Synopsis
When Kavya Pratap Singh, a chirpy, yet feisty girl from Ambala, decides to make a trip to Delhi for her marriage shopping, she meets a young, carefree Delhi lad, Humpty Sharma. Humpty’s father is the owner of a campus bookstore, where Humpty and his two best friends, Shonty and Poplu, have grown up together and which remains their hangout spot even now. Kavya is unattainable for Humpty initially, which makes her even more endearing to him. But being a Delhi boy, he is not the one to give up so easily. With some help from his two best friends, he finds out all about her and through an interesting turn of events (including a ploy to save Kavya’s friend Gurpreet’s marriage), they start growing closer to each other.
Metrics
Movie Details
July 15th, 2014
After a weekend with no films in the $10,000 club, this weekend we had the second best per theater average for the year. Boyhood earned nearly $400,000 in just five theaters for an average of $77,524. This is the second best per theater average for the year; only The Grand Budapest Hotel opened with a better average. The overall box office leader, Dawn of the Planet of the Apes, was next with an average of $18,304 in nearly 4,000 theaters.
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July 11th, 2014
There are more than a dozen limited releases coming out this week, including a few earning good buzz and / or good reviews. Closed Curtain, Land Ho!, Underwater Dreams all have a shot at finding an audience in limited release. However, leading this pack is Boyhood, the latest from Richard Linklater. If only one movie is a hit this weekend, it will most likely be Boyhood.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2014/07/11 |
13 |
$23,864 |
|
7 |
$3,409 |
$23,864 |
1 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits