April 24th, 2019
The Curse of La Llorona earned first place on the international chart with $29 million on 13,155 screens in 71 markets. This is excellent for a film that cost $9 million to make. However, it is also playing in nearly every major market, so it doesn’t have a lot of room to grow. The film had a very strong opening in Mexico with $5.1 million on 2,432 screens, while it was equally strong in Colombia with $2.3 million on 421. It easily earned first place in both markets. On the other hand, the film struggled in France ($2.0 million on 254 screens); Spain ($1.8 million on 330 screens); and Russia ($1.1 million on 1,758). It failed to crack $1 million over the weekend in a number of major markets. It came the closest in South Korea with $905,000 on 620 screens over the weekend for a total opening of $1.25 million, while it was further behind in Italy ($852,000 on 314 screens) and Brazil ($775,000 on 561). The film opens in the U.K. and Japan in the next couple of weeks.
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April 17th, 2019
Shazam remained in first place on the international chart, despite not opening in any new markets, major or otherwise. This caused it to fall to $35.3 million on 24,633 screens in 79 markets lifting its totals to internationally and $258.4 million worldwide. The film fell 84% in China down to $4.79 million over the weekend for a two-week total of $40.30 million. It held on better in the U.K., down 47% to $2.83 million in 611 theaters for a two-week total of $11.65 million. The film’s last major market is Japan and it opens there this week. If it does well there, then it will have no trouble crossing $400 million worldwide, which is a great run for a film that cost $85 million to make.
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April 11th, 2019
Shazam stormed to the top of the international chart with an opening weekend haul of $102.3 million on over 40,000 screens in 79 markets. The film’s biggest market was unsurprisingly China, where it earned second place with $30.4 million on 20,939 screens. The film earned first place in a quartet of major markets. This includes Mexico ($5.8 million on 2,669 screens); the U.K. ($5.3 million on 1,533); Russia ($5.2 million on 3,072 screens); and Brazil ($5.1 million on 1,509 screens). This is a great start, especially for a film that “only” cost $85 million to make. However, there’s some bad news here. There’s almost no where left to open, as its only other major market debut is in Japan on the 19th of April.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2019/04/05 |
1 |
$39,840,000 |
|
109,648 |
$363 |
$52,600,000 |
1 |
2019/04/12 |
1 |
$18,550,000 |
-53% |
102,520 |
$181 |
$89,340,000 |
2 |
2019/04/19 |
1 |
$11,330,000 |
-39% |
84,572 |
$134 |
$110,200,000 |
3 |
2019/04/26 |
2 |
$1,400,000 |
-88% |
15,793 |
$89 |
$114,610,000 |
4 |
2019/05/03 |
8 |
$480,000 |
-66% |
3,457 |
$139 |
$115,250,000 |
5 |
2019/05/10 |
8 |
$190,000 |
-60% |
1,952 |
$97 |
$114,260,000 |
6 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits