United Kingdom Box Office for Don't Let Go (2019)

← Go to main Don’t Let Go page

Don’t Let Go
Theatrical Performance (US$)
United Kingdom Box Office $73,074Details
Worldwide Box Office $5,288,136Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Detective Jack Radcliff gets a shocking phone call from his recently-murdered niece Ashley. Working together across time, they race to solve her murder before it can happen.

Metrics

Movie Details

Production Budget:$5,000,000
United Kingdom Releases: September 27th, 2019 (Wide), released as Don't Let Go
Video Release: November 26th, 2019 by Universal Home Entertainment
MPAA Rating: R for violence, bloody images, and language.
Running Time: 107 minutes
Keywords: Sundance Film Festival 2019, Time Travel, Psychological Thriller, Death of Other Extended Family, Death of a Sibling, Unbelieving Police, Murder - Suicide, Corrupt Cops, Surprise Twist
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Blumhouse, Briarcliff Entertainment
Production Countries: United States
Languages: English

Home Market Releases for November 26th, 2019

November 27th, 2019

MST3K

It is an even worse week on the home market than it was last week. There are two Pick of the Week contenders, MST3K: The Gauntlet and RoboCop: Limited Edition Collector’s Set. The latter has far more extras, but it has also been released on the home market far too many times. It’s not even the first time it has come out on Blu-ray. It was still a very close competitoion, but in the end, MST3K won the title of Pick of the Week. More...

Theater Averages: Chapter Two Earns Another Number One

September 12th, 2019

It: Chapter Two

It: Chapter Two not only earned first place on the overall box office, it earned first place on the theater average chart with an average of $19,926. Linda Ronstadt: The Sound of My Voice was next with an average of $16,176 in seven theaters; this is an excellent result for a documentary. Next up might be my favorite box office result of the year, as Mr. Klein and Ms. Purple had nearly identical openings at $15,915 and $15,734 respectively. Mr. Klien and Ms. Purple just seem like a nice couple. I’m glad they met. ... Moving on. More...

Theater Averages: Miles Davis is too Cool for New Releases

September 5th, 2019

Miles Davis: Birth of the Cool

It was an odd week on the theater average chart, as the number one film was a holdover. Miles Davis: Birth of the Cool’s average was down less than 0.2% to $18,222 and it did this while doubling its theater count to 2. This is very impressive and bodes well for its future. The best new release was Ne Zha, which earned an average $17,649 in 66 theaters. Animated films rarely do well in limited release and 66 theaters is a lot for a limited release, so this average is even more impressive than it looks at first glance. Finally, Official Secrets opened with an average of $16,241. More...

Limited and VOD Releases: Don’t Let these Films Remain Secrets

August 30th, 2019

Before You Know It

It’s an awkward time for limited releases, as it is way too late for a summer box office run, but still way too early for Awards Season buzz. That said, there are some films on this week’s list that could do well in theaters, even if they never expand significantly. These include; Before You Know It, The Load, Ne Zha, and Official Secrets. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/09/27 - $73,074   119 $614   $73,074 1

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
North America 8/30/2019 $2,338,669 922 922 1,844 $5,215,062 3/20/2020
Spain 2/14/2020 00$0
United Kingdom 9/27/2019 $73,074 119 119 119 $73,074 10/2/2019
 
Worldwide Total$5,288,136 3/20/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

David Oyelowo    Detective Jack Radcliff
Storm Reid    Ashley Radcliffe

Supporting Cast

Mykelti Williamson    Bobby
Brian Tyree Henry    Garret Radcliff
Shinelle Azoroh    Susan
Byron Mann    Detective Roger Lee
April Grace    Sergeant Julia Rodriguez
Alfred Molina    Howard
Omar Leyva    Property Officer
Ray Barnes    Reverend Ray

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jacob Aaron Estes    Director
Jacob Aaron Estes    Screenwriter
Jacob Aaron Estes    Story by
Drew Daywalt    Story by
Jason Blum    Producer
Bobby Cohen    Producer
David Oyelowo    Producer
Scott D. Hansen    Editor
Billy Fox    Editor
Ethan Gold    Composer
Sharone Meir    Director of Photography