Spain Box Office for Bel Canto. La ultima funcion (2018)

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Bel Canto
Theatrical Performance (US$)
Spain Box Office $53,249Details
Worldwide Box Office $269,437Details
Home Market Performance
North America DVD Sales $39,385 Details
North America Blu-ray Sales $39,284 Details
Total North America Video Sales $78,669
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Roxane Coss, a famous American soprano, travels to South America to give a private concert at the birthday party of rich Japanese industrialist Katsumi Hosokawa. Just as a handsome gathering of local dignitaries convenes at Vice-President Ruben Ochoa’s mansion, including French Ambassador Thibault and his wife, Hosokawa’s faithful translator Gen, and Russian trade delegate Fyorodov, the house is taken over by guerrillas demanding the release of their imprisoned comrades. Their only contact with the outside world is through Red Cross negotiator Messner. A month long standoff ensues in which hostages and captors must overcome their differences and find their shared humanity and hope in the face of impending disaster.

Metrics

Movie Details

Spain Releases: March 22nd, 2019 (Wide), released as Bel Canto. La ultima funcion
Video Release: November 6th, 2018 by Screen Media Video
MPAA Rating: Not Rated
Running Time: 100 minutes
Keywords: Kidnap, Set in South America, Fictional Country, 1990s, Opera, Revolution
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Priority Pictures, A-Line Pictures, Depth of Field, Bloom
Production Countries: United States
Languages: English

Home Market Releases for November 6th, 2018

November 6th, 2018

Incredibles 2

This is either an amazing week or a terrible week, depending on how you look at things. It is amazing, because there is a trio of releases I was really looking forward to reviewing: BlacKkKlansman, Incredibles 2, and Christopher Robin. It’s a terrible week, because none of those screeners showed up. I normally don’t like giving the Pick of the Week when I’m still waiting for the screener, but that’s not an option this week, so Incredibles 2 wins. More...

Theater Averages: Museum Sneaks away with First Place

September 20th, 2018

Museum

It was a crowded week on the theater average chart with five films in the $10,000 club. This includes Museum, which led the way with $16,554 in its lone theater. Hal actually jumped into the $10,000 club with $12,150 in one theater during its second weekend of release. Lizzie was the widest release in the $10,000 club with an average of $11,895 in four theaters. Science Fair was next with $11,231 in one theater. Another documentary, The Dawn Wall, was next with an average of $10,829 in two theaters. More...

Limited and VOD Releases: No Limited Releases are Alone this Week

September 14th, 2018

I am Not a Witch

Every week, I have to decide which limited releases to talk about in the main list of this column. Usually I limit myself to those with double-digit reviews on Rotten Tomatoes. Last week, there were so few limited releases to talk about, I included some that I wouldn’t normally include. This week, there are about 30 films coming out in limited release, so I have to be extra judicious and cut some films just to keep the list manageable. Unfortunately, it feels like a case of quantity over quality. There are some movies that are getting excellent reviews, but a lot of movies that had strong pre-release buzz are disappointing critically. There are some I’m interested in, like I Think We’re Alone Now, but that’s more for the cast than the reviews. Mandy is one of the best films, but it is playing on Video on Demand, so I don’t expect it will do well at the box office. There are also several documentaries, with Science Fair being the one I want to see the most. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/03/22 18 $29,037   33 $880   $29,037 1
2019/03/29 25 $8,111 -72% 24 $338   $53,249 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Lithuania 10/5/2018 $1,912 21 21 23 $2,742 10/18/2018
New Zealand 7/9/2020 $0 0 10 53 $7,806 11/24/2020
North America 9/14/2018 $12,421 2 30 56 $80,134
Portugal 11/9/2018 $18,964 18 20 42 $41,095 12/4/2018
Russia (CIS) 9/13/2018 $28,836 180 180 180 $44,715 1/1/2019
South Korea 9/26/2019 $11,816 47 47 49 $23,611 10/9/2019
Spain 3/22/2019 $29,037 33 33 57 $53,249 4/5/2019
Turkey 11/2/2018 $3,804 18 18 18 $3,804 2/26/2019
United Kingdom 4/26/2019 $12,281 23 23 23 $12,281 5/1/2019
 
Worldwide Total$269,437 11/24/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Julianne Moore    Roxane Coss
Ken Watanabe    Hosokowa

Supporting Cast

Sebastian Koch    Messner
Ryo Kase    Gen
Tenoch Huerta    Comandante Benjamin
Noe Hernandez    Comandante Alfredo
Johnny Ortiz    Gilbert
Maria Mercedes Coroy    Carmen
Ethan Simpson    Cesar
Gabo Augustine    Ishmael
Carmen Zilles    Beatriz

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paul Weitz    Director
Paul Weitz    Screenwriter
Anthony Weintraub    Screenwriter
Ann Patchett    Story based on the novel by
Caroline Baron    Producer
Anthony Weintraub    Producer
Paul Weitz    Producer
Andrew Miano    Producer
Lizzie Friedman    Producer
Karen Lauder    Producer
Greg Little    Producer
Madeline Anbinder    Executive Producer
Stephen Anbinder    Executive Producer
Tracy Baron    Executive Producer
Robert Baron    Executive Producer
Lisa Wolofsky    Executive Producer
Alex Walton    Executive Producer
Matthew Helderman    Co-Executive Producer
Luke Taylor    Co-Executive Producer
Sean Fogel    Co-Producer
Tobias Datum    Director of Photography
Tommaso Ortino    Production Designer
Susan Jacobs    Music Supervisor
David Majzlin    Composer
Suzy Elmiger    Editor
Catherine Riley    Costume Designer
Avy Kaufman    Casting Director