Synopsis
A film that follows the relationship between Peter Turner and the eccentric Gloria Grahame in 1978 Liverpool. What starts as a vibrant affair between a legendary femme fatale and her young lover quickly grows into a deeper relationship, with Turner being the person Gloria turns to for comfort. Their passion and lust for life is tested to the limits by events beyond their control.
Metrics
Movie Details
| United Kingdom Releases: |
November 17th, 2017 (Wide), released as Film Stars Don't Die in Liverpool |
| Video Release: |
April 24th, 2018 by Sony Pictures Home Entertainment |
| MPAA Rating: |
R for language, some sexual content and brief nudity.
(Rating bulletin 2499 (Cert #51290), 10/25/2017) |
| Running Time: |
106 minutes |
| Keywords: |
1970s, Set in England, Film Actor, Romance, May / December Romance, Biography |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
Eon Productions, IM Global, Lionsgate, Synchronistic Pictures |
| Production Countries: |
United Kingdom, United States |
| Languages: |
English |
April 25th, 2018
Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title.
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January 11th, 2018
The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out.
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January 3rd, 2018
The Post remained the top film on the theater average chart for the second weekend is a row, earning an average of $62,342 in nine theaters and has earned nearly $2 million at the box office. It wasn’t the only film in the $10,000 club; in fact, there were seven such films. Second place went to Phantom Thread, with an average of $54,124 in four theaters. Jumanji: Welcome to the Jungle was the best of the wide releases earning an average of $13,294. I, Tonya earned an average of $12,461 in 49 theaters during its fourth weekend of release. The overall number one film, The Last Jedi, was right behind with $12,410. Along With the Gods: The Two Worlds earned an average of $11,370 in 17 theaters, while the final film in the $10,000 club was Film Stars Don’t Die in Liverpool, which earned an average of $11,298 in four theaters.
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December 29th, 2017
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This weekend is very literally the last chance for a film to qualify for the Oscars and for most Awards Season ceremonies, it is too late as voting has already begun. This explains why there are only three films on this week’s list, only two of which have any reviews. Film Stars Don’t Die in Liverpool is easily the best, but I’m still unsure if it will thrive in limited release.
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December 8th, 2017
Historical drama starring Annette Bening and Jamie Bell opens December 29 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2017/11/17 |
6 |
$312,465 |
|
150 |
$2,083 |
$312,465 |
1 |
| 2017/11/24 |
12 |
$144,567 |
-54% |
151 |
$957 |
$780,376 |
2 |
| 2017/12/01 |
- |
$78,744 |
-46% |
118 |
$667 |
$1,043,888 |
3 |
| 2017/12/08 |
- |
$32,240 |
-59% |
82 |
$393 |
$1,147,011 |
4 |
| 2017/12/15 |
- |
$13,309 |
-59% |
35 |
$380 |
$1,202,526 |
5 |
| 2017/12/22 |
- |
$1,873 |
-86% |
5 |
$375 |
$1,230,072 |
6 |
| 2017/12/29 |
- |
$13,976 |
+646% |
12 |
$1,165 |
$1,263,667 |
7 |
| 2018/01/05 |
- |
$13,032 |
-7% |
11 |
$1,185 |
$1,295,970 |
8 |
| 2018/01/12 |
- |
$11,032 |
-15% |
6 |
$1,839 |
$1,336,850 |
9 |
| 2018/01/19 |
- |
$7,600 |
-31% |
4 |
$1,900 |
$1,380,721 |
10 |
| 2018/01/26 |
- |
$1,840 |
-76% |
2 |
$920 |
$1,430,984 |
11 |
| 2018/02/02 |
- |
$78 |
-96% |
1 |
$78 |
$1,444,859 |
12 |
| 2018/02/09 |
- |
$2,793 |
+3,481% |
3 |
$931 |
$1,419,676 |
13 |
| 2018/02/16 |
- |
$794 |
-72% |
2 |
$397 |
$1,469,661 |
14 |
| 2018/02/23 |
- |
$183 |
-77% |
2 |
$92 |
$1,504,827 |
15 |
| 2018/03/23 |
- |
$1,750 |
|
1 |
$1,750 |
$1,567,098 |
19 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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