Italy Box Office for Le Ragazze di Wall Street - Business I$ Business (2019)

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Hustlers
Theatrical Performance (US$)
Italy Box Office $4,940,107Details
Worldwide Box Office $150,467,919Details
Home Market Performance
North America DVD Sales $3,401,613 Details
North America Blu-ray Sales $2,181,798 Details
Total North America Video Sales $5,583,411
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Hustlers follows a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients.

Metrics

Movie Details

Production Budget:$20,700,000
Italy Releases: November 7th, 2019 (Wide), released as Le Ragazze di Wall Street - Business I$ Business
Video Release: November 26th, 2019 by STX Entertainment
MPAA Rating: R for pervasive sexual material, drug content, language and nudity.
(Rating bulletin 2593 (Cert #52354), 8/28/2019)
Running Time: 110 minutes
Keywords: 2000s, Wall Street, Set in New York City, Strippers / Stripping, Crime Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Gloria Sanchez, Nuyorican, STX Films, Annapurna Pictures
Production Countries: United States
Languages: English

2020 - Awards Season: SAG - Nominations

December 12th, 2019

Bombshell

The Screen Actors Guild announced their nominations this week and we are starting to see some patterns with similar names appearing over and over again. This time Bombshell led the way, earning four nominations, but four other films earned two or more nominations. More...

Home Market Releases for December 10th, 2019

December 11th, 2019

Hustlers

As Christmas rapidly approaches, the number of home market releases shrinks. That said, we do have three $100 million hits on this week’s list, Hustlers, It: Chapter Two, and Once Upon a Time…in Hollywood. All three are worth picking up, but Hustlers and Linda Ronstadt: The Sound of My Voice are Pick of the Week contenders, with the former winning out. More...

2020 Awards Season: Golden Globes Nominations

December 11th, 2019

Marriage Story

The Golden Globes nominations are the second major Awards Season set to come out. It is still very early in the year and the predictive value of the Golden Globes is a little suspect, but there are still some things to learn here. (This is especially true on the TV end, as there’s talk about how strange the nominations are this year.) Marriage Story led the way with six nominations, just ahead of The Irishman and Once Upon a Time... in Hollywood, both of which picked up five nods. More...

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

2020 - Awards Season: Independent Spirit Awards - Nominations

November 21st, 2019

Uncut Gems

The Independent Spirit Awards nominations were announced and thus the 2020 Awards Season begins. There are two changes to this year’s coverage of Awards Season. Firstly, we’re going back to using the year the awards are handed out and not the year the movie came out, even though the latter makes so much more sense. We are doing this, because every one else does this and being accurate takes a back seat to being easily understood. Secondly, since the Independent Spirit Awards are not particularly good indicators of Oscar success, we are just going to do summaries and not a full list of nominees. More...

Weekend Wrap-Up: Joker Destroys Box Office, Nearly Reaches Century Mark

October 8th, 2019

Joker

Joker easily dominated the weekend box office crushing Venom’s October record in the process. The film’s $96.20 million opening was more than 60% of the $150 million total box office earned this weekend. Furthermore, the weekend total was 64% more than last weekend, which is great news for 2019, as it has been struggling. Unfortunately, this is still 15% lower than the same weekend last year when Venom had A Star is Born opening strong as counter-programing. Year-to-date, 2019 has pulled in $8.46 billion, which is a lot, but it is 5.2% or $470 million behind 2018’s record-setting pace of $8.93 billion. More...

Weekend Estimates: Joker Takes a Bite Out of Venom

October 6th, 2019

Joker

Joker is not only dominating the weekend, likely earning more than the rest of the films in release combined, but it will also top Venom’s October record by more than $10 million. Its domestic weekend estimate is $93.5 million, which is only dwarfed by its international debut. The film is projected to earn $140.5 million on 22,500 screens in 73 markets during its opening weekend. Highlights includes A $16.3 million debut on 1,418 screens in South Korea, which is a record opening for Warner Bros. in that market. It wasn’t able to break records in the U.K., but is still very impressive at $14.8 million on 669 screens, while it also cracked $10 million in Mexico ($13.1 million on 4,684 screens) and Russia ($10 million on 1,907. More...

Friday Estimates: Another Day, Another Record for Joker

October 5th, 2019

Joker

Joker opened with an outstanding $39.9 million on Friday, topping the previous biggest October day record of $33.08 million set last year by Halloween. This film does have weaker reviews and only a B plus from CinemaScore, which means its word-of-mouth won’t be as great. Additionally, a larger percent of its opening day came from previews, which is another sign it likely won’t have great legs. That said, it would really have to stumble to not get at least close to $100 million over the full weekend. It is not doing quite as well internationally, but close enough that it could earn enough during its opening weekend that it will cover its entire production budget. It will break even before Halloween. More...

Weekend Predictions: Will Joker Have the Last Laugh?

October 4th, 2019

Joker

Joker is the only wide release of the week and this should help it thrive at the box office. In fact, there are many who think it will top Venom’s October record. Venom set that record this weekend last year, so if it breaks the record that’s good news for 2019 in the year-over-year comparison, right? It’s not that simple, as A Star is Born also debut this weekend last year and that depth will likely prove too much for 2019 to overcome. More...

Weekend Wrap-Up: Abominable Leads Small Box Office

October 1st, 2019

Abominable

Abominable led the way at the box office this weekend, but there wasn’t a lot to celebrate. That film merely did okay for this time of year, while there were no other new releases to boost the box office. This led to a 25% drop-off from last weekend, down to a mere $92 million. Worse still, this is 13% lower than the same weekend last year when Night School and Smallfoot were a strong one-two box office punch. We’ve had a couple of winning weeks in a row, so this loss doesn’t hurt 2019’s chances too much and the deficit is practically the same as it was last week at 5.6% or $490 million at $8.28 billion to $8.77 billion. More...

Weekend Estimates: Abominable Earning Average-Sized Opening

September 29th, 2019

Abominable

It is a mixed bag at the box office this weekend. None of the films are bombing, there are also no wild success stories either. Abominable is leading the way with an estimated $20.85 million opening. This is a little below expectations, but still a fine opening for this time of year. Additionally, its prospects have improved over the weekend, so it is clear its reviews and its A rating from CinemaScore have helped its word-of-mouth and that should help its legs going forward. The film also earned an estimated $8.8 million internationally in 30 markets for an early international total of $10.2 million It is still too early to judge how the film will do overseas. More...

Friday Estimates: Abominable Grows on its Opening Day

September 28th, 2019

Abominable

Abominable bounced back a bit during Friday to earn $5.69 million. This is still behind Smallfoot’s opening Friday, but it is better than its previews. This is strong evidence that the film’s reviews and its A rating from CinemaScore is already having a positive effect. $20 million is now much more likely than it was yesterday at this time, while with a little luck, it will match our $22 million prediction. More...

Weekend Predictions: Will Abominable Live Up to Its Name or will it be ... Bominable?

September 26th, 2019

Abominable

The last weekend of September has been a great week to release a second-tier animated film and there have been several $100 million hits released this week in the past. This year, Abominable is hoping to succeed in this role. It does have a lot going for it, including no competition, direct or otherwise, and reviews that are, while not spectacular, certainly a selling point. On the other hand, the buzz hasn’t grown the way it should. This weekend last year, Night School led the way with Smallfoot having a strong second place opening. Unfortunately, it looks like 2019’s small winning streak will come to an end, because it is unlikely Abominable will match last year’s number one film. It might not even match last year’s second place film. More...

Weekend Wrap-Up: Downton Opens High with New Focus Features Record

September 23rd, 2019

Downton Abbey

It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis. More...

Weekend Estimates: Downton goes Downtown with $31 million

September 22nd, 2019

Downton Abbey

Downton Abbey is not only going to earn first place on the weekend box office chart, but it is going to set the record for Focus Features with an opening weekend of $31.0 million. This is substantially more than predicted and substantially more than Focus Features’ previous best opening weekend of $22.69 million earned by Insidious Chapter 3. Additionally, thanks to its reviews, its A-rating from CinemaScore, and its more mature target demographic, it has a real chance at $100 million domestically. Or it could have a serious Fanboy Effect, because it is a TV adaptation. We will know more next weekend. More...

Friday Estimates: Downton Abbey has Class

September 21st, 2019

Downton Abbey

Downton Abbey stunned analysts with an opening day of $13.38 million on Friday. However, this does include two days of previews, so keep that in mind going forward. The film’s reviews are in the 80% range, while it managed an A from CinemaScore. Both of these results suggest longer than average legs, but not enough to deal with the two days of previews. It should open with more than $30 million, which is not only much better than anticipated, it will be the best opening weekend for Focus Features. More...

Weekend Predictions: Will the New Releases Shoot for the Stars?

September 20th, 2019

Ad Astra

A better than expected opening by Hustlers and a stronger than expected hold by It: Chapter Two helped 2019 earn its second win in the year-over-year comparison last weekend. Meanwhile, we have three new releases hoping to extend the winning streak this weekend. Unfortanately, all three films have something holding them back. For example, Ad Astra was made by Fox before the merger with Disney and I’m not sure Disney is 100% behind this movie. Downton Abbey is based on a recent TV show and people are not always willing to go to the theater and spend money on something they could recently watch on TV for free. Finally, Rambo: Last Blood is earning weak reviews and that could hurt its box office chances. Meanwhile, this weekend last year, The House with a Clock in its Walls opened with $26.61 million, while A Simple Favor was the only other film to earn more than $10 million. This weekend, we could have no movie earn more than $20 million, but there are five films that should have no trouble getting to $10 million. This depth could help extend 2019’s winning streak to three weeks. More...

Theater Averages: They Call Me Mr. Klein

September 19th, 2019

Hustlers

Mr. Klein, a 40-year old re-release, earned first place on the theater average chart during its second weekend of release with $18,546 in one theater. Up next was The Bad Guys: Reign of Chaos with an average of $14,418 in two theaters. The final film in the $10,000 club was Hustlers, which barely got there earning an average of $10,210 in 3,250 theaters. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Thursday Night Previews: Hustlers Grab $2.5 million From Eager Costumers

September 13th, 2019

Hustlers

Hustlers started its box office run with $2.5 million in previews last night. This is a faster start than other comparable releases, including the $2 million earned by Bad Moms in 2016. There is some bad news, but only for analysts like myself. There are not a lot of films like this released each year, so there is still a lot of uncertainty going forward. On the positive side, its reviews remain just shy of 90% positive, so the word-of-mouth should be phenomenal. Meanwhile, its target audience isn’t the kind that rushes out to see a movie opening night, so it should do even better during the rest of the weekend. On the low end, it will open with $20 million, which is very close to its $20.7 million production budget. On the high end, it could reach $30 million and break records for both the studio, STX Entertainment, and the lead actress, Jennifer Lopez. (Although in the latter case, it would be her live-action record.) I think the higher end is more likely, which means the movie should top our $24 million prediction. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

2019 Preview: September

September 1st, 2019

It: Chapter Two

Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably. More...

Hustlers Trailer

August 12th, 2019

Black comedy starring Jennifer Lopez, Constance We, Julia Stiles and Keke Palmer opens September 13 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/08 1 $1,722,131   0     $1,722,570 1
2019/11/15 2 $1,275,772 -26% 0     $3,512,063 2
2019/11/22 4 $636,663 -50% 0     $4,420,557 3
2019/11/29 7 $247,109 -61% 0     $4,769,156 4
2019/12/06 13 $54,066 -78% 0     $4,879,241 5
2019/12/13 20 $18,562 -66% 0     $4,940,107 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 11/1/2019 $48,477 82 82 108 $83,262 12/7/2019
Australia 10/11/2019 $1,918,614 368 368 1686 $6,113,754 1/23/2020
Brazil 12/6/2019 $339,432 448 448 536 $703,578 12/25/2019
Bulgaria 9/13/2019 $35,878 0 0 0 $206,247 10/30/2019
Czech Republic 9/13/2019 $66,793 82 82 163 $230,450 10/19/2022
France 10/18/2019 $710,832 169 169 508 $2,134,599 11/24/2019
Germany 11/29/2019 $692,918 0 389 854 $2,710,236 1/10/2020
Hong Kong 12/6/2019 $74,074 0 0 0 $124,361 1/5/2020
Italy 11/7/2019 $1,722,131 0 0 0 $4,940,107 10/19/2022
Lithuania 9/20/2019 $41,581 10 10 41 $191,115 10/30/2019
Mexico 10/25/2019 $740,196 0 0 0 $1,967,762 10/19/2022
Netherlands 9/13/2019 $336,075 85 89 482 $1,873,102 10/19/2022
New Zealand 10/10/2019 $195,432 78 85 355 $644,170 10/19/2022
North America 9/13/2019 $33,181,361 3,250 3,525 19,080 $104,963,598
Portugal 9/27/2019 $117,436 59 59 223 $440,620 12/10/2019
Romania 9/27/2019 $172,154 74 74 281 $601,842 12/10/2019
Russia (CIS) 9/12/2019 $931,889 901 901 2473 $3,600,000 10/19/2022
Slovakia 10/11/2019 $130,025 63 63 182 $459,663 10/19/2022
Slovenia 9/13/2019 $47,882 32 32 155 $221,969 1/7/2020
South Korea 11/27/2019 $130,040 416 416 421 $296,053 12/11/2019
Spain 11/8/2019 $750,054 274 292 965 $1,968,391 12/5/2019
United Kingdom 9/13/2019 $1,686,595 478 484 2636 $9,200,000 10/19/2022
 
Rest of World $6,793,040
 
Worldwide Total$150,467,919 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Constance Wu    Destiny
Jennifer Lopez    Ramona
Julia Stiles    Elizabeth
Keke Palmer    Mercedes
Lili Reinhart    Annabelle
Lizzo    Liz
Cardi B    Diamond
Trace Lysette    Tracey
Mette Towley    Justice
Madeline Brewer    Dawn

Supporting Cast

Mercedes Ruehl    Mom
Wai Ching Ho    Destiny’s Grandmother
Emma Batiz    12-Year-Old Juliet
Vanessa Aspillaga    Manuela
Big Jay Oakerson    DJ
Marcy Richardson    Star
Gerald Earl Gillum    Johnny
Konstantine Drakopoulos    Manager
Dov Davidoff    Manager
Brandon Keener    Alpha
Devin Ratray    Stephen
Cate Smit    Interviewer
Kristina Asriyan    Russian Stripper
Alisa Ermolaev    Russian Stripper
Frank Whaley    Reese
Jacqueline Frances    Jackie
Alex Breaux    Stockbroker
Pamela Holden Stewart    Reserved Woman
Jon Glaser    Mark
Grant MacDermott    Cool Guy
Rhys Coiro    Spencer
Mike Keller    Strait-Laced Man
Gianmarco Soresi    Man in Glasses
Zac Jaffee    Gary
Ed Herbstman    Architect
Ashley Neal    Georgia
Georgia Ximenes Lifsher    Crystal
Hannah Weir    Trixie
Stormi Maya    Angel
Scarlett Sher    Lily
Randi Kaplan    Woman on Cell
Kersti Bryan    Amy
Steven Boyer    Doug
Mario Polit    Detective Hernandez
Paul A. Nielsen    Detective Hunter
Peter O’Connor    Hotel Guy
Jack O'Connell    Sergeant
Agatha Christine Celleri    9-Year-Old Juliet
John Palladino    Wall Street Guy
John Forte    Middle Tier Guy
Zachery Byrd    Bottom Tier Broker
Momo Judy Ave    Dark-Haired Stripper

Cameos

Usher    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Lorene Scafaria    Director
Lorene Scafaria    Screenwriter
Jessica Pressler    Story based on the Article Published by New York Magazine entitled “The Hustlers at Scores” written by
Jessica Elbaum    Producer
Benny Medina    Producer
Will Ferrell    Producer
Elaine Goldsmith-Thomas    Producer
Jennifer Lopez    Producer
Adam McKay    Producer
Lorene Scafaria    Producer
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
Megan Ellison    Executive Producer
Alex Brown    Executive Producer
Pamela Thur    Executive Producer
Todd Banhazl    Director of Photography
Jane Musky    Production Designer
Kayla M. Emter    Editor
Mitchell Travers    Costume Designer
Jason Markey    Music Supervisor
Gayle Keller    Casting Director
Lorene Scafaria    Co-Producer
Pamela Thur    Unit Production Manager
Melissa Gelernter    Unit Production Manager
Colin MacLellan    First Assistant Director
Ginger Gonzalez    Second Assistant Director
Ian McLaughlin    Stunt Coordinator
Kim Karon    Art Director
Alexandra Mazur    Set Decorator
Melissa Brockman    Visual Effects Producer
Renee Foley Burke    Script Supervisor
Tom Nelson    Sound Mixer
Gilbert H. Gertsen    Special Effects Coordinator
Mia Thompson    Location Manager
Anna Tringali    Costume Supervisor
Margot Boccia    Make up
Angel De Angelis    Hairstylist
Dierdre L. Harris    Hairstylist
Guy Efrat    Unit Production Manager
Liz Corbett    Post-Production Supervisor
Christos Voutsinas    First Assistant Editor
Helen Ma    Assistant Editor
John Ross    Re-recording Mixer
Christian P. Minkler    Re-recording Mixer
Sean McCormack    Supervising Sound Editor
Jon Wakeham    Supervising Sound Editor
Paul Pirola    Sound Designer
Gregg Swiatlowski    Dialogue Editor
Alexa Zimmerman    Dialogue Editor
Sarah Gibble    Dialogue Editor
James D. Redding III*    Sound Effects Editor
Harvey James    Sound Effects Editor
Tom Sott-Toft    Sound Effects Editor
Brendan Hill    Foley Editor
Ryan Squires    Foley Mixer
Melissa Muik    Music Editor
Jon Mooney    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.