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| Theatrical Performance (US$) | ||
| Italy Box Office | $2,428,833 | Details |
| Worldwide Box Office | $56,466,711 | Details |
| Further financial details... | ||
Anora, a young street girl from Brooklyn, gets her chance at a Cinderella fairytale when she meets and impulsively marries the son of an oligarch. As soon as the news reaches Russia, her fairytale is threatened, as her parents head to New York to have the marriage annulled.
November 8th, 2024
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Venom: The Last Dance goes into its third weekend as favorite to win the race at the box office. Newcomers Heretic and The Best Christmas Pageant Ever could theoretically challenge Venom, but will most likely be battling for second place. With four or five other films opening in over 400 theaters, we once again are looking at a crowded weekend for movies, but a continued quiet time in movie theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2024/11/08 | 11 | $201,545 | 0 | $202,056 | 1 | ||
| 2024/11/15 | 12 | $134,353 | -33% | 0 | $405,882 | 2 | |
| 2024/11/22 | 14 | $64,783 | -52% | 0 | $507,763 | 3 | |
| 2024/11/29 | 17 | $45,744 | -29% | 0 | $568,135 | 4 | |
| 2024/12/06 | - | $19,000 | -58% | 16 | $1,188 | $589,000 | 5 |
| 2024/12/13 | - | $18,000 | -5% | 17 | $1,059 | $613,000 | 6 |
| 2025/02/21 | 11 | $96,483 | 0 | $779,533 | 16 | ||
| 2025/02/28 | 11 | $71,555 | -26% | 0 | $888,424 | 17 | |
| 2025/03/07 | 3 | $546,745 | +664% | 0 | $1,576,063 | 18 | |
| 2025/03/14 | 4 | $398,438 | -27% | 0 | $2,204,118 | 19 | |
| 2025/03/21 | 11 | $132,923 | -67% | 0 | $2,428,833 | 20 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 1/16/2025 | $57,000 | 45 | 71 | 300 | $504,000 | 3/25/2025 |
| Australia | 12/26/2024 | $258,627 | 96 | 96 | 505 | $2,008,322 | 6/23/2025 |
| Austria | 10/31/2024 | $58,000 | 27 | 33 | 103 | $184,000 | 12/16/2024 |
| Belgium | 10/30/2024 | $232,000 | 90 | 96 | 342 | $570,000 | 12/16/2024 |
| Bosnia and Herzegovina | 11/21/2024 | $1,000 | 10 | 10 | 10 | $1,000 | 11/25/2024 |
| Brazil | 1/23/2025 | $187,000 | 192 | 192 | 933 | $1,067,000 | 3/17/2025 |
| Bulgaria | 12/5/2024 | $18,000 | 28 | 28 | 28 | $18,000 | 12/10/2024 |
| Central America | 1/16/2025 | $29,000 | 45 | 45 | 45 | $52,000 | 1/27/2025 |
| Chile | 10/31/2024 | $19,000 | 43 | 43 | 43 | $19,000 | 11/4/2024 |
| Colombia | 1/30/2025 | $60,000 | 77 | 77 | 142 | $236,000 | 3/10/2025 |
| Croatia | 10/31/2024 | $12,232 | 34 | 34 | 144 | $92,730 | 7/7/2025 |
| Cyprus | 11/7/2024 | $3,000 | 6 | 6 | 6 | $3,000 | 11/11/2024 |
| Czech Republic | 10/31/2024 | $23,932 | 83 | 83 | 118 | $68,389 | 11/12/2024 |
| Denmark | 12/5/2024 | $67,000 | 70 | 70 | 133 | $905,000 | 2/3/2025 |
| Ecuador | 1/16/2025 | $9,000 | 30 | 30 | 30 | $9,000 | 1/21/2025 |
| Estonia | 1/30/2025 | $45,000 | 20 | 20 | 32 | $60,000 | 2/10/2025 |
| Finland | 11/1/2024 | $78,602 | 67 | 67 | 504 | $645,135 | 5/5/2025 |
| France | 10/30/2024 | $0 | 0 | 0 | 0 | $0 | |
| Georgia | 10/31/2024 | $4,000 | 4 | 4 | 4 | $4,000 | 11/4/2024 |
| Germany | 10/31/2024 | $340,000 | 102 | 230 | 1481 | $1,818,000 | 4/7/2025 |
| Greece | 10/25/2024 | $78,000 | 41 | 50 | 91 | $181,000 | 11/4/2024 |
| Hong Kong | 10/31/2024 | $55,000 | 35 | 35 | 45 | $118,000 | 11/18/2024 |
| Hungary | 11/7/2024 | $22,000 | 28 | 28 | 28 | $22,000 | 11/11/2024 |
| Iceland | 12/5/2024 | $3,000 | 2 | 2 | 2 | $3,000 | 12/10/2024 |
| Italy | 11/7/2024 | $201,545 | 0 | 17 | 33 | $2,428,833 | 3/24/2025 |
| Japan | 2/28/2025 | $257,000 | 177 | 186 | 796 | $1,543,000 | 4/7/2025 |
| Latvia | 10/31/2024 | $11,000 | 11 | 11 | 11 | $11,000 | 11/4/2024 |
| Mexico | 1/16/2025 | $251,196 | 0 | 240 | 777 | $1,860,000 | 4/7/2025 |
| Netherlands | 10/31/2024 | $176,680 | 73 | 107 | 847 | $1,310,440 | 3/24/2025 |
| New Zealand | 12/26/2024 | $26,568 | 30 | 30 | 179 | $189,753 | 5/12/2025 |
| North America | 10/18/2024 | $550,503 | 6 | 1,938 | 10,486 | $20,474,298 | 3/28/2025 |
| Norway | 10/25/2024 | $22,000 | 48 | 48 | 66 | $50,000 | 11/4/2024 |
| Peru | 1/16/2025 | $20,000 | 50 | 50 | 56 | $53,000 | 2/3/2025 |
| Philippines | 1/22/2025 | $16,000 | 23 | 23 | 23 | $16,000 | 1/27/2025 |
| Poland | 11/21/2024 | $73,000 | 97 | 97 | 214 | $535,000 | 3/17/2025 |
| Portugal | 10/31/2024 | $33,776 | 33 | 50 | 338 | $417,779 | 4/29/2025 |
| Romania | 11/8/2024 | $36,829 | 76 | 76 | 137 | $115,220 | 5/7/2025 |
| Russia (CIS) | 10/17/2024 | $576,441 | 1118 | 1118 | 3157 | $3,014,938 | 3/12/2025 |
| Serbia and Montenegro | 11/21/2024 | $33,000 | 43 | 43 | 43 | $33,000 | 11/25/2024 |
| Singapore | 10/31/2024 | $15,000 | 6 | 6 | 6 | $15,000 | 11/4/2024 |
| Slovakia | 10/31/2024 | $10,584 | 56 | 56 | 74 | $30,821 | 3/11/2025 |
| Slovenia | 11/21/2024 | $19,000 | 26 | 26 | 26 | $19,000 | 11/25/2024 |
| South Africa | 1/30/2025 | $7,000 | 24 | 24 | 24 | $7,000 | 2/3/2025 |
| South Korea | 11/6/2024 | $95,574 | 314 | 314 | 550 | $527,861 | 4/2/2025 |
| Spain | 10/31/2024 | $176,823 | 177 | 313 | 1596 | $2,617,328 | 4/17/2025 |
| Sweden | 12/6/2024 | $44,000 | 95 | 95 | 95 | $44,000 | 12/10/2024 |
| Taiwan | 12/6/2024 | $16,000 | 22 | 22 | 22 | $16,000 | 12/10/2024 |
| Thailand | 10/31/2024 | $32,000 | 35 | 35 | 66 | $88,000 | 11/18/2024 |
| Turkey | 11/1/2024 | $24,132 | 50 | 94 | 298 | $197,605 | 4/11/2025 |
| United Kingdom | 11/1/2024 | $659,589 | 344 | 429 | 2009 | $3,695,000 | 3/25/2025 |
| Uruguay | 1/23/2025 | $6,000 | 10 | 10 | 10 | $6,000 | 1/27/2025 |
| Venezuela | 1/16/2025 | $11,000 | 40 | 40 | 49 | $20,000 | 1/27/2025 |
| Rest of World | $8,542,259 | ||||||
| Worldwide Total | $56,466,711 | 7/7/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Mikey Madison | Ani |
| Mark Eydelshteyn | Ivan | |
| Yura Borisov | Igor | |
| Karren Karaguilian | Toros | |
| Vache Tovmasyan | Garnick | |
| Luna Sofia Miranda | Lulu | |
| Lindsey Normington | Diamond | |
| Darya Ekamasova | Galina Zakharov | |
| Anton Bitter | Tom | |
| Vlad Mamai | Aleks | |
| Maria Tichinskaya | Dasha | |
| Ivy Wolk | Crystal | |
| Aleksey Serebryakov | Nikolai Zakharov | |
| Paul Weissman | Nick | |
| Emily Weider | Nikki | |
| Vincent Radwinsky | Jimmy | |
| Brittney Rodriguez | Dawn | |
| Sophia Carnabuci | Jenny | |
| Ella Rubin | Vera | |
| Ross Brodar | Mansion Day Guard | |
| Zoe Vnak | Rachel | |
| Morgan Charlton | Sunny | |
| Nazar Khamis | Vlad | |
| Charles Jang | Vegas Hotel Manager | |
| Lana Svidonovich | Toros’ Wife | |
| Masha Zhak | Tatiana’s Hostess | |
| Sebastian Conelli | Tow Truck Driver | |
| Irina Finogeeva | Bartender | |
| Mariana Orozco Arango | Pearl | |
| Artyom Trubinikov | Michael Sharnov | |
| Michael Sergio | Judge | |
| Charlton Lamar | Court Guard | |
| Mickey O'Hagan | Divorce Center Clerk |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Sean Baker | Director | |
| Sean Baker | Screenwriter | |
| Alex Coco | Producer | |
| Samantha Quan | Producer | |
| Sean Baker | Producer | |
| Ken Meyer | Executive Producer | |
| Clay Pecorin | Executive Producer | |
| Glen Basner | Executive Producer | |
| Alison Cohen | Executive Producer | |
| Milan Popelka | Executive Producer | |
| Drew Daniels | Director of Photography | |
| Stephen Phelps | Production Designer | |
| Sean Baker | Editor | |
| Jocelyn Pierce | Costume Designer | |
| Olivia Kavanaugh | Unit Production Manager | |
| Liza Mann | First Assistant Director | |
| Sofia Blanco | Second Assistant Director | |
| Sean Baker | Casting Director | |
| Samantha Quan | Additional Casting | |
| Liz Siegal* | Co-Producer | |
| Rhyan Elliott | Production Supervisor | |
| Ross Brodar | Location Manager | |
| Alex Coco | Post-Production Supervisor | |
| Matthew Hearon-Smith | Music Supervisor | |
| Matthew Miller | Assistant Editor | |
| Ryan Fitzgerald | Art Director | |
| Christopher Phelps | Set Decorator | |
| Boris Krichevsky | Sound Mixer | |
| Annie Johnson | Make up | |
| Justine Sierakowski | Hairstylist | |
| Brian Schuley | Special Effects Coordinator | |
| D. Chris Smith | Sound Effects Editor | |
| Adam Kopald | Sound Effects Editor | |
| Jesse Pomeroy | Dialogue Editor | |
| Nick Pavey | Dialogue Editor | |
| Jo Caron | Foley Mixer | |
| Manny Siverio | Stunt Coordinator | |
| Christopher Colombo | Stunt Coordinator | |
| Roberto Lopez | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
