Australia Box Office for Fiddler: A Miracle Of Miracles (2019)

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Fiddler: A Miracle of Miracles
Theatrical Performance (US$)
Australia Box Office $14,635Details
Worldwide Box Office $573,465Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The origin story behind one of Broadway’s most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when “tradition” was on the wane as gender roles, sexuality, race relations and religion were evolving.

Metrics

Movie Details

Australia Releases: August 23rd, 2019 (Wide), released as Fiddler: A Miracle Of Miracles
MPAA Rating: PG-13 for some thematic elements/disturbing images.
(Rating bulletin 2578 (Cert #52204), 5/15/2019)
Running Time: 92 minutes
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Dog Green Productions
Production Countries: United States
Languages: English

Theater Averages: Brittany Sprints to the Top

August 28th, 2019

Brittany Runs a Marathon

Brittany Runs a Marathon led the way on the theater average chart earning an average of $36,142 in five theaters. This is more than enough to expand significantly. Additionally, the film has more mainstream appeal than many limited releases, so it should expand enough to earn some measure of mainstream success. Miles Davis: Birth of the Cool was well back with $18,258 in one theater, but this is still a great start for a documentary. The final film in the $10,000 club was Give Me Liberty, which earned an average of $11,087 in three theaters. More...

Limited and VOD Releases: Run to the Theaters

August 23rd, 2019

Brittany Runs a Marathon

There are several releases on this week’s list earning amazing reviews, including Brittany Runs a Marathon, which has the best shot at attracting a mainstream audience. On the other hand, Fiddler: A Miracle of Miracles and Miles Davis: Birth of the Cool could do well on the art house scene. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/11/01 - $5,690   4 $1,423   $14,635 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/23/2019 $0 0 4 4 $14,635 11/7/2019
North America 8/23/2019 $36,425 7 77 302 $549,385
United Kingdom 12/13/2019 $9,445 33 33 33 $9,445 12/18/2019
 
Worldwide Total$573,465 12/18/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Sheldon Harnick    Himself
Hal Prince*    Himself
Austin Pendleton    Himself
Lin-Manuel Miranda    Himself
Chaim Topol    Himself
Harvey Fierstein    Himself
Fran Lebowitz    Herself
Calvin Trillin    Himself
Nathan Englander    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Max Lewkowicz    Director
Max Lewkowicz    Screenwriter
Valerie Thomas    Screenwriter
Max Lewkowicz    Producer
Valerie Thomas    Producer
Elena Berger Melman    Producer
Patti Kenner    Executive Producer
Rita Lerner    Executive Producer
Ann Oster    Executive Producer
Scott Shelley    Director of Photography
Joseph Borruso    Editor