 | 806 | $4,583,142 | 5/30/2018 |
| Bolivia | 12/28/2017 | $194,860 | 42 | 42 | 245 | $1,657,306 | 1/1/2019 |
| Brazil | 1/5/2018 | $5,028,905 | 919 | 1001 | 4045 | $24,030,764 | 3/21/2018 |
| Bulgaria | 12/22/2017 | $111,634 | 0 | 71 | 318 | $957,034 | 2/26/2019 |
| Cambodia | 12/21/2017 | $0 | 0 | 48 | 129 | $302,610 | 1/1/2019 |
| Central America | 12/29/2017 | $1,315,578 | 387 | 387 | 1591 | $5,889,250 | 3/26/2018 |
| Chile | 12/28/2017 | $652,132 | 121 | 121 | 687 | $4,616,326 | 12/20/2018 |
| China | 1/7/2018 | $140,000 | 93 | 84757 | 116807 | $76,100,000 | 2/19/2018 |
| Colombia | 12/29/2017 | $1,245,159 | 346 | 391 | 2146 | $9,022,784 | 1/1/2019 |
| Croatia | 12/28/2017 | $143,088 | 72 | 72 | 371 | $933,202 | 1/1/2019 |
| Curacao | 12/21/2017 | $0 | 0 | 10 | 46 | $121,959 | 1/1/2019 |
| Czech Republic | 12/22/2017 | $228,325 | 102 | 108 | 741 | $2,890,650 | 1/1/2019 |
| Denmark | 12/25/2017 | $727,744 | 88 | 88 | 606 | $4,360,252 | 5/1/2018 |
| Dominican Republic | 12/21/2017 | $0 | 0 | 42 | 219 | $675,701 | 1/1/2019 |
| East Africa | 12/22/2017 | $0 | 0 | 1 | 2 | $9,143 | 1/10/2018 |
| Ecuador | 12/22/2017 | $0 | 0 | 106 | 391 | $2,781,499 | 1/1/2019 |
| Egypt | 12/21/2017 | $0 | 0 | 25 | 265 | $1,894,663 | 1/1/2019 |
| Estonia | 12/22/2017 | $0 | 0 | 25 | 113 | $465,708 | 3/20/2018 |
| Finland | 12/22/2017 | $0 | 0 | 53 | 322 | $1,372,790 | 3/20/2018 |
| France | 12/20/2017 | $0 | 0 | 591 | 3478 | $28,785,984 | 9/20/2018 |
| Germany | 12/21/2017 | $2,332,729 | 523 | 782 | 6136 | $23,034,970 | 7/3/2018 |
| Ghana | 12/22/2017 | $0 | 0 | 4 | 33 | $84,457 | 1/1/2019 |
| Greece | 1/11/2018 | $230,747 | 80 | 80 | 292 | $782,937 | 3/20/2018 |
| Hong Kong | 12/21/2017 | $0 | 0 | 137 | 368 | $4,548,868 | 2/13/2018 |
| Hungary | 12/21/2017 | $0 | 0 | 70 | 474 | $2,298,105 | 1/1/2019 |
| Iceland | 12/26/2017 | $46,149 | 10 | 10 | 49 | $377,621 | 1/1/2019 |
| India | 12/29/2017 | $3,228,599 | 1157 | 1157 | 3617 | $11,239,936 | 4/3/2018 |
| Indonesia | 12/20/2017 | $0 | 0 | 605 | 1551 | $13,000,000 | 1/1/2019 |
| Iraq | 12/21/2017 | $0 | 0 | 8 | 71 | $456,615 | 1/1/2019 |
| Israel | 12/20/2017 | $0 | 0 | 36 | 327 | $2,941,548 | 1/1/2019 |
| Italy | 1/1/2018 | $3,847,290 | 0 | 428 | 873 | $12,704,618 | 8/29/2018 |
| Jamaica | 12/20/2017 | $0 | 0 | 5 | 37 | $471,424 | 1/1/2019 |
| Japan | 4/6/2018 | $3,186,786 | 417 | 417 | 2184 | $11,474,471 | 7/19/2018 |
| Jordan | 12/21/2017 | $0 | 0 | 8 | 86 | $740,367 | 1/1/2019 |
| Kenya | 12/22/2017 | $0 | 0 | 23 | 140 | $392,637 | 1/1/2019 |
| Kuwait | 12/21/2017 | $0 | 0 | 17 | 106 | $3,371,735 | 1/1/2019 |
| Latvia | 12/22/2017 | $0 | 0 | 16 | 101 | $464,231 | 1/1/2019 |
| Lebanon | 12/21/2017 | $0 | 0 | 42 | 141 | $1,323,401 | 1/1/2019 |
| Lithuania | 12/22/2017 | $40,765 | 97 | 99 | 448 | $438,259 | 3/27/2018 |
| Malaysia | 12/22/2017 | $0 | 0 | 626 | 1591 | $14,100,000 | 3/5/2018 |
| Mexico | 12/22/2017 | $0 | 0 | 1918 | 4144 | $19,382,598 | 3/26/2018 |
| Mongolia | 12/22/2017 | $0 | 0 | 9 | 53 | $256,457 | 1/1/2019 |
| Netherlands | 12/21/2017 | $0 | 0 | 115 | 1095 | $9,206,676 | 4/10/2018 |
| New Zealand | 12/29/2017 | $685,595 | 98 | 98 | 791 | $4,890,811 | 10/19/2022 |
| Nigeria | 12/22/2017 | $0 | 0 | 28 | 177 | $425,175 | 1/1/2019 |
| North America | 12/20/2017 | $36,169,328 | 3,765 | 3,849 | 43,252 | $404,508,916 | 12/14/2018 |
| Norway | 1/12/2018 | $604,439 | 268 | 268 | 925 | $2,313,183 | 6/20/2018 |
| Oman | 12/21/2017 | $0 | 0 | 24 | 93 | $977,361 | 1/1/2019 |
| Pakistan | 12/22/2017 | $0 | 0 | 54 | 175 | $891,577 | 1/1/2019 |
| Paraguay | 1/11/2018 | $93,095 | 29 | 29 | 144 | $335,660 | 1/1/2019 |
| Peru | 1/12/2018 | $1,187,165 | 176 | 208 | 808 | $5,162,411 | 12/20/2018 |
| Philippines | 1/12/2018 | $1,795,797 | 233 | 233 | 665 | $4,532,252 | 12/20/2018 |
| Poland | 12/29/2017 | $724,449 | 132 | 162 | 1055 | $3,601,215 | 1/1/2019 |
| Portugal | 12/22/2017 | $234,859 | 66 | 66 | 456 | $2,539,929 | 3/20/2018 |
| Qatar | 12/21/2017 | $0 | 0 | 21 | 139 | $1,951,380 | 1/1/2019 |
| Romania | 12/29/2017 | $347,106 | 75 | 85 | 566 | $2,886,178 | 1/1/2019 |
| Russia (CIS) | 12/22/2017 | $5,003,968 | 1337 | 1443 | 6392 | $25,064,664 | 1/1/2019 |
| Serbia and Montenegro | 12/28/2017 | $39,825 | 34 | 36 | 230 | $336,717 | 1/1/2019 |
| Singapore | 12/21/2017 | $0 | 0 | 53 | 245 | $5,188,464 | 7/24/2018 |
| Slovakia | 12/22/2017 | $89,217 | 60 | 60 | 284 | $774,237 | 3/26/2018 |
| Slovenia | 12/28/2017 | $58,844 | 15 | 15 | 95 | $244,936 | 4/24/2018 |
| South Africa | 12/29/2017 | $884,289 | 121 | 129 | 1094 | $5,124,901 | 4/24/2018 |
| South Korea | 1/3/2018 | $5,199,392 | 791 | 791 | 1894 | $12,900,204 | 2/26/2018 |
| Spain | 12/22/2017 | $1,450,170 | 347 | 396 | 3261 | $14,578,303 | 8/16/2018 |
| Suriname | 12/21/2017 | $0 | 0 | 2 | 13 | $38,322 | 1/1/2019 |
| Sweden | 12/22/2017 | $0 | 0 | 148 | 773 | $5,175,788 | 5/30/2018 |
| Switzerland | 12/20/2017 | $0 | 0 | 122 | 713 | $4,105,698 | 5/1/2018 |
| Syria | 12/21/2017 | $0 | 0 | 2 | 10 | $86,224 | 1/1/2019 |
| Taiwan | 12/29/2017 | $2,190,140 | 190 | 190 | 671 | $6,811,954 | 2/27/2018 |
| Thailand | 12/29/2017 | $1,491,979 | 257 | 257 | 741 | $5,201,569 | 2/14/2018 |
| Trinidad | 12/20/2017 | $0 | 0 | 24 | 145 | $1,179,226 | 1/1/2019 |
| Turkey | 12/29/2017 | $331,681 | 226 | 226 | 640 | $1,143,920 | 2/26/2019 |
| Ukraine | 12/21/2017 | $0 | 0 | 334 | 1126 | $3,419,065 | 1/1/2019 |
| United Arab Emirates | 12/21/2017 | $0 | 0 | 111 | 451 | $8,985,547 | 12/20/2018 |
| United Kingdom | 12/20/2017 | $10,910,554 | 553 | 580 | 5637 | $51,882,280 | 5/30/2018 |
| Uruguay | 1/4/2018 | $98,848 | 20 | 20 | 224 | $843,456 | 1/1/2019 |
| Venezuela | 12/29/2017 | $495,392 | 48 | 106 | 881 | $14,353,583 | 5/24/2018 |
| Vietnam | 12/22/2017 | $0 | 0 | 192 | 406 | $2,499,800 | 1/1/2019 |
| Worldwide Total | $961,632,807 | 1/23/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Dwayne Johnson | Dr. Smolder Bravestone/Spencer's Avatar | |
| Jack Black | Professor Sheldon "Shelly" Oberon/Bethany's Avatar | |
| Kevin Hart | Franklin "Moose" Finbar/Fridge's Avatar | |
| Karen Gillan | Ruby Roundhouse/Martha's Avatar | |
| Nick Jonas | Jefferson "Seaplane" McDonough/Avatar of Alex Vreeke |
| Bobby Cannavale | John Hardin Van Pelt | |
| Ser'Darius Blain | Young Anthony “Fridge” Johnson | |
| Madison Iseman | Young Bethany | |
| Morgan Turner | Young Martha | |
| Alex Wolff | Young Spencer | |
| Rhys Darby | Nigel | |
| Marc Evan Jackson | Principal Bentley | |
| Missi Pyle | Coach Webb | |
| Maribeth Monroe | Teacher | |
| Sean Buxton | Jogger | |
| Mason Guccione | Gamer | |
| Marin Hinkle | Spencer's Moms | |
| Tracey Bonner | Fridge's Mom | |
| Najah Jackson | Girl in Car | |
| Natasha Charles Parker | Bethany's Mom | |
| Kat Altman | Lucinda | |
| Michael Shacket | Fussfeld | |
| Jamie Renell | Male Gym Teacher | |
| Carlease Burke | Miss Mathers | |
| Jason New | Bivouac Biker | |
| William Tokarsky | Bread Vendor | |
| Rohan Chand | Kid at Bazaar | |
| Tait Fletcher | Scorpion Recipient | |
| Steve Dunlevy | Transportation Shed Guard | |
| Rob Mars | Transportation Shed Guard |
| Robin Williams | Alan Parrish |
| Tim Matheson | Old Man Vreeke |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Jake Kasdan | Director | |
| Matt Tolmach | Producer | |
| William Teitler | Producer | |
| Chris McKenna | Screenwriter | |
| Erik Sommers | Screenwriter | |
| Scott Rosenberg | Screenwriter | |
| Jeff Pinkner | Screenwriter | |
| Chris McKenna | Screen story by | |
| Chris Van Allsburg | Based on “Jumanji” by | |
| Ted Field | Executive Producer | |
| Jake Kasdan | Executive Producer | |
| David Householter | Executive Producer | |
| Dany Garcia | Executive Producer | |
| Mike Weber | Executive Producer | |
| Dwayne Johnson | Executive Producer | |
| Gyula Pados | Director of Photography | |
| Owen Paterson | Production Designer | |
| Mark Helfrich | Editor | |
| Steve Edwards | Editor | |
| Jerome Chen | Visual Effects Supervisor | |
| Laura Jean Shannon | Costume Designer | |
| Henry Jackman | Music By | |
| Manish Raval | Music Supervisor | |
| Tom Wolfe | Music Supervisor | |
| Jeanne McCarthy | Casting By | |
| Nicole Abellera | Casting By | |
| Hiram Garcia | Co-Producer | |
| Melvin Mar | Co-Producer | |
| Jack Gill | Second Unit Director | |
| Matt Rebenkoff | First Assistant Director | |
| Christopher Waegner | Visual Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
