Synopsis
Centered on a rare interview that director and friend Tamra Davis shot with Basquiat over twenty years ago, this definitive documentary chronicles the meteoric rise and fall of the young artist. In the crime-ridden NYC of the 1970s, he covers the city with the graffiti tag SAMO. In 1981 he puts paint on canvas for the first time, and by 1983 he is an artist with "rock star status." He achieves critical and commercial success, though he is constantly confronted by racism from his peers. In 1985 he and Andy Warhol become close friends and painting collaborators, but they part ways and Warhol dies suddenly in 1987. Basquiat's heroin addiction worsens, and he dies of an overdose in 1988 at the age of 27. The artist was 25 years old at the height of his career, and today his canvases sell for more than a million dollars. With compassion and psychological insight, Tamra Davis details the mysteries that surround this charismatic young man, an artist of enormous talent whose fortunes mirrored the rollercoaster quality of the downtown scene he seemed to embody.
Metrics
Movie Details
November 8th, 2010
It's a week of box office disappointments on the home market with Charlie St. Cloud, Ramona and Beezus, and Scott Pilgrim vs. The World coming out. (There is one box office hit coming out this week, but given its reviews, the less said the better.) However, while none of them really found audiences during their theatrical releases, two of the three earned excellent reviews, and Scott Pilgrim's Two-Disc Blu-ray/DVD Combo Pack is worthy of the Pick of the Week honors.
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August 3rd, 2010
Get Low opened in first place on the per theater chart with an impressive average of $22,046.
I expect it will be able to expand significantly.
Jean-Michel Basquiat: The Radiant Child was down barely more than 1% and added $17,226, while still playing in just one theater.
The final film to make the $10,000 club was The Concert with an average of $10,871 in two theaters.
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August 1st, 2010
Inception will see off a strong challenge from Dinner for Schmucks to record a third straight win at the weekend box office, according to studio estimates released on Sunday.
Inception will be down about 36% from last weekend at $27.5 million for a cume to date of $193.3 million.
Schmucks hit the ground running on Friday, topping the chart with $8.4 million, but will settle for second place over three days with $23.3 million.
That's very much in line with Steve Carell's previous comedy outing this year, Date Night, which opened with $25.2 million (admittedly at a slightly quieter time of year).
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2020/12/11 |
- |
$1,592 |
|
18 |
$88 |
$2,316 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
