Synopsis
Escaping post-war Europe, visionary architect László Toth arrives in America to rebuild his life, his work, and his marriage to his wife Erzsébet after being forced apart during wartime by shifting borders and regimes. On his own in a strange new country, László settles in Pennsylvania, where the wealthy and prominent industrialist Harrison Lee Van Buren recognizes his talent for building. But power and legacy come at a heavy cost…
Metrics
Movie Details
| Czech Republic Releases: |
February 6th, 2025 (Wide), released as Brutalista |
| Video Release: |
February 18th, 2025 by A24 |
| MPAA Rating: |
R for strong sexual content, graphic nudity, rape, drug use and some language.
(Rating bulletin 2865 (cert #55304), 12/18/2024) |
| Running Time: |
215 minutes |
| Keywords: |
Post War, Jewish, Venice Film Festival 2024, Festival Acquisition, Historical Drama, 1940s, 1950s, 1980s, Epilogue, Holocaust Survivor, Holocaust, Sex Crimes, Addiction, Narcotics, Ensemble, 2025 Oscars Best Picture Nominee, Golden Globe Winner Best Picture—Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: |
Andrew Lauren Productions |
| Production Countries: |
Hungary, United Kingdom, United States |
| Languages: |
English, Hebrew, Hungarian, Italian, Yiddish |
December 20th, 2024
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Sonic the Hedgehog 3 looks like it will not only win the weekend, but do so handily, as Mufasa: The Lion King looks surprisingly weak as of Friday morning. Both films should have long legs through the holidays, but Mufasa has a lot of ground to make up after posting just $3.3 million in previews on Thursday.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2025/02/07 |
7 |
$59,047 |
|
138 |
$428 |
$61,187 |
1 |
| 2025/02/14 |
11 |
$37,994 |
-36% |
50 |
$760 |
$120,467 |
2 |
| 2025/02/21 |
13 |
$23,146 |
-39% |
35 |
$661 |
$153,801 |
3 |
| 2025/02/28 |
15 |
$15,363 |
-34% |
38 |
$404 |
$177,257 |
4 |
| 2025/03/07 |
11 |
$16,363 |
+7% |
27 |
$606 |
$210,273 |
5 |
| 2025/03/14 |
19 |
$11,351 |
-31% |
20 |
$568 |
$227,367 |
6 |
| 2025/03/21 |
19 |
$6,363 |
-44% |
18 |
$354 |
$236,443 |
7 |
| 2025/03/28 |
19 |
$8,829 |
+39% |
26 |
$340 |
$248,692 |
8 |
| 2025/04/04 |
17 |
$5,931 |
-33% |
18 |
$330 |
$258,837 |
9 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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