| Theatrical Performance (US$) | ||
| Argentina Box Office | $6,767 | Details |
| Worldwide Box Office | $1,445,523 | Details |
| Further financial details... | ||
| Argentina Releases: | September 27th, 2019 (Wide) |
| Running Time: | 127 minutes |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Ad Vitam, Ex Nihilo, Bibi Film |
| Production Countries: | France, Italy |
| Languages: | English, French, Italian |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 9/27/2019 | $3,876 | 0 | 0 | 0 | $6,767 | 10/20/2019 |
| France | 2/1/2019 | $405,301 | 144 | 155 | 299 | $709,340 | 2/16/2019 |
| Italy | 2/28/2019 | $0 | 0 | 27 | 46 | $621,277 | 4/13/2019 |
| Spain | 8/16/2019 | $38,933 | 50 | 57 | 107 | $105,600 | 8/29/2019 |
| Turkey | 6/21/2019 | $957 | 17 | 17 | 31 | $2,539 | 7/5/2019 |
| Worldwide Total | $1,445,523 | 10/20/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Valeria Bruni Tedeschi |
| Pierre Arditi | ||
| Noemie Lvovsky | ||
| Valeria Golino | ||
| Yolande Moreau | ||
| Laurent Stocker | ||
| Riccardo Scamarcio | ||
| Bruno Raffaelli | ||
| Marisa Borini | ||
| Vincent Perez |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Valeria Bruni Tedeschi | Director | |
| Valeria Bruni Tedeschi | Screenwriter | |
| Agnes De Sacy | Screenwriter | |
| Noemie Lvovsky | Screenwriter | |
| Caroline Deruas | Screenwriter | |
| Alexandra Henochsberg | Producer | |
| Patrick Sobelman | Producer | |
| Angelo Barbagallo | Producer | |
| Emmanuelle Duplay | Production Designer | |
| Anne Weil | Editor |
