Belgium Box Office for Elefante blanco (2012)
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Synopsis
In the “Villa Virgin”, a shantytown in the slums of Buenos Aires, Julian The Secret in Their Eyes, and Nicolas–two priests and long
-standing friends–work tirelessly to help the local people.
Nicolas joins Julian in overseeing the construction of a hospital following the failure of a project he was leading in which paramilitary forces assassinated members of the community.
Deeply troubled by his actions, Nicolas finds solace in Luciana, a young, attractive atheist social worker. As Nicholas’s beliefs wane, tension and violence grow between the slum’s drug-dealing cartels and when work on the hospital is halted by ministerial decree, the faith of the entire community is put to the test.
Metrics
Movie Details
| Belgium Releases: |
March 13th, 2013 (Wide) |
| Video Release: |
April 2nd, 2013 by Strand Home |
| MPAA Rating: |
Not Rated |
| Running Time: |
120 minutes |
| Keywords: |
Religious, Poverty, Government Corruption, Organized Crime, Narcotics, Social Worker |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Morena Films, Matanza Cine, Patagonik, Full House |
| Production Countries: |
Argentina, France, Spain |
| Languages: |
Spanish |
April 2nd, 2013
There was a huge selection of films in the $10,000 club, led by The Place Beyond the Pines, which earned an average of $69,864 in four theaters. This is the second-best per theater average for the year thus far, behind only Spring Breakers. Space Station rose back to the $10,000 club with $15,301 in two theaters. This film has amazing legs, even compared to other IMAX films, and pops into the $10,000 from time to time. Room 237 opened with an average of $14,847 in two theaters. This is a good start, but as a documentary its potential to expand is very limited. The overall box office leader, G.I. Joe: Retaliation, earned an average of $10,891 over the three-day portion of its opening weekend. Renoir was right behind with an average of $10,866 in six theaters. Temptation also managed to earn a spot in the $10,000 club with an average of $10,572.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2013/03/15 |
26 |
$6,425 |
|
5 |
$1,285 |
$6,425 |
1 |
| 2013/03/22 |
25 |
$5,138 |
-20% |
5 |
$1,028 |
$14,260 |
2 |
| 2013/03/29 |
24 |
$2,913 |
-43% |
4 |
$728 |
$18,550 |
3 |
| 2013/04/05 |
21 |
$3,211 |
+10% |
4 |
$803 |
$23,049 |
4 |
| 2013/04/12 |
21 |
$1,934 |
-40% |
4 |
$484 |
$25,951 |
5 |
| 2013/04/19 |
28 |
$713 |
-63% |
3 |
$238 |
$27,182 |
6 |
| 2013/04/26 |
25 |
$1,164 |
+63% |
3 |
$388 |
$29,282 |
7 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
5/17/2012 |
$873,671 |
89 |
89 |
564 |
$3,960,455 |
12/29/2018 |
| Belgium |
3/13/2013 |
$6,425 |
5 |
5 |
28 |
$29,282 |
12/14/2015 |
| Brazil |
11/9/2012 |
$2,458 |
21 |
21 |
87 |
$338,903 |
12/14/2015 |
| Netherlands |
4/11/2013 |
$4,480 |
7 |
7 |
7 |
$4,480 |
12/14/2015 |
| North America |
3/29/2013 |
$5,098 |
1 |
1 |
3 |
$8,863 |
|
| Peru |
12/25/2012 |
$8,773 |
2 |
3 |
9 |
$24,603 |
12/30/2018 |
| Spain |
7/13/2012 |
$297,538 |
113 |
113 |
640 |
$1,284,608 |
12/12/2015 |
| Taiwan |
3/22/2013 |
$1,317 |
2 |
2 |
3 |
$3,439 |
12/14/2015 |
| United Kingdom |
4/26/2013 |
$12,824 |
7 |
7 |
7 |
$12,824 |
12/14/2015 |
| Uruguay |
11/1/2012 |
$16,054 |
9 |
9 |
33 |
$57,333 |
12/29/2018 |
| |
| Worldwide Total | $5,724,790 |
12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
