| Theatrical Performance (US$) | ||
| Australia Box Office | $595,050 | Details |
| Worldwide Box Office | $59,667,625 | Details |
| Further financial details... | ||
| Production Budget: | $20,000,000 |
| Australia Releases: | January 22nd, 2004 (Limited) |
| Video Release: | August 24th, 2004 by Universal Home Entertainment |
| MPAA Rating: | R |
| Running Time: | 124 minutes |
| Keywords: | Non-Chronological, Life Drama, Medical and Hospitals, Hit and Run, Addiction, Off the Wagon / Relapse |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
February 17th, 2009
This felt like a slow week to me, but looking at the list there were 15 spotlight reviews, which is a huge amount for one week. There are a large number of DVDs worth checking out, but looking at the top of the list, I think Christopher Titus - Love is Evol is the best DVD coming out this week, and the winner of the DVD Pick of the Week. As has happened pretty much every week this year, there are so many DVDs on this week's list that is had to be split into two. The second part can be found here.
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October 3rd, 2006
It's the week of the special edition, with roughly 409 such releases on the list (410 if you count the concurrent releases for X-Men: The Last Stand). Of these, most are completely skippable, but a few are actually worth the upgrade. When it comes to digging through the clutter and finding the best of the best there were a few contenders including the blockbusters X-Men: The Last Stand - Collector's Edition, but the likelihood of a bigger special edition coming out sooner than later prevented it from winning. Thank You for Smoking - Buy from Amazon was also highly rated, but in the end I went with Humphrey Bogart - The Signature Collection - Volume 2. Meanwhile, for fellow Canadians, it is your patriotic duty to pick up Corner Gas - Season 3 tomorrow.
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March 15th, 2004
Every week films get a second chance at success from the home market; or, in some cases, a first chance at success. Here is a list of wide releases, limited releases and a few from the growing TV on DVD section. It was another slow week as not one new release made it on Amazon's Top Ten Sales Chart. There are a couple of good DVDs, but they are special editions of older DVDs. That kept my 'To buy list' to just two: The Commitments and Married... with Children - Second Season - (Buy from Amazon.) More...March 1st, 2004
The Oscars weren't the only award celebration held over the weekend as the IFP Independent Spirit Awards were also handed out. Lost in Translation was the big winner but plenty of other talent was rewarded. More...February 26th, 2004
No movie managed to beak the $10,000 per theatre average this weekend. Overall the best showing was The Battle of Algiers with $9,143. The best new limited release, Lost Boys of Sudan, finished in second place with $7,485. In the mean time, the best wide release was way down the list in 16th place. That film, Confessions of a Teenage Drama Queen could only manage an average of $3,736. More...January 27th, 2004
Nominations for the 76the Annual Academy Awards were announced today. As always, here is a list of the nominations, plus reactions below.
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January 21st, 2004
Not one movie made it to the $10,000 per theatre average, although a few came close. The debut of Along Came Polly came in first with $9,290 per theatre, while the second weekend for The Battle of Algiers was just behind with $9,240 per theatre. Perhaps the best performance was by Girl with a Pearl Earring, which saw an increase in both theatre count and per theatre average.
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January 18th, 2004
On Thursday the 10th annual Screen Actors Guild Awards(R) Nominations were announced. Here is a list of all the nominations in theatrical categories as well as a brief reaction to them. More...December 2nd, 2003
Smaller, independent films dominated the top Ten Per Theatre Average chart this week, taking the first seven spots.
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November 25th, 2003
November 20th, 2003
October 23rd, 2003
August 28th, 2003
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2004/01/23 | - | $365,200 | 40 | $9,130 | $365,200 | 1 | |
| 2004/05/07 | - | $11,903 | 26 | $458 | $529,531 | 16 | |
| 2004/05/14 | - | $5,996 | -50% | 16 | $375 | $531,631 | 17 |
| 2004/05/21 | - | $6,936 | +16% | 11 | $631 | $549,756 | 18 |
| 2004/05/28 | - | $11,536 | +66% | 19 | $607 | $574,502 | 19 |
| 2004/06/04 | - | $4,312 | -63% | 11 | $392 | $563,701 | 20 |
| 2004/06/11 | - | $1,621 | -62% | 6 | $270 | $565,822 | 21 |
| 2004/06/18 | - | $452 | -72% | 2 | $226 | $567,079 | 22 |
| 2004/07/02 | - | $77 | 1 | $77 | $586,113 | 24 | |
| 2004/07/09 | - | $272 | +253% | 2 | $136 | $595,050 | 25 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 1/22/2004 | $365,200 | 40 | 40 | 134 | $595,050 | 4/7/2020 |
| North America | 11/21/2003 | $274,454 | 8 | 411 | 3,468 | $16,248,701 | 2/3/2014 |
| Rest of World | $42,823,874 | ||||||
| Worldwide Total | $59,667,625 | 4/7/2020 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Eddie Marsan | ||
| Naomi Watts | Christina | |
| Marc Musso | Freddy | |
| Clea DuVall | Claudia | |
| Lew Temple | County Sheriff | |
| Charlotte Gainsbourg | Mary | |
| Teresa Delgado | Gina | |
| Danny Huston | Michael | |
| Sean Penn | Paul | |
| Melissa Leo | Marianne | |
| Benicio del Toro | Jack |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Alejandro Gonzalez Inarritu | Director |
