Netherlands Box Office for 12 Strong (2018)

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12 Strong
Theatrical Performance (US$)
Netherlands Box Office $684,632Details
Worldwide Box Office $71,118,378Details
Home Market Performance
North America DVD Sales $4,770,936 Details
North America Blu-ray Sales $6,102,277 Details
Total North America Video Sales $10,873,213
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson, is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghan horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners.

Metrics

Movie Details

Production Budget:$35,000,000
Netherlands Releases: February 2nd, 2018 (Wide)
Video Release: April 10th, 2018 by Warner Home Video
MPAA Rating: R for war violence and language throughout.
(Rating bulletin 2502 (Cert #51285), 11/15/2017)
Running Time: 90 minutes
Keywords: 2000s, 9/11, C.I.A., Taliban, Set in Afghanistan, Afghanistan War, Special Ops, IMAX: DMR, War Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Alcon Entertainment, Black Label Media, Jerry Bruckheimer Films, Torridon Films
Production Countries: United States
Languages: English

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

Home Market Releases for April 10th, 2018

April 10th, 2018

Phantom Thread

The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition. More...

Weekend Wrap-Up: Maze Runner Leads 2018 to a Photo Finish with $24.17 million

January 30th, 2018

Maze Runner: The Death Cure

Maze Runner: The Death Cure beat expectations by a little bit with $24.17 million. In fact, every film in the top five this this weekend, except one, topped expectations, including the other new release, Hostiles. This helped the overall box office rise 2.6% from last week. It did fall 0.8% from last year, but 2018 is still ahead of 2017 by $18 million or 2.1% at $908 million to $890 million. More...

Weekend Wrap-Up: New Releases Can’t Outshine Jumanji’s $19.51 million Weekend Haul

January 23rd, 2018

Jumanji: Welcome to the Jungle

Nearly every film we talked about in our predictions beat expectations over the weekend. This includes Jumanji: Welcome to the Jungle, which earned first place with $19.51 million. All three wide releases did better than expected, with 12 Strong leading the way with $15.82 million. The overall box office still fell 15% from last weekend to $135 million. A 15% drop-off for a post-holiday weekend isn’t bad. Compared to this weekend last year, 2018 was down by 7.0%, which isn’t good, but it could have been much worse. Year-to-date, 2018 still has a small lead of 2.9% or $20 million at $725 million to $704 million. Granted, it is still way too early for this to matter, but an early lead means you won’t need to fight back late in the year like we did last year. More...

Weekend Estimates: Jumanji Holds Off 12 Strong, Den of Thieves

January 21st, 2018

Jumanji: Welcome to the Jungle

Jumanji will win at the box office for a third straight weekend, according to studio estimates released on Sunday morning. Its weekend total of about $20.04 million is down just 29% from its MLK Holiday numbers, in spite of losing over 100 theaters (its theater average is off just 26%). With $317 million to date, it is now Sony’s most successful non-Spider-Man movie at the domestic box office, not accounting for ticket price inflation. Inflation-adjusted, it’s at number 8 for the studio, and should end up their fifth-best ticket seller ever.

Jumanji’s strength is far from the only good news this weekend. More...

Friday Estimates: 12 and Thieves Start Strong with $5.66 million Apiece

January 20th, 2018

12 Strong

As expected, 12 Strong opened in first place on Friday. Technically it tied for first place according to the estimates. It did do a little bit better than expected, earning $5.66 million, which puts it on pace for about $15 million over the weekend. Its reviews got a little bit better since Thursday and are now 56% positive, while it is earning an A from CinemaScore. Clearly this movie is connecting with its target audience. This is great news for Warner Bros., as they only spent $35 million making the movie and likely a little under that advertising it. Strong legs would be a good omen for strong home market sales. On the other hand, I don’t think its going to find an audience internationally. More...

Thursday Night Previews: Thieves Steal Top Spot with $950,000

January 19th, 2018

Den of Thieves

Den of Thieves surprised analysts with $950,000 on Thursday, putting it just ahead of 12 Strong, which managed $900,000. However, 12 Strong does have better reviews and a more mature target demographic, so it should have better legs and still has a better shot at the box office overall. Den of Thieves will beat our prediction and will likely earn a spot in the top five. We will have a better idea where it will end up this time tomorrow when Friday’s numbers are in. More...

Weekend Predictions: Are the New Releases Strong? Or will Jumanji Rule Forever?

January 18th, 2018

12 Strong

The post-holiday weekend is rarely a good week to release a movie and none of the three new releases are expected to be box office successes. 12 Strong is the biggest release and it is also earning the best reviews, although its Tomatometer Score is just 50% positive. Den of Thieves isn’t opening as wide, while its reviews are not as good. It also shares its target audience with 12 Strong, which will hurt its box office chances even more. Finally there’s Forever My Girl, which is barely opening semi-wide and will likely miss the top ten. This weekend last year, Split had a shockingly big opening. In fact, the second place film, xXx: Return of Xander Cage, opened with just over $20 million, which is more than any film is expected to earn this weekend. 2018’s mini-winning streak is about to come to a painful end. More...

12 Strong Trailer

January 9th, 2018

War action movie starring Chris Hemsworth, Michael Shannon, Michael Peña, and Trevante Rhodes opens January 19 ... Full Movie Details.

In the harrowing days following 9/11, a U.S. Special Forces team, led by their new Captain, Mitch Nelson, is chosen to be the first U.S. troops sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince Northern Alliance General Dostum to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the Americans—accustomed to state-of-the-art warfare—must adopt the rudimentary tactics of the Afghan horse soldiers. But despite their uneasy bond, the new allies face overwhelming odds: outnumbered and outgunned by a ruthless enemy that does not take prisoners. More...

2018 Preview: January

January 1st, 2018

Paddington 2

2017 wasn’t a good year. It started out well and ended on a high note, but the summer was a disaster and that proved to be too much for the rest of the year to overcome. Fortunately, The Last Jedi and Jumanji: Welcome to the Jungle are still doing very well and will help January get off to a fast start. Unfortunately, the biggest new release of January is Paddington 2 and it isn’t expected to match its predecessor at the box office; it certainly won’t top $100 million domestically. It is unlikely any of the Oscar contenders will hit the century mark in January either. This is really bad news, as last January, we had a new release, Split and an Oscar contender, Hidden Figures, which both topped that milestone with ease. 2018 should get off to a faster start in the first two weeks, but overall, this month will end with a loss. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/02/02 7 $229,731   66 $3,481   $259,711 1
2018/02/09 8 $150,311 -35% 66 $2,277   $463,838 2
2018/02/16 19 $83,206 -45% 63 $1,321   $601,272 3
2018/02/23 - $29,846 -64% 46 $649   $646,897 4
2018/03/02 - $9,408 -68% 20 $470   $676,469 5
2018/03/09 - $4,704 -50% 0     $683,995 6
2018/03/16 - $872 -81% 3 $291   $682,556 7
2018/03/23 - $588 -33% 1 $588   $683,457 8
2018/03/30 - $365 -38% 1 $365   $684,003 9
2018/04/06 - $183 -50% 1 $183   $684,237 10
2018/04/13 - $199 +9% 1 $199   $684,515 11
2018/04/20 - $62 -69% 1 $62   $684,632 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/8/2018 $80,649 124 124 143 $107,129 1/1/2019
Australia 3/9/2018 $719,913 254 254 733 $1,659,461 6/21/2018
Austria 3/9/2018 $28,400 23 23 71 $66,694 4/12/2018
Belgium 2/14/2018 $0 0 13 15 $125,802 3/30/2018
Bolivia 3/8/2018 $15,917 14 14 28 $32,780 1/1/2019
Brazil 3/15/2018 $87,042 85 85 162 $168,562 4/19/2018
Bulgaria 1/26/2018 $21,036 0 0 0 $76,394 2/26/2019
Cambodia 1/19/2018 $0 0 0 0 $4,832 1/1/2019
Chile 3/8/2018 $58,847 38 38 54 $90,395 12/20/2018
Colombia 4/5/2018 $107,458 0 104 137 $106,948 12/20/2018
Costa Rica 5/10/2018 $6,425 10 10 13 $8,418 1/1/2019
Croatia 2/1/2018 $19,406 0 22 28 $72,983 1/1/2019
Cyprus 1/18/2018 $0 0 0 0 $12,577 2/13/2018
Denmark 2/8/2018 $100,683 55 55 61 $317,213 3/30/2018
Dominican Republic 3/22/2018 $8,490 6 6 6 $21,837 1/1/2019
Ecuador 3/30/2018 $76,479 26 28 80 $209,369 12/20/2018
Egypt 1/17/2018 $0 0 0 0 $130,293 1/1/2019
El Salvador 3/22/2018 $7,772 8 8 12 $19,884 1/1/2019
Estonia 1/19/2018 $0 0 1 1 $23,521 2/13/2018
France 1/31/2018 $376,239 209 209 420 $588,262 9/20/2018
Germany 3/8/2018 $267,280 200 200 493 $388,518 4/19/2018
Greece 1/18/2018 $0 0 9 9 $73,503 3/8/2018
Guatemala 3/22/2018 $21,636 23 23 34 $53,249 1/1/2019
Honduras 3/22/2018 $8,550 21 21 29 $21,299 1/1/2019
Hong Kong 2/1/2018 $230,498 45 45 88 $631,853 9/13/2018
Hungary 3/8/2018 $68,535 35 47 158 $253,877 1/1/2019
Iceland 1/19/2018 $0 0 0 0 $34,542 1/1/2019
India 1/19/2018 $110,787 0 0 0 $186,349 9/10/2018
Indonesia 1/31/2018 $110,779 0 0 0 $797,851 1/1/2019
Iraq 1/18/2018 $0 0 0 0 $71,788 1/1/2019
Israel 2/1/2018 $131,184 19 20 103 $688,080 1/1/2019
Italy 7/11/2018 $276,881 0 0 0 $839,714 9/28/2018
Japan 5/4/2018 $805,244 194 194 493 $1,958,583 6/8/2018
Jordan 1/18/2018 $0 0 0 0 $37,869 1/1/2019
Latvia 1/26/2018 $0 0 2 2 $8,760 1/1/2019
Lebanon 1/18/2018 $0 0 0 0 $253,805 1/1/2019
Lithuania 2/2/2018 $14,187 42 42 79 $44,331 3/8/2018
Malaysia 1/18/2018 $0 0 40 40 $424,189 2/13/2018
Mexico 3/9/2018 $172,349 0 149 311 $499,406 7/13/2018
Netherlands 2/2/2018 $229,731 66 66 269 $684,632 4/26/2018
Nicaragua 3/22/2018 $3,389 3 3 5 $7,235 1/1/2019
North America 1/19/2018 $15,815,025 3,002 3,018 12,713 $45,819,713
Panama 3/22/2018 $31,736 20 20 29 $64,388 1/1/2019
Paraguay 4/12/2018 $3,688 14 14 17 $5,751 1/1/2019
Peru 5/5/2018 $5,408 0 0 0 $89,514 1/1/2019
Philippines 1/17/2018 $0 0 8 8 $414,447 12/20/2018
Portugal 2/23/2018 $89,151 55 55 159 $269,878 4/5/2018
Qatar 1/18/2018 $0 0 0 0 $796,814 1/1/2019
Romania 2/2/2018 $97,209 57 57 57 $303,927 1/1/2019
Russia (CIS) 3/8/2018 $95,682 371 371 371 $148,832 2/26/2019
Serbia and Montenegro 2/15/2018 $0 0 12 16 $16,142 1/1/2019
Singapore 1/18/2018 $0 0 22 39 $432,610 3/8/2018
Slovenia 2/8/2018 $12,163 14 14 21 $28,063 3/30/2018
South Africa 2/9/2018 $86,137 65 65 70 $226,911 4/12/2018
South Korea 1/24/2018 $0 0 206 454 $1,718,839 5/24/2018
Spain 5/4/2018 $245,364 221 234 767 $910,504 6/28/2018
Sweden 3/9/2018 $66,501 50 50 65 $154,046 5/17/2018
Switzerland (French Speaking) 2/21/2018 $0 0 0 0 $17,243 4/12/2018
Switzerland (German Speaking) 3/8/2018 $31,414 0 0 0 $78,534 4/12/2018
Taiwan 1/19/2018 $383,502 0 0 0 $1,080,145 9/13/2018
Thailand 1/18/2018 $0 0 75 75 $601,945 3/30/2018
Turkey 3/20/2018 $25,565 95 95 112 $44,848 1/1/2019
Ukraine 3/8/2018 $31,603 0 0 0 $56,885 1/1/2019
United Arab Emirates 1/18/2018 $0 0 0 0 $947,336 1/1/2019
United Kingdom 1/16/2018 $0 0 311 620 $1,241,360 3/30/2018
Venezuela 5/11/2018 $578,075 23 23 99 $3,612,286 6/28/2018
Vietnam 1/26/2018 $0 0 0 0 $146,991 1/1/2019
West Indies 1/19/2018 $0 0 0 0 $87,639 4/5/2018
 
Worldwide Total$71,118,378 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chris Hemsworth    Captain Mitch Nelson
Michael Shannon    Chief Warrant Officer Cal Spencer
Michael Peña    Sergeant First Class Sam Diller
Trevante Rhodes    Sergeant First Class Ben Milo

Supporting Cast

Navid Negahban    General Abdul Rashid Dostum
Geoff Stults    Sean Coffers
Thad Luckinbill    Vern Michaels
Austin Stowell    Staff Sergeant Fred Falls
Ben O'Toole    Scott Black
Kenneth Miller    Kevin Jackson
Kenny Sheard    Bill Bennett
Jack Kesy    Charles Jones
Rob Riggle    Colonel Max Bowers
William Fichtner    Colonel Mulholland
Arshia Mandavi    Najeeb
Elsa Pataky    Jean Nelson
Marie Wagenman    Maddy Nelson
Alison King    Marsha Spencer
Samuel Kamphuis    Jake Spencer
Lauren Myers    Lisa Diller
Laith Nakli    Commander Ahmed Lal
Fahim Fazli    Commander Khaled
Numan Acar    Mullah Razzan
Peter Malek    Habib
Austin Hebert    SFC Pat Essex
Matthew Van Wettering    Desk Sergeant
Timothy Kamphuis    Diller’s Son
Jahan Khalili    Shepherd
Seth Adkins    Young Soldier Josh
Nate Boyer    Door Gunner
Taylor Sheridan    Brian
Vincent E. McDaniel    Soldier
Yousuf Azami    Fakir
Tommy Truex    Chinook Pilot #1
Veronica Diaz Carranza    Lieutenant Henriques
Shvan Aladin    Taliban Fighter #1
Mustafa Haidari    Taliban Fighter #2
Ali Olomi    Afghan Man
Yasmine Aker    Afghan Woman Teacher
Sofia Chicorelli Serna    Crying Afghan Girl #1
Massa Daoud    Crying Afghan Girl #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nicolai Fuglsig    Director
Peter Craig    Screenwriter
Ted Tally    Screenwriter
Doug Stanton    Story based on the book “Horse Soldiers” by
Jerry Bruckheimer    Producer
Molly Smith    Producer
Trent Luckinbill    Producer
Thad Luckinbill    Producer
Andrew Kosove    Executive Producer
Broderick Johnson    Executive Producer
Chad Oman    Executive Producer
Mike Stenson    Executive Producer
Ellen H. Schwartz    Executive Producer
Garrett Grant    Executive Producer
Yale Badik    Executive Producer
Val Hill    Executive Producer
Doug Stanton    Executive Producer
Christopher Glass    Production Designer
Lisa Lassek    Editor
Lorne Balfe    Composer
Rasmus Videbaek    Director of Photography
Dan Lester    Costume Designer
Mic Rodgers    Supervising Stunt Coordinator
Jon Schumacher    Co-Producer
Melissa Reid    Co-Producer
John Papsidera    Casting Director
Jonathan Watkins    Music Supervisor
Garrett Grant    Unit Production Manager
David H. Venghaus, Jr.    First Assistant Director
Kim Richards    Second Assistant Director
Emma McGill    Associate Producer
David H. Venghaus, Jr.    Associate Producer
Rachel Smith    Associate Producer
Karen Jarnecke    Production Supervisor
S. Todd Christensen    Supervising Location Manager
Brad Arensman    Post-Production Supervisor
Troy Sizemore    Supervising Art Director
Derrick D. Ballard    Art Director
Bjarne Sletteland    Art Director
Taura C.C. Rivera    Set Designer
James W. Stodgel Jr    Set Designer
Wilhelm Pfau    Set Decorator
Mara Herdmann    Script Supervisor
Rodney Gurule    Sound Mixer
Mark A. Peterson    Costume Supervisor
Bill Corso    Make up
Cary Ayers    Make up
Anji Bemben    Hairstylist
Ian MacGregor    Location Manager
Mike Meinardus    Special Effects Supervisor
Mic Rodgers    Second Unit Director
Ellen H. Schwartz    Unit Production Manager
Ryan Chan    Associate Editor
Joseph Kirkland    First Assistant Editor
Staci Pontius    First Assistant Editor
Richard King    Supervising Sound Editor
Laurent Kossayan    Supervising Sound Editor
Joel Dougherty    Supervising ADR/Dialogue Editor
Christopher S. Aud    Supervising Sound Editor
Aaron Glascock    Sound Effects Editor
Michael Mitchell    Sound Effects Editor
Richard King    Sound Designer
Beau Borders    Re-recording Mixer
Joel Dougherty    Re-recording Mixer
Lorne Balfe    Score Producer
Max Aruj    Score Producer
John Chapman    Score Mixer
Richard Ziegler    Music Editor
Roger Nall    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.