Synopsis
The story of the Siege of Ansi, where Goguryeo forces held their fortress against 500,000 invading Tang soldiers in a battle that raged for eighty-eight days.
Metrics
Movie Details
January 9th, 2019
We are still in that awkward time on the home market we have to deal with every year. It is too late for the summer blockbusters to come out on DVD / Blu-ray, but too soon for the fall hits or Oscar contenders. This means there’s very little in the way of contenders for Pick of the Week with only one release worth considering, a Canadian show, Frankie Drake Mysteries: Season 1. This does mean I get to give out a Puck of the Week, for best Canadian release.
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September 25th, 2018
Colette earned first place on the theater average chart with an average of $40,295 in four theaters. The Sisters Brothers was in second place with an average of $28,894, also in four theaters. Nothing Like a Dame was very strong for a documentary with $14,777 in its lone theater. One could argue Garry Winogrand: All Things Are Photographable belongs in the $10,000 club, as it earned $9,538 in one theater over the weekend and $13,782 from Wednesday through Sunday.
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September 25th, 2018
The Nun held on strongly repeating as the international box office champion with $35.0 million on 12,817 screens in 80 markets for totals of $192.1 million internationally and $292.7 million worldwide. The film opened in first place in France with $4.5 million on 348 screens and in Russia with $4.2 million on 1,847. On the other hand, it had to settle for fourth place in South Korea with $2.96 million on 824 screens over the weekend for a total opening of $4.28 million. It is no longer in last place for the franchise; in fact, it could be in second place by the weekend.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/09/21 |
1 |
$9,107,652 |
|
1,341 |
$6,792 |
$11,095,743 |
1 |
| 2018/09/28 |
1 |
$6,325,972 |
-31% |
1,381 |
$4,581 |
$34,412,923 |
2 |
| 2018/10/05 |
3 |
$1,798,516 |
-72% |
649 |
$2,771 |
$38,755,345 |
3 |
| 2018/10/12 |
5 |
$548,765 |
-69% |
535 |
$1,026 |
$40,362,369 |
4 |
| 2018/10/19 |
7 |
$161,824 |
-71% |
269 |
$602 |
$40,392,177 |
5 |
| 2018/10/26 |
13 |
$29,434 |
-82% |
87 |
$338 |
$41,393,559 |
6 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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