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| Theatrical Performance (US$) | ||
| Portugal Box Office | $5,167 | Details |
| Worldwide Box Office | $106,508 | Details |
| Home Market Performance | ||
| North America DVD Sales | $15,245 | Details |
| North America Blu-ray Sales | $44,546 | Details |
| Total North America Video Sales | $59,791 | |
| Further financial details... | ||
| Portugal Releases: | August 3rd, 2018 (Wide) |
| Video Release: | July 10th, 2018 by IFC Video |
| MPAA Rating: | Not Rated |
| Running Time: | 117 minutes |
| Keywords: | Coming of Age, Missing Person, Romani, Refugee, Set in Italy |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | Brazil, France, Germany, Italy, Sweden, United States |
| Languages: | Italian |
January 23rd, 2018
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No film reached the $10,000 club. In fact, Hostiles was the best film with an average of $6,666 in 49 theaters. Mary And The Witch’s Flower looks like it had a better weekend; however, its numbers are complicated. The film earned $1.17 million during its Thursday special showings in 573 theaters for an average of $2,037. Then it earned $330,000 in 161 theaters over the weekend in regular screenings for an average of $2,050. This shows that Anime fans are not numerous, but they are very eager for special screenings.
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January 19th, 2018
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There are two major awards ceremonies this weekend, so it is no surprise there are not many great limited releases to talk about. The art house aficionados are distracted. That’s not to say there are no films worth checking out. Mary And The Witch’s Flower and This Giant Papier-Mâché Boulder Is Actually Really Heavy both look good. Neither look like they will be hits at the box office, but I do want to watch them.
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November 22nd, 2017
The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/08/03 | 25 | $1,051 | 4 | $263 | $1,051 | 1 | |
| 2018/08/10 | 29 | $962 | -8% | 3 | $321 | $3,074 | 2 |
| 2018/08/17 | 31 | $1,030 | +7% | 3 | $343 | $5,167 | 3 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 3/30/2018 | $7,495 | 0 | 0 | 0 | $16,168 | 1/1/2019 |
| Italy | 8/31/2017 | $29,728 | 0 | 0 | 0 | $30,992 | 9/5/2017 |
| North America | 1/19/2018 | $6,330 | 1 | 6 | 13 | $40,483 | |
| Portugal | 8/3/2018 | $1,051 | 4 | 4 | 10 | $5,167 | 8/22/2018 |
| United Kingdom | 6/15/2018 | $13,698 | 20 | 20 | 20 | $13,698 | 6/21/2018 |
| Worldwide Total | $106,508 | 1/1/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Jonas Carpignano | Director |
