| Theatrical Performance (US$) | ||
| Argentina Box Office | $12,652 | Details |
| Worldwide Box Office | $36,917,567 | Details |
| Further financial details... | ||
| Argentina Releases: | June 7th, 2019 (Wide) |
| Running Time: | 122 minutes |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Tresor Films, Chi-Fou-Mi Productions |
| Production Countries: | France |
| Languages: | French |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/7/2019 | $6,792 | 16 | 16 | 16 | $12,652 | 8/11/2019 |
| Australia | 7/19/2019 | $13,524 | 17 | 17 | 38 | $365,710 | 5/8/2023 |
| Czech Republic | 12/28/2018 | $28,843 | 46 | 46 | 90 | $55,781 | 1/10/2019 |
| France | 10/26/2018 | $9,051,705 | 638 | 690 | 4842 | $33,143,724 | 12/23/2018 |
| Italy | 12/20/2018 | $266,122 | 0 | 27 | 68 | $1,260,551 | 9/12/2019 |
| Lithuania | 3/1/2019 | $2,390 | 18 | 18 | 41 | $8,054 | 4/2/2019 |
| Netherlands | 4/12/2019 | $78,139 | 42 | 45 | 397 | $677,192 | 6/25/2019 |
| Portugal | 12/21/2018 | $22,681 | 22 | 22 | 36 | $79,697 | 1/24/2019 |
| Russia (CIS) | 11/8/2018 | $44,072 | 201 | 201 | 368 | $77,944 | 12/23/2018 |
| Slovakia | 12/7/2018 | $9,649 | 42 | 42 | 69 | $29,817 | 1/4/2019 |
| South Korea | 7/18/2019 | $35,962 | 79 | 79 | 123 | $94,625 | 8/14/2019 |
| Spain | 1/11/2019 | $482,446 | 230 | 247 | 718 | $1,111,820 | 2/22/2019 |
| Worldwide Total | $36,917,567 | 5/8/2023 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Mathieu Amalric | ||
| Guillaume Canet | ||
| Benoît Poelvoorde | ||
| Jean-Hugues Anglade | ||
| Virginie Efira | ||
| Leila Bekhti |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Gilles Lellouche | Director |
